Aquatic Accomodations

There is no greater magnet for the hospitality industry than the sea, with towering hotels crowding the world’s finest stretches of beach, from the Côte d’Azur to Waikiki. For most travelers, a view of the ocean is the ultimate amenity, but luxury hotels that float or are submerged beneath the surface of the sea provide otherworldly experiences.

Floating is a term of art. There are some hotels that literally float, like The FloatHouse River Kwai in Thailand or the Off Paris Seine that is moored on the banks of the City of Light’s signature river. Others merely provide the illusion of floating, such as tropical overwater bungalows — these are quintessential French Polynesian accommodations but are found in the Maldives, Seychelles and Caribbean as well — where the design is fully integrated with the sea. Yet another category are hotels whose rooms or restaurants are submerged in the sea, providing guests with the underwater experience of coexisting with tropical fish amidst a coral reef.

The clubby Off floats on the Seine between the Right and Left Banks of Paris, not far from Gare d’Austerlitz in the up-and-coming 13th arrondissement. While the neighborhood is buzzing with fashionable bistros and nightspots, the barge-like Off provides an onboard restaurant and bar, even a lap pool. Those who splurge can choose between two fashionable suites whose décor was authored by designers Maurizio Galante and Tal Lancman.

Exotic species viewed from an elaborate underwater suite at Atlantis, The Palm. Above image and featured image:  © ATLANTIS, THE PALM; photos by Victor Romero

An underwater guestroom at The Manta Resort off the coast of Tanzania. Photo courtesy of the Manta Resort.

With its recent grand opening, Resorts World’s glitzy new $4.3 billion property is the latest hot spot on the Las Vegas Strip, but the company’s resort on Sentosa Island, Singapore is even more elaborate. It encompasses multiple hotels — among them the elite Crockfords Tower, the postmodern Hotel Michael and Hard Rock — along with several theme parks, a convention center and casino. The property’s Beach Villas hotel offers 11 two-story Ocean Suites that immerse their guests into an exotic ocean habitat. Floor-to-ceiling windows provide an undersea view of more than 70 species of marine animals amidst luxury accommodations enhanced by personalized butler service.

Offering the best of both worlds is The Manta Resort in Tanzania — it is located on Pemba Island amidst some stunning turquoise-hued waters — and its three-level floating suite is anchored to the ocean floor off the coast of Africa. Above water, guests enjoy a gentle rafting effect and panoramic views, but in the bedroom below they are treated to the eyepopping aquatic habitat of this corner of the Indian Ocean. Pemba Island is one of the world’s premier diving areas, but guests at The Manta’s underwater room can experience the same thrills without ever putting on a wetsuit. 

The Manta Resort’s own Kwanini Foundation is actively involved in protecting the rich marine habitat of Pemba Island, whose reefs are among the most diverse in East Africa. Rapidly increasing population is creating an unsustainable demand for fish, and the foundation is fighting to eliminate destructive practices like dynamite fishing near vulnerable reefs, as well as educating people on climate change and plastic pollution. These conservation efforts not only preserve the natural beauty of Pemba Island, but ensure the magic of The Manta Resort’s underwater accommodations as well.

Perhaps the most audacious example of a hotel with an underwater feature is the InterContinental Shanghai Wonderland in China. Constructed at an artificial lake created at an abandoned quarry, most of the sleek, curvaceous structure is technically below grade, with 16 stories built into a subterranean cliff. All of the 336 rooms benefit from spectacular views of the lake and the property’s dramatically illuminated waterfalls and fountains.

One spectacular two-level suite at Shanghai Wonderland features an enclosed living room with outdoor terrace hovering just above the water, while its bedrooms are submerged beneath the lake’s surface, encased in a giant underwater aquarium. Lin Wang, chief marketing officer for IHG, Greater China, commented: “We’re delighted to be joining forces with Shimao Group [developer] again to open InterContinental Shanghai Wonderland — an architectural masterpiece that’s a wonder and beauty in the global hospitality industry.”

When it comes to underwater hotel restaurants, New Zealand civil engineer Mike Murphy is a pioneering force responsible for some of the most dramatic designs. His first underwater restaurant project, Ithaa, opened in 2005 and remains a stunning dining space in the Conrad Maldives Rangali Island resort. A decade later, Murphy completed the design for his largest underwater dining venue, named 5.8 Undersea Restaurant — it sits 5.8 meters beneath the surface of the Indian Ocean — at the Hurawalhi Island Resort in the Maldives. “Many projects must be canceled, as the sites aren’t suitable or the client desires a room size that’s unrealistically large,” explains Murphy of his niche specialty. 

Despite his disciplined training as an engineer, Murphy appreciates the visceral reaction people experience in these underwater spaces. “Their mouths open in awe, they almost gasp in wonder at the beautiful underwater scene in front of them,” he says, and adds, “I, too, always get this feeling when I go down into these undersea rooms.”

The Hurawalhi project benefitted from advancements in fabrication, transportation and the availability of larger crane ships, reports Murphy, who notes these ventures work best in locations protected from severe waves or storm surges, generally inside a coral reef or protected harbor. “The design of the acrylic windows and arches is very important,” says the engineer, who explains, “The deeper you go in the water, the greater the pressure, and hence the thicker you must make the windows … and the more expensive it gets.” 

Murphy designed the largest underwater project to date, a villa at Conrad Maldives Rangali Island called The Muraka, a spectacular suite whose room rate begins at $9,999 per night. “Driven by our inspiration to deliver innovative and transformative experiences to our global travelers, the world’s first undersea residence encourages guests to explore the Maldives from an entirely new perspective below the surface of the sea,” said Ahmed Saleem of the Crown Company, which collaborated with the engineer on the
$15 million project. Murphy, who retired a few years ago at age 70, continues to receive proposals for projects and is hoping his design for the world’s first revolving underwater restaurant will be realized.  

Above, the view from an Ocean Suite at Resorts World Sentosa, Singapore. Photo courtesy of RESORTS WORLD SENTOSA SINGAPORE.

At far left, an underwater suite at the InterContinental Shanghai Wonderland. 

Above, the InterContinental Shanghai Wonderland, constructed at an abandoned quarry. Photos courtesy of InterContinental Shanghai Wonderland.

The FloatHouse River Kwai is a bona fide floating resort in Thailand, a country where floating homes and markets are not particularly unusual. The hotel’s string of thatched roof villas is essentially a lengthy pontoon boat parked along the river made famous by the novel and Oscar-winning movie Bridge on the River Kwai. Each villa provides nearly 1,000 square feet of comfort appointed with teak furniture and features a private terrace with a swing from which to lazily watch the slowly passing riverboats.

The luxurious Taj Lake Palace hotel is not technically floating on India’s Lake Pichola, but most certainly appears to be. The artificial lake, which was created in the 14th century, has several islands, and the white marble-clad structure — it was originally a summer palace for the ruling dynasty of Mewar — was constructed on one of them in 1746. The palace was designed in a manner that makes it look like an ornate floating raft, and while the illusion is convincing, nobody gets seasick. The hotel oozes elegance and romance, and the most extravagant suites, with hand-painted ceilings, crystal chandeliers and panoramic water views, are indeed palatial.

