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45 Years of Luxury

Finding the Ultimate Homes

By Camilla McLaughlin

Austin ©ISTOCKPHOTO.COM / ROSCHETZKYISTOCKPHOTO

Austin
©ISTOCKPHOTO.COM / ROSCHETZKYISTOCKPHOTO


The top luxe locations in the U.S. have evolved quite a bit in Unique Homes’ 45-year history.
Location might be a fundamental that drives value, but in the world of luxury real estate the status of any one place often depends on the moment.
“It’s not location, location, location; it’s timing, timing, timing,” says Jeff Hyland of Hilton & Hyland in Beverly Hills.
When Unique Homes was founded in the early 1970s, the decades-long migration to suburbia was still underway, with affluent homeowners gravitating to traditional upscale enclaves such as Greenwich, Connecticut or Saddle River, New Jersey. West Coast luxury stars included Beverly Hills, Holmby Hills, and Bel Air. Fledging resorts like Vail were just gaining recognition and Cabo remained an exclusive domain of Hollywood glitterati.
Today, urban centers account for some of luxury’s most coveted addresses. A new generation of even more indulgent retreats and a growing number of ultra-private communities are rising to replace traditional grande dame resorts that have lost exclusivity. And many more cities have thriving high-end markets, while properties in well-established upscale enclaves are creating new paradigms for size, finish, and amenities.
Geography of luxury
Over the years, the preferred places for the wealthy change and evolve. Some fall out of favor, and then a decade later might be rediscovered. New in-demand locales emerge, while blue-chip mainstays seem to be insulated from the vagaries of the market. “As the market gets better and better, areas on the fringe will be included,” says Hyland of L.A.’s Westside neighborhoods.
One of the biggest catalysts over the years has been new industries and sources of wealth. Apple Computer was founded at the same time as Unique Homes, but the tech revolution that would incubate a new crop of millionaires was in the future. “San Jose was a bit of a sleeper,” recalls Paul Boomsma, president, Luxury Portfolio International and COO, LeadingRE.
“With regard to San Francisco, traditionally there were certainly wineries and some nice estate properties up in the wine country, specifically Pacific Heights — that’s really where the wealth was. Now that’s kind of dwarfed by some of these really large homes in Silicon Valley, which didn’t really exist,” Boomsma explains. In the Bay area, sales of homes priced above $10 million were up 57 percent last year, even though limited inventory put a damper on overall transactions, according to Coldwell Banker Real Estate research.
Hawaii ©ISTOCKPHOTO.COM / TRACEROUDA

Hawaii
©ISTOCKPHOTO.COM / TRACEROUDA


In 1995, around our 25th anniversary, the number of ultra-high-net-worth individuals worldwide was just 84,974. Flash ahead 20 years and the ultra-high-net-worth population (those who have more than $30 million in net assets) hovers at 211,275, a 150-percent increase. More than almost any other factor, this wealth explosion is changing the geography of luxury in the U.S. and worldwide. “Suddenly a $10 million condo isn’t noteworthy,” says Boomsma. Recalling Manhattan of 20 years ago, he says, “The most desirable residential properties were co-ops. The number of really extreme properties in Manhattan was not that great. I am not sure a $10 million co-op existed.”
Still, coops continue to be “very unique, highly sought after,” says Philip White, president and CEO of Sotheby’s International Realty, who compares them to a private club, since a purchase requires board approval.
Dallas, Houston, Atlanta, Seattle, and Denver are all cities rapidly acquiring high-end neighborhoods. “Those cities were not considered luxury destinations, but look at the market share and the increases in million-dollar homes — in some cases 20 percent — and I think that makes them a new player,” says Craig Hogan, vice president of luxury for Coldwell Banker Real Estate. According to Coldwell Banker Previews’ Spring 2016 Luxury Market Report, Austin, Dallas, and Seattle were among the top 20 markets for $1 million-plus sales. Denver was cited as an up-and-coming million-dollar location, while sales above $5 million are on the rise in Dallas.
For this article, we happened to catch up with Hogan in Bellevue, Washington. “It’s an eye-opening experience,” he says. “The market is off the hook. It’s a hot market with average days on market around 45 days, and people are paying over asking price.”
The explosion of wealth is also upping the ante for what it takes for a home to be deemed upscale, and this is especially true in some traditional locations known for luxury. Historic estates in the Hamptons have been on and off our list of the most expensive, beginning with Three Ponds Farm Estate, our very first Ultimate Home, listed at $75 million, in 2005. Another landmark, Eothen—the Church Estate, at $45 million — was No. 10 in that same issue. The Hamptons might be perennially platinum but “homes there have also become extreme,” says Boomsma, pointing to the boost in incomes from the stock market as well as venture capital and hedge fund money that has pushed the parameters for luxury here (and in other places as well).
The Hamptons ©ISTOCKPHOTO.COM / MIKEREGA

