To Ireland With Love

Whether working in busy urban studios or quiet countryside spaces, there’s no denying that makers and creators remain an integral part of Ireland’s culture and workforce. From painted canvas and chiseled stone to woven tapestries and hand-sewn clothing, the art of the handmade item is alive and well.

In fact, General Paints Group is telling the story of what it means to craft and create in Ireland in the only way it knows how: through color.

The company’s new Curator collection features 144 unique paint colors developed and sourced from artists who focus their creative endeavors in Ireland. The palette presents everything from neutral hues that speak to the quiet woodlands of West Cork to bolder shades that evoke the country’s strength and spunk.

“From the very beginning, we wanted to make a collection that was authentic, special and genuine,” says Rachel O’Connor, expert director for General Paints Group and one of the developers of the Curator brand. “[The artists] all had colors that really meant something to them and inspired their work. And for a lot of their work, their muse was Ireland and our lovely landscape.”

O’Connor, who is also heading up Curator’s U.S. presence, says that develop-ing and sourcing the palette was a nearly five-year journey. After extensive searching, the team worked with 29 Irish designers and artisans to discover the history and heritage behind the colors that inspired them. Although the concept of the palette changed along the way, O’Connor says the goal of capturing “the passion they bring into their work” remained a driving force

 

O’Connor, who is part of the third generation of General Paints Group’s 65-year history, also points to her company’s own entrepreneurial spirit as part of the collection’s inspiration.

“We’ve always had an admiration for artists and craftspeople. Many are solo entrepreneurs who are doing what they love. We worked with a broad range of artists — potters, millers, sculptors — and although they’re all different, they had one thing in common, and that was color,” she says.

 

Ronnie Graham.

O’Connor speaks fondly of the stories within the pigment and describes some of the bolder colors in the palette. There’s Ancient Black, inspired from the creations of sculptor Ronnie Graham. O’Connor describes the lore of this deep, moody color as “haunting and mystical.”

“[Ronnie] works with what’s called buried oak — it’s oak that’s been buried in a bog for thousands and thousands of years. During the preservation process it turns a beautiful charcoal color,” O’Connor says. “Ronnie believes it emits a mystical power — and he tries to capture that in his sculptures. Interestingly, it’s been one of the most popular colors in our market.”

The Curator collection was intentionally designed to easily discover and combine complementary shades. Here, Ancient Black is paired with Kerr’s Pink and Rose Mantel.

Carol Cronin.

O’Connor also suggests the colors can be used seasonally — such as on flower boxes and planters, furniture or even doors; she describes charming Irish neighborhoods with bright pink, turquoise and other colors adorning the front doors of homes. “But we don’t like to be too prescriptive. There’s no such thing as a wrong color combination,” she adds.

Even the palette’s more traditional hues have a story that is anything but. Horseshoe, for example, is a stone-gray shade, aptly named for Horseshoe Mountain in County Sligo, Ireland, that inspires pottery artist John Ryan.

O’Connor’s personal favorite paint is also bright and bold: Running Tides, a bril-liant aquamarine unique to the seascape paintings of Irish artist Carol Cronin, who has captured the Atlantic Ocean on canvas for decades. (“You might think you could get bored of painting waves, but [her works] are stunning,” O’Connor says.) These brighter, livelier shades off er the “pop of color” that O’Connor sees throughout the commercial interior design market. 

“People are starting to be less afraid of taking risks with pops of color. We’re seeing a lot of restaurants, hotels and public spaces take bolder risks. We think it’s a great trend,” she says.

 

The collection boasts shades like Pulled Rhubarb, Tailored Tweed and Dried Kelp (painted on chairs left to right) that ad richness and depth to ordinary spaces.

John Ryan.

“[Ryan] is immersed in the landscape surrounding his workshop, and it inspires these stunning creations,” O’Connor says of the potter’s handmade ceramics. “The color really shines through in his work.”

The collection made its U.S. debut ear-lier this spring in Connecticut and arrives on the West Coast in the fall, including southern California, Portland, Oregon; Scottsdale, Arizona; and Seattle.

 

 

Ultimately, the collection aims to not only honor these artists, but to inspire others to use color to express creativity and passion, says O’Connor. And in a way, that allows the consumer to play curator and tell their own story.

“The collection [is a] showcase of Irish craft and talent, but it goes beyond that,” O’Connor explains. “I think home is deeply personal to people. You want it to reflect your identity and personal style. When you bring a color into your home, you’re looking for more than just paint. In our collection, every color has a meaning and personality. [It’s] allowing the customers to be their own curator.”

The collection is currently sold at Ring’s End as well as McDermott Paint & Wallpaper in Connecticut, and is also available for purchase at curator.com.