In a city that specializes in over-the-top experiences, Dubai’s 1,500-room Atlantis, The Palm offers a 1,775-square-foot underwater suite with floor-to-ceiling windows for viewing the resort’s signature aquarium, stocked with 65,000 marine animals. A guest lying on the bed or relaxing in the marble bath will be mesmerized by sharks, stingrays and vibrantly hued tropical fish sailing past. A private elevator ascends to the suite’s intimate lounge, offering surface views of a lagoon, and guests’ needs are attended to by a dedicated butler.

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Experts Report: Park City

Utah is known for its top-rated ski slopes, mountain resorts, and vast natural landscape that lends itself to a slew of outdoor activities.

Park City in particular, located east of Salt Lake City, especially optimizes the exhilarating outdoors, housing three of the best ski resorts in the world as well as Utah Olympic Park. However, skiing doesn’t fully encapsulate the essence of Park City. The terrain also allows for mountain biking, horseback riding, golfing, and paddle boarding, just to name a few.

Park City also specializes in luxury resort living, which blends sumptuous indoor facilities with the expansive outdoors. Promontory Club, a private residential community that is the epitome of luxury living, spans over 6,400 acres and offers a myriad of indoor and outdoor amenities. Chris Messick, the director of real estate sales at Promontory Club, describes it as a four-season private club, with relatively less humid summers and lighter winters.

“As people started spending more time here in the summer, people figured out Park City has more of a four-season feeling than some of the other spots. Summer is as important to us as winter,” Messick explained.

Messick credits Promontory’s appeal to its diverse selection of amenities, all of which occupy 190,000 square feet. Among them are a world-class equestrian center, a clubhouse and spa, multiple golf courses, a beach club, an Outfitter’s Cabin, from which members can embark on a number of outdoor adventures, and over 30 miles of trails.

According to Kerry Oman, associate broker at Summit Sotheby’s International Realty, this lifestyle along with the ongoing pandemic has yielded a booming real estate market in Park City.

“Because of COVID-19, we’ve seen an increase in out-of-state buyers coming and spending longer periods of time or even relocating to Park City. The last 12 months in Park City has been phenomenal with unprecedented growth. The demand has
been extremely high and properties sell really fast,” Oman said.

Along with Promontory Club, Oman speaks highly of Glenwild Country Club, which is rated the No. 1 golf course in Utah, and Deer Valley Resort, one of the world’s best with breathtaking mountain views. The opulence of these resorts are juxtaposed with Park City’s small-town charm. Visitors can venture to Main Street for quality shopping, fine dining, and historic attractions. Both Messick and Oman reiterate that Park City surprises people with its beautiful summers and the accessibility of outdoor activities during the season, making it an ideal, year-round retreat.

Photos courtesy of Promontory Club.

This story originally appeared in Unique Homes Fall ’21 issue. Click here to see the digital version.

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Sustainability Without Sacrifice

Featured image: The Weekender Bag by Banda Bags. Photo courtesy of Banda Bags.

Introducing luxury handbags that leave their mark on the fashion industry without damaging the environment.

 

Banda Bags  bandabags.com

“Banda Bags was born out of adventure and discovery,” says founder Brianna Jane. The company came to life when the founder was filming a docu-series on natural medicine in Indonesia. “I found myself in a wild area of Sumatra that is completely off the beaten path, known for its rich coffee and devout Muslim culture,” according to Jane. “I did not create these bags. I discovered them!” The company really took shape when Jane realized that this traditional art was becoming obsolete and that she could create an opportunity to empower female artists and revive traditional techniques, while supporting the environment.

The Weekender Bag

Perfect for a weekend away, a carry on, or when you need a little more space, the Weekender Bag is one example of the fine handcrafted embroidery that is a mainstay among Banda Bags.

From start to finish, Banda Bags considers its impact on the planet. The base of the bags are made from recycled nylon, along with recycled polyester for the thread, and organic cotton for the insert bag. And finally, recycled, corrugated boxes are used for shipping. “Seeing that fashion has the power to influence the masses, there’s a unique opportunity to use it as a platform to educate the masses about sustainability, and how our choices affect the planet,” adds Jane.

The Banda Tote Bag

The Banda Tote Bag is a must-have for the summer. Not only is it functional, but it features handmade traditional designs that bring a piece of art made by Sumatran artisans into your everyday wardrobe. Large, comfortable shoulder straps, a roomy interior, and zippered pockets bring function and sustainability within reach

Gemma Backpack Purse by Svala. Photo by Mikel Roberts.

Svala  svala.co

Svala came to fruition when the founder, Helga Douglas, was searching for a bag that was stylish and sustainable, but came up short. “I found it hard to find brands that represented the values that I was looking for, so I decided to create my own,” says Douglas. The company specializes in luxury, vegan handbags that have been handcrafted from innovative PVC-free fabrics, such as Italian vegan leather, Pinatex® — made from pineapple leaf fibers — cork and recycled plastic bottles. “We are also in the process of introducing a new vegan leather into our range that is made with recycled polyester and bio polyols,” according to Douglas.

Didi Clutch

This elegant addition to any outfit is made from vegan leather PU (polyurethane) and lined with recycled polyester that is made from plastic bottles combined with organic cotton. The vegan leather PU is sourced from Italy, “from a family-owned factory that supplies various high-end European luxury designers,” says Douglas.

Gemma Backpack Purse

The Gemma Backpack Purse is elegantly versatile, easily transforming from a convenient backpack to a sophisticated handbag. Handcrafted with high-quality, luxurious Italian vegan leather, and embossed faux snake-skin, or velvety cork, this bag embodies the Svala brand.

Lidia May  lidiamay.com

Lidia May, like several other sustainable brands, has been influenced by the growing industry of fast fashion and trying to combat low prices and the concept that clothing is disposable. “The fast fashion business paradigm is so pervasive that many entrenched players cannot survive outside it … Against this backdrop, Lidia May is proving that fashion can be creative, glamorous, and personal without being exploitative or exclusionary,” says co-founder of Lidia May, Rasheed Khan.

Pema Shopper Rose & Pema Top Handle Rose

The Pema collection is ultra-luxurious, refined, and a favorite among customers. This collection and others aim for natural and biodegradable materials to achieve their goals. “We prefer to use silk and cotton and unbleached linens in our fabrics and embroidery threads,” explains Khan. The company utilizes full and top grain leather that is luxurious, durable and incidentally a by-product of the meat industry, says Khan. There is no sacrifice between beauty and sustainability here.

The Barre Poppy

“Fashion is a beacon. It’s highly visible, it’s aspirational, it can influence society’s values and behavior,” says Khan. If the fashion industry can make sustainable changes, then items such as The Barre Poppy can hopefully inspire others to follow. Agile and sophisticated, The Barre Poppy can be worn around the waist or carried as a mini top handle.

The Barre Poppy by Lidia May. Photo by Emmy Pickett; Courtesy of Lidia May.

Photo courtesy of Mavis by Herrera.

Mavis by Herrera  mavisbyherrera.com

“I started Mavis by Herrera because I needed to be a part of the plastic pollution solution,” says founder, Mavis C. Herrera. “My passion is to encourage change through sustainability and regenerative business practices.” In the process of creating sustainable, ethically elegant handbags, the company also aims to empower indigenous people by first, offering jobs and eventually, by providing business skills, according to Herrera.