The Hamptons
©ISTOCKPHOTO.COM / MIKEREGA


In 2015, Beverly Hills saw 37 sales over $20 million, and a majority were to residents of the U.S. “When I moved here from Houston, I wasn’t prepared for the level of housing here,” says Ann Dashiell with Douglas Elliman Real Estate in Beverly Hills, who was one of Houston’s top real estate brokers. Currently, she is listing one of the most expensive homes in the U.S.
Nothing has made inaccessible or inconvenient locations more appealing than private aviation. In the last 15 years, fractional jet ownership has carved out a new landscape for resort properties. “Today the private jet has completely changed where people are able to build homes. Hawaii has a much larger contingent of really ultra-wealthy properties, and they’re resort homes. They are for people who are not primary residents. That would not have been available without private jets,” shares Boomsma. In the Ultimate list for 2016, Hawaii has more entries than Connecticut.
Among properties listed in Ultimate Homes, both California and New York outpace other states in terms of the number of homes priced above $20 million. Both areas, along with Florida, also have been beneficiaries of the growing recognition of the U.S. as a safe haven by international buyers. Mention New York or Beverly Hills almost anywhere, and instantly there is a recognition of value and worth. “You can be walking down the street in China, and if you say you are in Beverly Hills, everyone knows it,” says Dashiell. International interest and the growing perception of the U.S. as a safe haven are driving upscale demand in both primary and second home locations, and that is shaping the luxury landscape.
Beaufort ©ISTOCKPHOTO.COM / &#169 ALAN TOBEY

Beaufort
©ISTOCKPHOTO.COM / © ALAN TOBEY


Prime properties reach new heights
The popularity of urban living might seem like a recent craze, but it began decades ago in New York as downsizing boomers happily exchanged large suburban homes for resort-like services and city living. The 1990 census showed the first net migration back to the city in 60 years. “That was the start of the reurbanization of American cities. New York led the way,” says David Michonski, who recalls, “We were in the midst of a mega trend.”
Similar moves were underway in Boston, and soon the trend extended to Philadelphia, Chicago, and other major cities. Even today’s resurgence in Atlanta is an outgrowth. “The trend has continued and now it’s on steroids,” says Michonski.
Although high rises always have been part of the urban experience, the buildings being created today deliver an entirely new vision of city living. Stunning architecture, views, and the latest electronics are only part of the lifestyle, which often includes a huge range of amenities from ice skating rinks to multiple pools, art installations, and — in the case of one building in Midtown Manhattan — a club for dogs. Even a garage outside the door of your home on the 58th floor is possible. It’s all part of the new urban lifestyle, something those early urban “pioneers” in the 1970s could not have envisioned.
Pacific Heights ©ISTOCKPHOTO.COM / &#169 RAFAEL RAMIREZ LEE