All photos and featured photo courtesy of General Paints Group / Curator.

This post originally appeared in the Fall ’19 edition of The High End.

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Colorful Royalty

Known as the King of Pop Art, L.A.-based artist Nelson De La Nuez is one of the most sought-after pop artists working today. His work is regularly exhibited at prestigious art fairs, such as Art Basel Miami and Art Central Hong Kong, as well as promoted through partnerships and private collections, including a series of works for Warner Bros. to commemorate The Wizard of Oz’s 70th anniversary.

In an interview with De La Nuez, he discusses how the incorporation of images from American pop culture, today’s advertising, high-end branding and more have strongly influenced his artwork since the 1980s. 

What kind of memories do you have from your childhood?

I was born in Havana and I came here to Southern California when I was seven years old, started first grade here. I still remember Havana, which I can remember back to when I was three years old. I took it all in. Fond memories of going to the beach, riding my bicycle around the neighborhood, doodling in the backyard.

How did your childhood affect you later on as a person, as an artist?

Well I’ve always been an artist, ever since I can remember. That kind of kept me entertained for hours, I would always get lost with [my art]. I love sports, but art has always been there for me. It was my escape. It was just a way to get away from everything.

Do you still use art to get away, now that it’s your career?

I’m always thinking 24/7 about what I am I gonna do, about ideas — so what I do is I jump on and go motorcycle riding and that kind of helps me come back again and revisit a piece or an idea, and look at something differently. What I was looking at a half hour ago looks different now, since I’m in a different state of consciousness, and I get to relax.

Material Girl

The Good Life

What kind of themes do you see from your childhood that are presented in your art now?

Most of what I do today is rooted in American themes from my childhood. I remember coming here [to America] and I remember seeing on TV the first Superman, TV commercials, the mascots — it all just spoke to me and I just absorbed it like a sponge.

How did these themes develop into your style?

The reason why I’m doing pop art is because of everything I observed early on when I came to this country. Living in
California is like living in a fantasy land when you come from a different country. There’s billboards, commercials, advertising, and you never know where the ideas come from. When I really think back, a lot of what I do today is really a reflection of what I was thinking and experienced when I was a kid.

Aside from your childhood, are there trends or present-day themes that inspire you?

I’m inspired by everything, literally. Every mundane object that you could think of I will look and see something there that I can maybe create into a piece of artwork. Whether it’s a billboard or a magazine ad, or an elusive train [of thought] I had the day before, I’ll ride it all the way down. I am really a byproduct of everything I’ve observed or experienced in my entire life. So I have this database in my subconscious where I can draw from.… Everything is art for me. It doesn’t necessarily need to be hanging on a wall, it could be fashion, it could be a song; everything is just an inspiration.

Corum Bubble Martini Watch

How does your art coincide with the clientele you usually work with?

Each partnership that I’ve done is
different, basically all with high-end brands. Each of them is unique and different; I just love working with high-end brands because it just puts my art on a different level and exposes me to a lot more people. Basically it provides a plateau to take my work to the next level and having the audience take a look at my work in a different way. That’s my audience, it’s always been a very well 
cultured, well traveled group that love high-end brands. It’s an audience that know what they want and how to express themselves, and they do that with my art.

What do you like most when people view your art in various forms?

I love when people react immediately. That kind of gives me a great deal of comfort. You put in all this energy and hard work and you don’t know what to expect. And they usually say “Yes, that’s the painting for me,” because it’s got legs, it speaks not just to them, but to a mass audience — it makes them happy, makes them smile, sometimes it makes them laugh. They know the perfect place that they want this for in their home. Some of them are drawn to a specific piece for no reason at all; they just relate to it.

Upper Left: First Class Girl – LA Art Show 2019

Bottom Left: High Maintenance (Left) and Yacht Life (Right)

Above: Chanel No. 5 (Black)

What’s a project you’d love to work on in the future?

I would love to design something like an entire hotel design, the colors, the furniture, the wallpaper. The other thing that I would really love to do is work with a cruise ship to design their rooms, or design the entire ship using my art. That’s kind of what I get excited about most, getting to do [art] on a large massive level, where it’s not just a small project, but a huge undertaking, to take it to another level.

Any advice for aspiring artists?

The number one piece of advice I can give is that you have to be committed to your craft. You need to find out who you are and what message you want to put out into the world, then you have to be good enough and clever enough and have something unique and different. You can’t just be a part-time artist, you have to do it full time and it takes a while.… Good art is subjective, but when you have people paying sometimes hundreds of thousands of dollars for your art, you know that you’ve done something right.

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Modern Midwestern Makes

All photos courtesy Room & Board.