Less Pollution Convertible Bag

Mavis by Herrera handbags are waterproof, durable, lightweight, and fashionable. “We aim to revolutionize the fashion industry by proving that it can be done without harming people or the environment,” note the founders. “We take plastics and turn them into recycled, elegant, and sustainable handbags.” Working hand in hand with a local recycling company, each bag is hand woven in Mexico.

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The Transition

Cover photo ©istockphoto.com / Evgeny Zhigalov

Of all the changes brought on by the pandemic, what is here to stay?

From a drone’s eye perspective of 50 years, real estate might resemble a Mobius strip, a never-ending roller coaster of ups and downs with each boom-and-bust cycle sparking small changes and adaptations. But none have had an impact comparable to the pandemic, which ushered in an avalanche of innovation, new ways of doing business and a profound shift in consumer values. Some effects are a temporary response, while many reflect a significant transformation.

“The way that real estate as an industry operates has changed, and I believe it is a microcosm that can be applied to 90 percent of the economy out there. No one is going back, and that means the way we live, work and play changes forever,” observes Marci Rossell, former CNBC chief economist and chief economist for Leading RE. “COVID drop-kicked us into 2030.” 

Ask agents if any prior cycle compares to the experience of the last year and a half, and they will tell you the pandemic boom is unparalleled. “I don’t think any Realtor in the country has had the experience we’ve had this last year! Yes, there have been good upticks in certain years in certain places, but never anything like this!” shares Trinkie Watson with Chase International in Lake Tahoe.

“We’ve certainly seen periods where you had to pivot skill sets and be really aware of the market and things that would impact clients, but we’ve never seen anything like the last year and a half, (and) that’s been compounded by a lack of availability,” shares Tami Simms, with Coastal Properties Group in St. Petersburg, Florida, who is also trainer for the Institute for Luxury Home Marketing.

“I think that last year was the most significant year of change from a tech perspective,” says David Marine, chief marketing officer at Coldwell Banker Real Estate. The pandemic market accomplished what major brands had been working on for years. “In 90 days,” he says, “every single real estate agent figured out a way to move the transition online. Now it’s commonplace. It’s no longer an issue.”

“Agents basically skyrocketed 10 years into the future, and they did it in a two-month period,” says Rossell. Rather than an abrupt switch, industry experts see real estate’s seemingly overnight embrace of new technology as acceptance of tools already available. Think of it as “escalating trends that were already underway that would have happened, but they are going to happen almost a decade faster than anyone expected,” explains Rossell.

Will it be a virtual world?

Prior to what Simms dubs “the Zoom age,” she says, there wasn’t a widespread understanding or trust or proficiency with virtual apps. “Now,” she says, “we know how to use it. We’re reasonably proficient at it, and there’s a level of trust. So, we’re able to embrace this technology. You know I don’t ever want to go back to having to communicate with out-of-state buyers purely by telephone.”

Virtual Sales are touted as the main advancement sparked by the pandemic, but an even greater benefit has been an industry-wide recognition and adaptation of virtual apps to enhance and expedite the process from initial views of a property to consumer education. “FaceTime is an effective tool, but really more to give a prospect a better idea of the home, not to induce an offer … though it could,” says Watson. 

Looking ahead, agents don’t expect virtual sales to disappear, but they will continue to be a rarity. “I don’t think we’ll see many escrows where the buyer hasn’t physically seen the property. Yes, Zoom and similar will continue to be a part of our lives. Also, more defined photography for our listings … the importance of a comprehensive ‘walk through’ so prospects can get a good feeling for how the house flows,” says Watson.

Detailed virtual walk-throughs became more important than ever, with platforms such as Matterport leading the way. 

©istockphoto.com / fizkes

“In-person viewings have been very limited. No one wants to go to open houses. No one is walking about a house just for fun. People are looking online. They are viewing the pictures of a listing maybe 10 times before they see a house. So, a showing is more like a fourth showing, and agents need in-depth knowledge of a property,” says Joanne Nemerovski, with Compass in Chicago.

©istockphoto.com / joakimbkk

Dreaming of Home

The ability to work remotely is often cited as the main driver for the surge in sales, but even more fundamental are new consumer values regarding home and lifestyle. Citing millennials, who now comprise a substantial portion of buyers, Nemerovski says many were starting careers and literally were never home, so home basically was a shoebox they visited. “I think that sentiment has changed. Home is where the heart is. It has become the center of people’s lives. People are also more respectful of their homes.”

Everybody wants their dream home,” says Frank Aazami with Russ Lyon Sotheby’s International Realty in Scottsdale, Arizona, “because they just cashed out of another home that maybe they inherited or maybe were there for 20, 30 or 40 years.”

Buyers’ expectations of quality are high and will continue to be so. “People understand the level of finishes better than ever before. We’ve gotten so much better with respecting architects, good architects’ work, good designers’ work,” he says.

“All of a sudden, consumers are finding that now it’s not all about a commute. It’s about ‘does the place that I live offer me the things that I want to do when I have a little extra time, both inside and outside.’ Outside spaces have always been a luxury item, but more so now than ever,” says Simms. Topping wish lists are beautiful recreational facilities, inside and out. Also becoming more desirable is access to nearby outdoor venues such as parks and trails. Before COVID-19, outdoor living was a growing trend; now a connection with nature has become almost an essential for homes, particularly new construction.

Skills Put to the Test

With properties selling days or hours after going on the market and multiple platforms broadcasting new listings, it would seem agents’ skills are not essential. However, the pandemic market has proved the opposite. “It’s been a really intense time for real estate professionals in terms of making sure that their communication skills are absolutely the most important thing that they have, setting expectations, both on the seller side and the buyer side,” says Simms.

“There’s more attention to vetting prospective buyers, making sure they are qualified to buy before showing them property,” adds Watson.

Price is only part of an offer’s appeal to sellers, and crafting a winning offer has been an important skill for agents and buyers in the current market. Even when multiple offers become less of the norm, this aspect of buying will continue to be important.

An intense market tempts buyers to forgo contingencies. “It has been definitely challenging to counsel people on strategies to be successful in acquiring properties, but also in making sure that they truly understand the ramifications of releasing contingencies and know the risks they are taking on,” shares Simms.

“A downside of the intensity has been buyer’s remorse, cancellations before closing, some attempted lawsuits … a result of no inspections, jumping too fast without thorough exploration, et cetera. This would be a small percentage of the purchasers, but certainly a reflection of ‘herd mentality’ going the wrong way!” says Watson, referring to the pressure buyers felt to make a decision.

Cooldown Ahead

With days on market hovering just over 14 in July, prices rising in 99 percent of all metro areas, and double-digit price increases in 94 percent of metros (according to NAR), the current pace might seem no less fevered. Still, indications of a transition are beginning to filter out from a number of locations. Days on market are increasing ever so slightly, and overblown prices are being reduced. Or, as Katie Treem at Keller Williams Realty in Portland, Maine, explains, it might be that a property receives 20 offers instead of 40. “We’re still seeing people moving from New York, Boston, Connecticut and D.C.,” she says.