Pacific Heights
©ISTOCKPHOTO.COM / © RAFAEL RAMIREZ LEE


The Big Apple, more polished than ever
New York continues to be the epicenter of luxury real estate in the U.S., with over 50 percent more $20 million-plus listings than California in 2016. It is notable that the average price of a Manhattan apartment topped $2 million in the first quarter of 2016, a year-over-year increase of 18 percent. The median price increased by roughly 17 percent, and came in at just over $1.1 million. Although the pinnacle of real estate in the Big Apple has been receiving mixed reviews, reports of mega sales continue. Manhattan and New York City make up the bulk of the New York entries on our Ultimate list. Prices in the Hamptons continue to rise, with about 70 priced over $20 million. Hot in the Hamptons are East Hampton, Southhampton, Quogue, Watermill, and Wainscott. Rye, in Westchester County, is one of the few primary home locations on our list.
California
California consistently vies with New York for having the greatest number of homes priced above $20 million. More places have also become ultra-high-end enclaves. Places with the highest number of listings include Beverly Hills and Bel Air. In recent years, buyers in California have shifted priorities. “In general the luxury buyer wants attractive architecture,” explains Joyce Rey, executive director, Coldwell Banker Previews International in Beverly Hills. “The style has changed, with growing preference for contemporary, but they still want privacy and the prime location change is the gravitation toward views and an emphasis on contemporary architecture.” Holmby Hills is perennially platinum on Ultimate lists. Malibu had the highest sale in the area in 2015 and continues to be an evergreen luxury location as do Montecito, Santa Barbara, La Jolla, and Los Altos.
Florida   
The Sunshine State was hard hit by the recession. Many suggested it would take decades for the housing industry there to recover. Although some locations are still not back to pre-recession prices, the problem in many cities and resort locations is lack of inventory. Luxury in Miami has been moving at a hyper-fast place. On the west coast, places such as Naples that have always been upscale but not uber luxury are now considered luxury enclaves. “Ten years ago, Naples wasn’t nearly what it is today. For many, it is their favorite place in Florida,” says White. In fact, the number of $20 million properties in Naples is very close to the number in Palm Beach. Delray and Fort Lauderdale are seeing a resurgence of upscale properties. Additionally, a number of other places are experiencing the resurgence of luxury including Hobe Sound, Longboat Key, Vero Beach, and Wellington.
Telluride ©ISTOCKPHOTO.COM / AMEDVED

Telluride
©ISTOCKPHOTO.COM / AMEDVED


Resorting to resorts
Second home sales reached their highest level in recent years. Upscale consumers often have more than one vacation home. Locations range all over the country, depending on passions and interests.
Colorado in recent years has had more entries in our Ultimate publication, particularly this year when Colorado properties outnumber those in Connecticut. While this might be a function of inventories, it is also an indication of the growth of luxury. Aspen had one of the highest priced properties in 2015, and it remains a luxury star, as do Vail, Beaver Creek, Crested Butte, and Telluride. Ranch properties add a range of places, including Hesperus and Woody Creek. Park City, Utah is on the verge of offering competition to Colorado luxury.
Hawaii has become another luxury stronghold, and new resorts in Maui and other islands are raising the bar for translating the Aloha spirit. The new language of luxury includes places such as Kilauea, Kailua, Kalaheo, Princeville, and Lahina. And of course Honolulu.
But these few states, along with Florida, are really only the beginning of luxury resort locations, including Flathead Lake and Whitefish, Montana. And Southern stars, including Kiawah Island and Beaufort, South Carolina.
Miami ©ISTOCKPHOTO.COM / MEINZAHN

Miami
©ISTOCKPHOTO.COM / MEINZAHN

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Nadia Geller — Designer & Pioneer

When celebrity designer Nadia Geller isn’t creating new interiors, she’s welcoming customers into her shop on the urban frontier.

By Roger Grody

Nadia Geller — you may know her from “While You Were Out” and “Trading Spaces” on cable TV — has operated her interior design business from Los Angeles’ burgeoning Arts District since 2013.

That area, a collection of crumbling warehouses and factories, is experiencing an incredible renaissance as celebrity chefs, trendy designers and high-tech startups crowd into distinctive old structures as hip loft residences soar above.