Also, agents like Treem are just beginning to see a few who bought in 2020 reselling. Sometimes they improved the property, but in others, decided the lifestyle was not what they desire or the commute, even for occasional days in the office, was too difficult.

In Tahoe, Watson says, “I believe the intensity has certainly calmed down, and I suspect very few listing agents will accept an offer from a buyer who hasn’t physically viewed the property. That goes for waived inspections … I’d be surprised if many are doing that any longer.”

No Bubbles Here

Bubble talk has become almost a perennial for real estate, but experts such as Rossell do not subscribe to this characterization of the market. Rossell says, “It’s not a bubble. It’s simply real demand bumping up against severe supply constraints. But this doesn’t mean house prices continue to go up. But what it does mean is you’re very unlikely to see the bottom fall out of the market, the way that you did in 2007, 2008.

“September 11 forever changed the way that we thought about terrorism. And I think in the same way, the first round of COVID in March of 2020 forever changed the way that we thought about public health, and pandemics. I think we’re all going to be living with the reality that at any given time something like this could happen, just like terrorism.”

Days on market are increasing, and overblown prices are being reduced. It might be a property receives 20 offers instead of 40, says Katie Treem at Keller Williams Realty in Portland, Maine.
 

©istockphoto.com / sara_winter

This story originally appeared in Unique Homes Fall ’21. Click here to see the digital version.

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Mindful Drinking

Featured image courtesy Camille Vidal.

 

A movement started across the pond is reshaping the relationship people have with alcohol, and starting new conversations about the topic.

When Laura Willoughby sought to change her relationship with alcohol, she found that there weren’t many options to turn to in the United Kingdom that suited her well. So she created her own. What started out as a Facebook group grew into what is now a movement that swept across the UK and eventually parts of the globe. Club Soda, the mindful drinking community Willoughby co-founded, was just the start of a conversation about how people can drink mindfully.

Camille Vidal, founder of La Maison Wellness, describes what a mindful drinker is best. For her, there are many different types of mindful drinkers, but there is not just one label. “Often, because the movement is expanding and there are more and more people becoming vocal about their sobriety, about cutting alcohol out of their life, very often people assume that if you are a mindful drinker, it means that you’re sober,” Vidal says. “But actually, mindful drinking, and being a mindful drinker, is being mindful, being aware, being conscious of how much, how often and what you drink.

For Willoughby, she identifies as being alcohol-free, and has been for eight and a half years. Club Soda was born from Willoughby’s realization that seeking a change in a relationship with alcohol was met with the disease model of addiction, which may help some people, but not all. “Alcohol is an identity, not a medical condition,” Willoughby says. “I’m alcohol-free because that suits me best and alcohol doesn’t have anything left for me; I definitely took everything that was possible from alcohol.”

Eventually the mindful drinking conversation began to shift to the beverage industry. According to Vidal, today there are about 90 different alcohol-free spirits available around the world, but one company was the catalyst for this category. “Five years ago there was one brand that launched the world’s first alcohol-free spirit — that’s called Seedlip.

Seedlip is a botanical spirit,” Vidal says. “And they really paved the way for rethinking how we drink.” Seedlip’s roots were planted in London in 2015 by the brand’s founder, Ben Branson. Starting with one spirit, the company grew to include three choices, each with an individual flavor profile. One interesting spirit Vidal notes is its Garden 108 spirit that is made with traditional herbs and its signature, peas, giving it a refreshing, gin-like flavor.

Vidal uses Seedlip and other brands — another one she recommends is a company called Lyres that is based in Australia — to create her mindful cocktails that she features on her company’s website. When the pandemic lockdown began in London, where she currently resides, she started “happy hours” on her social media where she showed people how to make her cocktails. Vidal also collaborates with companies and people, such as Willoughby, to spread the awareness of drinking mindfully.

Another category of alcohol-free spirits that has taken to the market are alternatives that are inspired to bring a new way of drinking and a new overall experience, explains Vidal. Three Spirit, another brand Vidal enjoys, specializes in spirits — they call elixirs — that are powered by plants. The elixirs not only taste good, but make the drinker feel good. “They’ve all been built to recreate the experience you have when you drink alcohol and the very reason why people drink alcohol,” explains Vidal. “For example, they have one that is called the Night Cap that helps you to relax, to ease stress, to calm you down, to help you with sleep — because it contains valerian, which helps with sleeping.”

Above: Camille Vidal; Below: Laura Willoughby

Willoughby herself enjoys drinking Three Spirit as one of her non-alcoholic options along with kombucha, which is something that Vidal says is a great addition to any non-alcoholic or low ABV cocktail. According to Vidal and Willoughby, choosing to become a mindful drinker doesn’t really have any setbacks, as it opens the door to a new lifestyle and way to enjoy nights out or time spent with good company. “People believe they have to give up their social life if they change their drinking, but what happens is your social life changes,” Willoughby says. “And guess what? Your social life changes anyway as you go through life.” On Club Soda’s website, the organization offers courses that help guide people down a mindful drinking journey that works for their lifestyle. “If somebody’s desire is to try and drink moderately,” says Willoughby. “Then that’s absolutely fine by us as well.” She goes on to say that there is a binary view of alcohol, which in actuality, there isn’t.”

Whether someone is choosing to phase alcohol out of their lives or is looking to start a new relationship with it, there are plenty of options that are just as delicious as their alcoholic counterparts. “I always say ‘tasty doesn’t have to be boozy,’” says Vidal. “For me, there’s something magical about having a low-alcoholic or non-alcoholic cocktail, and it’s not about the alcohol content, it’s about the moment, the celebration and appreciating the experience we’re having.”

Café Soirée
Strawberry Fields
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Q&A with Chris Goddard of HGTV’s Design Star

Photos by Mark Jackson/CHROMA Photography.

Designer Chris Goddard grew up in Arkansas in a house full of built-in furniture. As his love for design started early in life, he says this situation “drove me nuts.” Now, as the principal founder of Goddard Design Group, he credits these hurdles, as well as the creative nurturing of his family, for his love of change, which continues to inspire every facet of his work.

It was the need to produce something new every time, and the drive to push himself past his own creative limits, that helped Goddard become a finalist on the most recent season of HGTV’s Design Star: Next Gen.

We spoke with Goddard about his whirlwind experience of creating interior design for TV, and how his reality TV appearance inspired an even deeper love for design than he’d had in 30-plus years.

For those who haven’t watched the latest season of Design Star, can you relay to audiences your method of design?

I’m a big proponent of change, if you’re doing the same thing you did 3 years ago you’re doing something wrong. I never do the same thing twice, so in 30 years we’ve never used the same fabric twice, the same piece of furniture twice — it’s kind of my trademark. I don’t want anybody to have something somebody else has.

What has been your biggest inspiration, since you were young, to work in such a creative field?

I grew up in a very creative family, always surrounded by creativity and the arts. My family, especially my mother and my grandmother, were big on travel and exposing me to as much as possible. So I traveled a lot and spent a lot of time in museums. They would always take me out of school for weeks at a time; they always said ‘the best education was travel and experiencing things.’ I grew up a little globe-trotting kid, seeing the world, which was wonderful and super inspiring.

You received both design and business degrees in college. Have you found this type of structured education helpful as well?

I’ve found that having a business degree really makes a huge difference. Most designers are creative but can’t always run a business, and I’ve been able to strike a good balance. That’s not to say I haven’t ever screwed up — we all have — but those are called learning experiences.

You mentioned loving to travel, what’s one of your favorite places to visit?

One of my favorite places is Morocco. I try and go once a year. I’m super inspired by the colors and textures, anything that’s handmade. When you have something that’s made by hand, at least one thing in your house, it gives your house a soul and gives the room a sense of place, like it’s always been there. That’s my whole deal, creating timeless rooms. I don’t want anything to look like it was stuck in time, and the key to doing that is layering in parts of the past, present and modern so you get something that never really goes out of style.

A traditional Southern estate with hints of modern elegance in Fort Smith, Arkansas.

What is your primary focus when you’re designing a space?

I’m designing for the client, or if it’s commercial, for the space. You want to create an experience that is singular to them. I think the death of most design is becoming a trend or doing anything trendy, so I always try to be very specific in what I’m doing and make sure it’s uber-tailored to the space or the client.

I think as a designer the biggest compliment I can ever get is when someone comes in and says “Oh this looks like the homeowner,” instead of “this looks like a Chris Goddard house.” The biggest compliment is that it’s a reflection of the homeowner or the space.

What was it like to be on an HGTV show? Did you enjoy your time on set?

When I started my business I taught myself how to do everything, how to put on wallpaper, how to paint — to be a good designer you have to have an understanding of all the people that work for you. I haven’t done that [in person] in over 25 years, but [on the show] it all came back to me like riding a bike. … Each episode was like a day and a half, so cranking everything out and then being judged on it was a little tricky. In our career, our clients are the judges and you kind of have an idea of what they want, but when you go into things blind, you don’t know.

For me it was more fun because I got to push myself out of my comfort zone, which I really needed. I kind of looked at the whole experience as an opportunity to reignite my passion for design. It’s easy when I get to the level I am at and get comfortable — and I think I was feeling a little comfortable — which was the reason I wanted to compete. Doing it, I came back and I couldn’t have been more excited about design than I had in my whole life. It was the best experience I could have ever had.

What lessons have you taken away from the experience?

It’s best to go with your first thoughts. If you get too much in your head, it throws off the creative process. Don’t be afraid to try anything new. The main thing [I learned], though, was to trust my gut, be authentic and keep pushing myself. And to learn something new. I learned so many new design tips, technology tips — everyone had so many things to share. It was nice to just be able to soak it all in.

How have things progressed since going back to the firm? Any big plans for the future?

I’m excited to see what happens in the next few years, as design is having a Renaissance. Right now we’re busier than ever, since people have been stuck in their homes and they see things they want to change. They want multifunctional spaces, beautiful spaces, there’s been this huge resurgence in an interest in design. The whole world is once again interested in how they live.

The design style of this home evolved from Spanish Mission into an eclectic mixture of modernism and neoclassical, created through thoughtfully curated collections, from vintage Chinese rugs to contemporary art.
A key component to the design of this Fayetteville penthouse was the incorporation of pieces from the client’s extensive modern art collection, seen above and below. “It was a lot of fun to pull modern furniture and art together to create a new space that still resonates our client’s unique, eclectic personality,” according to Goddard Design Group.
Top photo by Rett Peek Photography.
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The Legends of Ultimate Homes

The Manor from Unique Homes 2017 Ultimate issue.

Photo courtesy Hilton & Hyland.

As we mark the 17th “Ultimate” edition of Unique Homes, we look back at the exceptional properties and agents who have been a part of the annual celebration of the most expensive real estate in the U.S.

Over the 50 years since the first issue of Unique Homes rolled off the presses, countless estates have graced our cover. Hundreds have captured a top position on Ultimate Homes’ list of the most expensive, but only a very few are real estate legends. Trackback through record-setting sales and property listings, and a handful of properties filter to the top, including an equally select cadre of real estate agents.

What destines a property for legendary status? Rarity, provenance, architecture, land and location all play a role. “We have represented and sold many properties that are above and beyond, but what makes them legendary is the architecture and the history of the property, including notable prior owners, location, and the property amenities that set the bar for other luxury properties,” explains Judy Zeder, a member of the Jills Zeder Group (along with Jill Eber and Jill Hertzberg) with Coldwell Banker Realty in Miami.

“What truly makes an incredible luxury property is that it’s something that someone else would never have. It’s not just another house with a different material feature,” shares Shari Chase, founder of Chase International Real Estate in the Lake Tahoe/Reno region. “Rarity is huge,” she says, as is “not being bumper to bumper with a lot of mega mansions that are exactly the same.”

The 2016 sale of the Playboy Mansion cracked the $100 million benchmark in L.A. 

Photo by Jim Bartsch.

Owlwood, Pickfair, Le Belvedere, Greenacres and Chartwell: the list of legendary properties that Joyce Rey, who heads Coldwell Banker Global Luxury’s division for Southern California, has sold is only surpassed by the number of accolades she has received over her more than 40-year career. Her sales have achieved price records multiple times, sometimes for the same property. In 1976, she sold the Sonny and Cher mansion for $1.2 million, a record at the time. Two years later, she sold it again for $4.2 million, which surpassed all other prices, setting a new high in the U.S. and worldwide. “It was a really big deal,” she says. “It changed the marketplace.”

The storied history of this property, which was renamed Owlwood to honor owls living in the estate’s towering trees, continues to the present day. The acquisition of neighboring properties and additional acreage over the years enhanced the value. Last offered for sale well above $100 million, it appeared on Unique Homes’ Ultimate list last year at $115 million. It sold in December in an off-market transaction for a reported $88 million.

Once dubbed “the Crown Jewel of Beverly Hills,” Owlwood’s resume includes a number of other high-profile names and celebrities, including Marilyn Monroe.

Ultimate Manhattan? The Tommy Hilfiger penthouse at The Plaza in New York City graced the cover of Ultimate Homes in 2014.
Casa Casuarina, seen here on the Unique Homes Fall 2012 cover, was the home of Italian fashion designer Gianni Versace.

Having a much-loved celebrity often adds to the cachet of a property. “Americans love celebrities,” says Jill Eber. “When a celebrity is comfortable using their name in connection with a property, it really makes a difference. Every home comes with a story and a celebrity’s story just makes it more interesting. A lot of properties are sold by very successful business people and the properties are just gorgeous, but when a home is sold by a celebrity or athlete, buyers are curious and sometimes they are attracted to that cache.”

Few celebrity homes received as much buzz as the Miami Beach mansion owned by the late Gianni Versace. “Everything about the Versace property, known as Casa Casuarina, was fun and exciting,” says Jill Hertzberg, who, along with Eber, sold the property. “It was a totally iconic property known worldwide. Every room was different with the most extraordinary mosaic tile designs throughout. The property was built for fun and entertainment and the buyers who purchased it just loved it! They all jumped into the pool on the day they got it. Standing in front of the mansion with reporters from all over the world is something I will always remember.”