After moving her rapidly growing practice to larger digs around the corner, the designer dedicated her original Arts District space to a home furnishings boutique that combines the charm of a Parisian flea market with the approachability of a friend’s living room. The 39-year-old designer, who favors an eclectic, comfortable approach, is known for creating spaces that reflect the personalities of her clients.

When did you first become interested in interior design?

When I was eight, I was already drawing floor plans, so I felt like I had a pretty good foundation when I made my career choice. I studied graphic design before eventually switching to interior design, but didn’t have the funds to complete my education. At 23, living in New York, I applied for a job at ABC Carpet & Home [the huge Big Apple showroom], and my hand-stitched résumé got me noticed. I ended up getting hired and was quickly promoted to Visual Manager, overseeing four floors of vignettes. I was given almost complete creative control, and began seeing my work on TV and in magazines.

Speaking of TV, tell us how you ended up as a “celebrity designer.”

I got a call from a casting director, back when reality programming was just beginning. Apparently I had exactly what they needed for the show “While You Were Out,” an experience that actually made me a
better designer. On each episode we had just $1,000 to spend in two days, so now when I have a short, pressure-packed deadline or tight budget, I have the confidence to know I’ll get it done. I’m not sure I’d want to do it now, however. The perks of being on-air talent are nice, but you have to expose so much of your personal life and my children wouldn’t have a voice to say “yea” or “nay.”

How would you describe your approach to interior design?

I like rooms that feel comfortable and welcoming, not fussy … places where you can sit and have a glass of wine with friends without worrying about everything being perfect. I also believe everything we put in our environment needs a sense of purpose. The bohemian movement really defines something I’ve been in touch with for a long time. You might call my style “collected and comfortable,” and I’m as happy putting a new fabric on an old chair as an old fabric on a new chair. Craft is important to me … where something is made, how it’s made and knowing how its production affects our world.

What materials or products are you currently obsessed with?

I’m really into natural stone right now, on walls and tabletops. I’m also into old, reclaimed wood and I’ve been on the wallpaper bandwagon for 20 years. There’s something so warm and inviting when there’s a texture on the wall … I’ve always been drawn to adding different textures that the light can play off.

When designing a residential interior, how do you get to know the client?

It entails a lot of hanging out at their house. I need to know how they start their day, how they move through their home and how they entertain. We ask tons of questions. We also want to know what they don’t like, which is just as important as what they do like. A lot of designing, I’ve realized, is knowing what doesn’t work.

Who in the design world do you currently find particularly inspiring?

Milan-based architect/designer Patricia Urquiola has a contemporary vision and eye for color I respect, and I love that she’s a strong woman with a family and her own business. She’s very inspiring to me, and her work always makes you feel like you’re on vacation.

What was the motivation for opening your store, Nadia Geller Designs Market?

Our firm is currently working on 15 large projects, so it’s easy to get lost in paperwork and a showroom helps me keep my finger on the pulse of what’s going on. If I buy a sofa for a particular project and it just doesn’t work, I can sell it in my shop, where I’m constantly recycling the merchandise. The Market gets me out of my spreadsheet hell and gives me time to be creative.

How did you end up being a pioneer in the Arts District, and what kind of shopping experience do you offer your customers?

Because downtown L.A. is centrally located, it’s convenient for clients, but it’s also good for my soul. I feel creative in the Arts District and love the energy it brings me. It reminds me of Williamsburg [Brooklyn], the beacon of hipster gentrification, where I used to live. I see us as kind of that secret shop people might discover after having brunch in the neighborhood, a hidden treasure box around the corner. As a community gathering place, we host book signings, seminars and workshops on everything from planting succulents to building holiday gingerbread houses. Some customers want to chat while others don’t want to be bothered, and my staff accommodates them all.

Does your own home reflect what you suggest for your commercial clients?

We live in a classic 1930s cottage and, like my professional work, it’s interior is eclectic and comfortable. My husband likes Danish modern, so there are some of those pieces around, but usually when we discuss design decisions, he just nods … he’s learned!

To learn more about Nadia Geller Designs Studio & Market, visit nadiageller.com.