Among our Ultimates, few have generated as much interest as The Manor, dubbed The Spelling Manor when it came to market in 2009 at an unprecedented price of $150 million, eventually selling for a reported $85 million in 2011. The buyer, Petra Ecclestone, daughter of Formula One billionaire Bernie Ecclestone, embarked on an extensive remodel, eventually bringing the estate back on the market in 2016 at $200 million. The 2019 sale price, $119.7 million, set a new, but short-lived, record for Los Angeles. Only a few months later, another legendary property, Chartwell, sold for a reported $150 million, achieving a new benchmark. 

Designed by Sumner Spaulding in 1933, Chartwell, like several other legends, including the Manor, was inspired by French chateaus. Located on 10 acres in Bel Air and surrounded by pristine gardens, it ticks off all the attributes of a legendary estate. Although it is notable for the highest list price, $350 million, in 2017, few other mansions are as familiar to so many. Featured on the 1960s sitcom, The Beverly Hillbillies, it was home to the Clampetts.

It’s worth noting the estate is actually in Bel Air. The Bel Air Hillbillies might not have been as catchy a title as the Beverly Hillbillies, says Gary Gold, with Hilton & Hyland, one of the agents listing the property. Using a home at one address, but identifying it as being in another location in films and television is not unusual, according to Gold. 

Chartwell was listed by a team of agents including Rey and Jade Mills with Coldwell Banker Realty, and Gold and Jeff Hyland with Hilton & Hyland. When prices breach $100 million, it’s not uncommon to have multiple brokerages marketing the property.

“These big sales have many layers of complexity. It can be a trust, a bankruptcy or a probate, and everyone at this level is well represented. And at $100 million, no one is flexible,” explains Gold. Often the team of agents and brokers will divide the tasks depending on their expertise. Gold says he is always 100-percent committed to getting the deal done.

Having brokered the sale of the Playboy Mansion, Gold jokingly refers to himself as the “Roger Bannister of luxury real estate.” Like Bannister’s one-minute mile, the Playboy Mansion smashed the $100 million ceiling in L.A. and opened the door to a number of legendary estates trading at or over $100 million, including Chartwell and The Manor.

“These types of mansions usually come on the market once in a blue moon, once a decade, but recently a number have traded in the last couple of years,” Gold shares.

When it came on the market, the Playboy Mansion received lots of media coverage. Still, when Jade Mills, who represented the buyer, initially saw the property, she wasn’t expecting to find a zoo. The property had “been talked about, but not really the zoo and the peacocks and everything that was there,” she says.

“When I first went there, there were all of the animals, monkeys, peacocks were all over the property — I just thought that it was so amazing that right in the middle of Holmby Hills, you had all those fabulous animals. So, it was just fun to see, and to see the grotto.”

Gold says the number of birds increased over time as local avians decided it was a great place to call home and joined the menagerie.

Another interesting tidbit was an abundance of pushbuttons in this home, sort of a smart home before the era of home tech. For example, push a button and the bed would turn around. The grotto had an array of buttons, all glowing red, and a phone from which you could dial up whatever music you wanted

Foundation of Value

But for legends, it is the amount of land or an impossible-to-replicate location that usually sets them apart. A majority occupy sizable parcels, whether it’s hundreds of acres like Tranquility in Tahoe, or a dozen or less in Bel Air or Holmby Hills. The exception are places such as Malibu, where a setting on the beach is more prized and rarer than acreage.

“Regardless of the condition — like new, falling down or anything in between — each owner puts their heart and soul into these homes,” shares Robert Kinlin, co-owner of Robert Paul Properties, who works with some of the most expensive in Boston and on the Cape. “But a lot of times, people are buying the land and the feeling it evokes when they’re outside walking the property, because you can’t change the land, but you can change the house.”

“The biggest thing you can have with a beautiful estate is Mother Nature,” adds Shari Chase.

When Chase founded her brokerage in 1986, the word “luxury” really wasn’t part of the vocabulary. Instead, she says, “we talked about estates and extraordinary estates, and her tagline was Exceptional Properties for Exceptional People. “I wasn’t going to bother with just any kind of real estate. I only wanted the best, and whether I had one or two or three sales a year, it didn’t matter. I mean, as long as they were fantastic. I think the very first sale was lakefront.” Early on, Chase was involved in what she describes as “the most extraordinary sale we ever had at Tahoe,” the Thunderbird Lodge at a record $50 million. “It held the price record in the entire nation for over 8 years.”

Not often are newly constructed homes destined to become legendary, but Le Belvedere, sited on over 2 acres in Bel Air overlooking the city with a romantic landscape that includes a swan pond, rose gardens and a 280-degree panorama of city lights, is the exception. Over-the-top features such as opulent materials, a ballroom seating 200, a media room seating 50, and a 500-bottle wine cellar, were exceptional when it came on the market in 2009, but the way every detail is executed, the stateliness of the architecture and the sense of harmony from all facets working in perfect sync pushes it from a “stellar property” to a legendary estate.

Le Belvedere, like Tranquility, is also exceptional for its amenities. At that time, shares Rey, “people weren’t building so many of those major theaters. Before that, only those in the industry had large screening rooms.

Rey was involved in the sale of Le Belvedere for $50 million — the highest in the U.S. in 2010 –— and again in 2018 for $56 million.

Amenity Wars

In recent years, there have been a number of newly built for-sale trophy homes, some with list prices stretching current benchmarks. What sets these properties apart is the number of over-the-top features, including curated art installations, stocked wine bars, car collections, an onsite staff and even a helipad. The objective — to include everything someone might want in a home — is aligned with the motives behind the inclusion of extensive amenities in classic estates.

Legendary Redos

No matter how exquisite a property, new owners have a penchant to put their own stamp on it. “I just think that it’s amusing that people must make even, you know, the most expensive, beautiful home — they must make it their own. So sometimes it’s just been remodeled, and then torn completely apart. And they start over,” shares Mills, who brokered the 2019 sale of The Manor. And this practice is not limited to prime estates. Instead, it reaches across the entire price spectrum, whether a house is $1 million or a $100 million.

Few other homes on our annual list have received as much attention as this estate. “The Manor was sort of like no other,” recalls Mills. With 123 rooms and more square footage than the White House, it is one of the largest in Los Angeles. Size and prices generated publicity, but it was the extensive amenities, including gift-wrapping rooms, vast closets, a barber shop, hair salon, bowling alley and nightclub that captured the public’s fancy. There aren’t as many closets as large as the one in the master,” Mills ventures, estimating it to be in the 2,500-square-foot range.”

This story originally appeared in Unique Homes Ultimate ’21. Click here to see the digital version.

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Dazzling Diamonds

All photos courtesy Vanleles Diamonds.

Vanleles Diamonds — focused on producing jewelry sourced from ethical mining — is the first-ever female-owned African fine jewelry brand.

Living and working all around the world has allowed Vania Leles to develop an edge in her work, drawing from her experiences to shape Vanleles Diamonds into a global luxury brand. “Growing up, I studied in between Guinea-Bissau and Portugal, returning to Africa during breaks to travel around the continent with my family,” Leles says. “Upon graduating from NOVA University Lisbon, I moved to London to learn English and became a social worker. I changed careers after being discovered by a modeling scout, and lived and worked as a model in Paris and New York for a few years.”

Leles’ ties to her African heritage are evident in her designs. “Then came that fateful day when I decided to join the jewelry world,” Leles says. “All these events and influences are reflected in details of the Vanleles collection. Some people expect my jewelry to be tribal or ethnic, but it is a combination of my memories of Africa and my experiences traveling throughout the world and living in Europe.”

Leles is no stranger to the world of luxury. While working as a model, she was inspired by the fine jewelry on set, and connected this to her home in Africa. “Around 2003, I was modeling on a shoot with fine jewelry when someone on the set told me that all precious and many semiprecious stones can be found in Africa,” Leles explains. “Intrigued, as I am from the West African nation of Guinea-Bissau, I did some research. I discovered that at that time, there were no African haute-jewelry designers working with these materials native to their continents.”

With this in mind, Leles set out to begin her own company. “This was enough for me to decide that I would establish the world’s first female-founded African high jewelry house,” Leles says. 

Leles’ breakout into the world of jewelry was not immediate. “When I told my mother about my plans, she suggested I get 10 years of experience before launching my own company,” Leles reflects. “This seemed like a long time, but I agreed, quitting modeling and enrolling in classes on gems, design and business at the Gemological Institute of America.”

Leles then traveled to New York City, learning and graduating from the Gemological Institute of America. Heeding her mother’s advice, Leles spent over a decade working and learning from world-renowned fine jewelry brands GRAFF, De Beers and Sotheby’s. To launch the jewelry business she had dreamed about since her modeling days, London’s New Bond Street, the heart of the international fine jewelry world, was a clear-cut choice for the location of Vanleles Diamonds flagship atelier. “I came here over 20 years ago to learn English and never went back.”

Vanleles Diamonds offers a variety of jewelry styles, including rings, earrings, necklaces, and bracelets, each crafted by skilled jewelry makers. Leles explained that her goal is to allow the wearers of her jewelry pieces to feel “empowered, happy, and with a knowledge that we created their jewelry in the most transparent and ethical way possible.”

Pieces from The Nile Collection, inspired by Ancient Egypt.
The Nile Yellow Gold and Diamonds Fringe Earrings.
Enchanted Garden Titanium Paraiba Flower Earrings.
Legends of Africa Grand Bangle.

According to Vanleles Diamonds’ website, its “unparalleled belief in responsible mining” and commitment to the ethical sourcing of gemstones and precious metals has brought a new direction to the world of fine jewelry, one that is based in purposeful luxury and beauty.

“For my collections, and depending on which gems I need, I will mainly source them in Africa; Zambian for emeralds, Mozambique for rubies, tourmalines of all colors, Namibia for diamonds and Madagascar for pink and other multi-color sapphires,” Leles explained. “Most recently, Nigeria for blue sapphires. When I can, I travel to these locations personally to buy my gems, other times we work with suppliers that adhere to human rights policies and have strong corporate social responsibility.”

Vanleles Diamonds’ strong commitment to responsible mining and the African community is evident in its philanthropies, mainly the Malaika Foundation, a charity that seeks to empower Congolese girls and their communities through education and health programs.

“The funds we give go straight into these communities that so desperately need them, and in a very fast manner,” Leles says. “For Malaika, for instance, they only have one employee outside Congo, and no real estate rent, so the money is really going into the community and not to pay high salaries and rents in the West. We sponsor girls, and I can see tangible results directly. We chose charities that are small and the employees are on the ground.”

For an especially unique piece, Vanleles Diamonds offers bespoke consultations for custom made, handcrafted jewels. “The design process always starts with the client’s wishes.” Leles says. “During our meeting, I am able to capture their true desire, understand their lifestyle and then we embark on a unique journey to create something exceptional that will last generations to come.”

Finding friendship in diamonds allows Leles to focus on the most important things in her life — her family and business. “[I have] freedom of creations, where to source, how to send my message and freedom for being a mother of young children, I can work when I put them to bed and not miss many matches and activities,” Leles says. “But I certainly work longer and harder!”

Above: Out of Africa Fan Earrings crafted in 18k Rose Gold with Mozambican responsibly sourced rubies and rubelites.
Below: Statement Cocktail Ring
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Completing the Collection

Featured image ©istockphoto.com / AntonioGuillem

New technology and the need to adapt have transformed the traditional feel of museums and galleries around the world.

From smartphones to staying at home, the way we experience art has metamorphosed into something more comprehensive.

In a world ruled by social media, viewers are allowed an inside look into the lives of artists all over and their unique way of making art. Everything from gathering materials, to creating pieces, to live streaming exhibits are available. Now, we’re getting an inside look at entire collections, and it’s easy and accessible.

In Rotterdam, Netherlands, and part of the lush, rosebush-filled Museumpark, is the Museum Boijmans Van Beuningen. The museum displays an incredibly diverse collection of art and right beside it, donned in over 1,500 mirrored panels is the museum’s depot.

“Museum Boijmans Van Beuningen has a collection of more than 151,000 artworks but — like all museums worldwide — only displays between 6 to 8 percent in the galleries. The remaining objects are kept in storage facilities, closed to the public,” says Ina Klaassen, museum director of Depot Boijmans Van Beuningen. The first of its kind, the depot will transform the way visitors view the museum’s collection.

The Musée du Louvre has never before been so accessible. The museum’s most obscure and most well-known pieces are just a click away.

©istockphoto.com / TomasSereda

Open since autumn 2021, the depot creates a one-of-a-kind opportunity in the art world. “The entire collection will be accessible to the public — a world first — and will be stored at a single location next to the museum,” according to Klaassen. Even the building itself is a masterpiece. Created by the architects of MVRDV — a global architecture practice — the mirrors brilliantly reflect the surrounding museumpark, which allows the depot to seamlessly blend into the existing cityscape.

Certainly not alone in their quest to enhance the art world, the Musée du Louvre in Paris, France is also striving for something similar. The museum has moved the impressive entirety of its collection to an online platform and launched a new website, which extends the experience for those who have already visited or hope to visit in the future. “Today, the Louvre is dusting off its treasures, even the least-known,” according to Jean-Luc Martinez, president/director of the Musée du Louvre. “For the first time, anyone can access the entire collection of works from a computer or smartphone for free, whether they are on display in the museum, on loan, or in storage.”

The architects of MVRDV have created an iconic building, giving a boost to the Rotterdam Museumpark. The choice to use mirrors came with the idea to make the surrounding park appear bigger, integrating the building into the landscape.

Photo by Ossip van Duivenbode.

Even prior to the pandemic, museums, galleries, and artists were working to bring art from all over the world to the masses. The British Museum, in partnership with the Google Cultural Institute, created a highly interactive timeline through history with the option to explore multiple eras, continents, and cultures throughout history and art. The Renwick Gallery at the Smithsonian American Art Museum offers virtual exhibits that take advantage of the additional space for lengthier descriptions and personal narratives from artists.

These innovative techniques continue to expand the way we experience museums and galleries. “A museum and the new publicly accessible art depot are very different,” says Klaassen. “The museum has three main functions: namely the displaying of a collection in an art/historical context, as well as conserving and researching it. The museum is the showroom, the depot is behind-the-scenes.”