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Delisle Celebrates 120 Years of Restoring Historical Monuments

Celebrating 120 years in business, Delisle has garnered accolades from its work on royal commissions to restoring historical monuments. Known for its wrought iron and bronze works, the company celebrates its storied past, and looks to the future by staying true to its roots.

By Kirsten Niper

Delisle has been a family business specializing in bronze and wrought iron for five generations. From designing pieces for the Blue Bloods of Europe to American millionaires to restoring historical monuments, Jean-Michel Delisle, director of Delisle, credits the company’s staying power to keeping the strategy consistent.

“For the last 120 years, we have kept the same strategy, always making high-fashion lighting and furniture. We have always wanted to remain classical with high quality, with no question to the cost of the product. We have never wanted to be fashionable,” explains Delisle.

Every project begins with the drawing, of which Delisle has over 15,000 watercolors and drawings in its archives. “It all begins in the hands of the designer, then it’s sculpted with a wood plaster resin,” shares Delisle. Next, the mold is sent to the foundry to be casted. “Our job is to make reproductions from the model, and it can be made in many pieces and then reassembled and gold plated. Later, it is wired for electricity and crystals are selected to
install,” explains Delisle.

The company’s history constantly guides its future path. “We don’t want to be old, and the classical style, it’s in our look, it’s in our blood,” states Delisle. “We are like an antique dealer and a curator of past designs.” Delisle’s great grandfather loved 18th-century bronze, and by the end of the 19th century, everyone was dedicated to Art Noveau, so the elder Delisle gathered up more bronzes, leading to one of the wealthiest collections. “There is no interruption [of the design aesthetic]. We are proud of our past, and want to be proud of our future.”

Delisle was founded in 1895 by Henry Delisle, an alumnus of École Boulle and winner of the grand prize at the Brussels World Fair in 1897, and his brother Gaston. Delisle’s past works include designing pieces for the royalty of Europe including Tsar Nicholas II, Albert I of Belgium and Peter I of Serbia, to doing work for well-known American families, including the Vanderbilts and Henry Phipps.

The family company also credits being in France for its staying power and design aesthetic. “The company itself is our wealth and we want to preserve it, and our goal is to give a wealthy position to our sons,” explains
Delisle. According to Delisle, Paris is a dream and France is known for taste. “A very long time ago, I was studying and traveled across the 
United States for four months and I learned that everyone knows Paris and France.”

As a reflection of the company’s standing, the French government requested Delisle to help restore monuments after the destruction of World War II. “Between 1950 and 1980, the public’s historical monuments needed to be restored, and it was 20 to 30 percent of my father’s activity,” explains Delisle.

The architects of Château de Versailles called on the company’s services, and Delisle was also involved in the first restoration of the Opéra Royal in 1962 by designing chandeliers and demi-chandeliers based on the writings of 18th-century artisans, which are still in place today. Delisle also designed Louis XIV chandeliers for the Institut de France and the 18th-century-style crystal chandeliers of the Salon de la Légion d’Honneur at the Hôtel des Invalides, which garnered Delisle a contract for the decoration of the Louis XIV Château at Louveciennes, the largest private mansion built in France since the 19th century.

It also was involved in the reproduction of 16th- and 17th-century royal bedrooms at the Wrightsman Galleries at the Metropolitan Museum and the Shangri La, where the company had to mind feng shui while reproducing the 19th-century style of the historical building.

Delisle is sought after for its French style. It recently was involved in a house in Beverly Hills for a television producer, and not long ago it completed a project for the Ritz Paris.

Delisle is a member of the Comité Colbert, an association of 78 French luxury brands whose goal is to promote French art. The
Comité is also expanding into other European countries to celebrate their art. It is also a peek into the next 120 years for Delisle. “The Comité Colbert is celebrating its 60th anniversary, and we asked the younger people in our companies what the Comité will be in 60 years,” shares Delisle. One of the suggestions was chandeliers on the moon. No matter what the next 120 years bring, Delisle’s goal will remain the same — “Bronze can last a hundred years, but style has to remain pure.”

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