The idea that an entire collection can be available is a glimpse into the future of art and adds an element of freedom when viewing it. 

Typically, art in a closed depository is not accessible to the public; only a small, select group has the privilege. Approximately 95-percent of the Depot Boijmans Van Beuningen is open to the public where they can “witness museum activities such as the packaging of objects out for loan and other conservation and restoration activities,” says Klaassen. 

These new types of displays and virtual tours extend the art — even the most prestigious pieces — to the far corners of the world. “The dynamics in the depot will be different from those of the museum: in the museum, exhibitions are presented, whereas the depot allows for the visitor to explore the collection of more than 151,000 objects in whatever way they like,” adds Klaassen.

France’s iconic museum has integrated an interactive map and its website allows visitors to easily navigate through different mediums, themes, or even specific rooms in the museum. “The Louvre’s stunning cultural heritage is all now just a click away,” says Martinez. Each entry is a comprehensive display of the piece, with data such as the title, artist, inventory number, dimensions, materials and techniques, date and place of production, object history, current location, and bibliography included.

For the first time in history, the art in the Musée du Louvre is accessible for viewers at any time. It is suddenly possible for visitors who missed an exhibit or simply wish to revisit a piece to do just that. These changes are shifting the relationship between art and viewers to a new level, which will only elevate the overall experience of museums and galleries. “I am sure that this digital content is going to further inspire people to come to the Louvre to discover the collections in person,” says Martinez.

The Musée du Louvre’s new website is also a place where original content is made accessible for both in-person and virtual visitors, such as live and recorded podcasts, lectures, and concerts, web series, animated stories, filmed exhibition walk-throughs, interviews, and more. “We look forward to welcoming the public to join us on a journey behind the scenes and experience all facets of working with such a high-end art collection,” notes Klaassen about the depot.

The sleek, modern design of the exterior continues inside the depot. Once inside, visitors will have the option for guided tours or to explore the building independently and peek inside restoration studios and other spaces normally closed to the public.

Photo by Ossip van Duivenbode;

Rendering courtesy of Depot Boijmans Van Beuningen

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Car-Free Communities

Culdesac will be the first neighborhood-scale community with zero residential parking, which will allow for more open spaces that can be used for socializing, events, and getting to know your neighbors.

Rendering by Opticos Design.

A five-minute city, car-free and golf cart centered communities are gaining momentum around the United States, from Port Aransas, Texas, to Tempe, Arizona.

With plenty of extra outdoor space, Culdesac will hold over 150 events per year, including concerts, food trucks on the plaza, outdoor yoga classes, and more that guests can enjoy close to home.

Rendering by Opticos Design.

Automobiles have long been a symbol of freedom and advancement, making it easy to overlook the strain they put on our communities and the environment. Even smaller cities are battling noise and air pollution as the number of cars per household increases. Long commutes, congested traffic routes, parking fees, and pollution have all encouraged a whole new way of thinking when it comes to cars.

Culdesac, in Tempe, Arizona is the first car-free community in the United States that has been built from top to bottom around the idea that cities can be made better. “The vision has always remained the same — to build cities for people and not cars,” says Culdesac’s general manager, Lavanya Sunder. Space that is typically reserved for roads, parking lots, and individual parking has been completely rethought in this rental apartment community. Parking lots and garages have been replaced with wide-open spaces that offer everything from fire pits and hammocks to water features and inviting courtyards.

Tempe, Arizona, offered the ideal canvas for a project like Culdesac. “We chose Tempe for its thriving job market, proximity to transportation, and forward-thinking, action-oriented local government,” says Sunder. These are among the added benefits when considering a car-free community.

“By removing parking lots, we were able to see all of the possibilities, twice the retail, triple the open space, and 55-percent landscape coverage, compared to less than 20 percent from comparable developments,” notes Sunder.

The community was designed as a five-minute city, meaning everything residents might need is within reach and life is at your front door. “Homes at Culdesac all open up to vibrant shared courtyards, versus impersonal hallways in traditional apartment complexes,” says Sunder. Seemingly small details such as this contribute to the overall atmosphere that is created when a place urges its residents to slow down. “Community is a key component of Culdesac. Culdesac will have over 150 events per year, including concerts, food trucks on the plaza, outdoor yoga classes, and more.”

Communities such as Culdesac are finding that residents are drawn to the idea of knowing their neighbors again. A notion that hasn’t been overlooked in other communities around the United States. Port Aransas, Texas, is a beautiful beach destination that is like traveling back in time. The eclectic atmosphere is entirely accessible by golf carts, including the 18 miles of beach, with spacious boardwalks that accommodate the carts and encourage foot traffic. The use of golf carts decreases traffic, noise and pollution, and creates a very relaxed pace around the island. Cinnamon Shore, the 1,000-acre, master-planned beachfront community is very walkable and designed with families in mind who want to enjoy the small-town feel in Port Aransas.

A private luxury community, Haig Point, on the northern end of Daufuskie Island in South Carolina is only accessible by ferry, and the island is almost entirely car-free. Residents and guests never have to worry about traffic, stopping for gas, or finding a parking space, as the island runs mainly on golf carts. Similarly, Fire Island, across the Great South Bay from Long Island, New York, is another popular summer retreat that functions smoothly without cars. Bikes, golf carts, and jet skis are the best way to experience the Fire Island’s top-tier accommodations.

According to the Bureau of Transportation Statistics, “the mean number of vehicles in households is 1.9 personal vehicles…. Thus, it appears that households on average have more vehicles than drivers.” American cities, from New York to San Francisco, are struggling to provide enough space to merely park all of these vehicles, nevermind drive them.

Our personal space, green space, shared space, and even sidewalks have decreased significantly over the years as the need to accommodate a growing number of automobiles increases. 

Communities such as Culdesac are hoping it is time for the urban form to be rethought and upgraded. “We also will have an “Extend Your Home On-Demand” Program,” says Sunder. 

Communities such as Cinnamon Shore in Port Aransas, Texas, are embracing the idea that guests want a slower pace without sacrificing accessibility.

©istockphoto.com / IR_Stone

Car-free and golf cart centered communities are designed for those looking to reconnect with the outdoors and spend less time stuck in traffic.

©istockphoto.com / 300dpi

 “Residents will have access to a variety of bookable spaces to allow them to expand and contract their home as needed.” A modern way of living has melded with the traditional idea of small-town communities. “Culdesac will have bookable guest suites, podcast studios, hosting spaces, and day-use office spaces to allow your home to adjust to your needs,” Sunder explains. “Why pay for a guest room 365 days a year, when you only use it a few times a month?”

Forever shifting to accommodate the residents’ needs, a car-free community like Culdesac is ideal for many people, even during these changing times amidst a pandemic. “The idea of life at your front door makes Culdesac Tempe a place that a variety of people with different needs are interested in — young professionals, students, families, remote workers, retirees, empty nesters, et cetera,” says Sunder. More spacious apartments and public workspace are functional for those residents who are working remotely, as they also don’t have to worry about commuting into an office every day. Since the pandemic, “we’ve seen increased interest from folks particularly from New York and San Francisco, and 50 percent of our waitlist are people coming from outside Arizona,” notes Sunder.

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