Room & Board​, the modern American-made retailer of furniture and home décor, today announced a collaboration with ​Cambria​, the nation’s leading provider of American-made natural quartz surfaces.

The two Minnesota-based brands, both with a reputation for timeless design, American craftsmanship, and a commitment to sustainability, service and innovation, will debut the Pren Collection, a versatile series of tables, desks and storage cabinets, in January 2020. 

“We’re thrilled to bring together two iconic Midwestern brands,” says Gene Wilson, Room & Board Director of Vendor Management and Merchandising. “Because of our shared values, this partnership felt like a seamless alignment. Cambria’s signature design capabilities pair perfectly with our modern style and together we’ll raise the bar on livable luxury.”

The initial assortment, suitable for both residential and commercial environments, will consist of dining/conference tables that can also easily work as desks for the home or office, coffee tables, console tables, and dining/bar cabinets. The expertly crafted series is available with domestically sourced walnut or white oak wood bases and one-centimeter Cambria quartz pieces in three signature designs: Brittanicca™, Brittanicca Gold™, and Mersey™.  

The natural quartz surfaces are finished with modern rounded corners, which mirror the form of each piece and offer a nonabsorbent, scratch and stain resistant, maintenance-free top surface that is backed by the Cambria Full Lifetime Warranty. 

“This is a classic pairing of like-minded brands joining together to achieve something beautiful, lasting and highly adaptable,” says Mackenzie Weldon, VP of Corporate Partnerships for Cambria.

“We look forward to working with such a reputable and forward-thinking brand to reach new audiences and bring Cambria to the marketplace in a new and innovative way.” 

The collection will be available online through ​Room & Board on January 4, 2020 and through Room & Board Business Interiors on February 4, 2020, and available at all 16 Room & Board retail locations after January 16th. 

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Q&A with Sculptor Elena Colombo

Unique Homes sat down with the owner of Firefeatures, Elena Colombo, a sculptor whose biggest inspiration is nature, to discuss how this inspiration shines through in her one-of-a-kind designs.

Was there a particular moment when you knew you wanted to be an artist?

I believe I always knew I was an artist and designer — from the time I was a toddler, I was always making something. Making flower necklaces, building dollhouse furniture, making a background painting for my fish tank, making mobiles, etc. I studied architectural drafting in grade school and high school and went on to study art history and fine arts in college. Art has been with me since I was born.

I want to be clear; I’m not a fine artist in the true sense of the word. My art is not solely for art’s sake. I do not make things that are purely for looking at and pleasing the viewer, though that is integral to their success. I design sculptural yet functional gas appliances. I call it “art that works.” Everything I have done in my life for work and pleasure has been to put an idea or feeling into visual form. 

My father was a builder and contractor while my mother was a naturalist and placemaker. They both built/created places where people and families could thrive, whether it was building a library, planting a garden, or choosing a comfortable yet beautiful chair to sit and read in. I grew up in a nurturing environment where we were encouraged to create and solve problems. I want my work to create a beautiful place where people gather to commune with each other and fire is the medium — and it’s second to none in that regard.

 

How would you describe your style?

I hope, at its best, it is a clear abstraction of nature. Because I make a product that is specifically a gas appliance, I am bound by requirements and restrictions that pure fine art is not. The form follows function in my case, so the style has to be clear, pure, and functional.

How has your style changed over the years?

It’s gotten more focused, so I imagine it’s become more minimalist.

If you had to describe your works in three words, what would they be?

Clear, pure, and functional.

 

How does fire influence your projects?

It is the thing for which I create. My work is essentially a vessel to contain the fire and allow it to burn safely. The shape of the vessel can dictate how the fire moves, or the movement of the fire can dictate the shape of the vessel. The bowl was my first choice to hold fire as it is the simplest shape, and allows the fire to be the star.

How do you begin a project?

With a small quick sketch on paper, then translate it into 3 dimensions with Nic Spitler, our Head of Design. We work in Rhino which is a 3D modeling program and a very lithe program. It allows you to create, change and morph easily as you work out the ideas. I couldn’t do it without Nic — he’s extremely fluid with Rhino and our instincts are similar.

What is your favorite project and why?

The Bethlehem Bridge Project. It was a commission awarded by ArtsQuest and the National Endowment for the Arts in response to an RFQ for the Bethlehem placemaking initiative. And I just feel like I got it right. I am proud of it and it functions for the people of Bethlehem and for visitors from around the world.

What is your dream project?

A large-scale civic project in Manhattan perhaps, and to get further into design for end of life memorials and reliquaries. 

Can you tell us what you’re working on right now?

Right now are two big jobs with multiple fireplaces, both interior and exterior, for 2 residences, one in Southampton and one in Greenwich, CT. The Southampton house will have a series of cast bronze pieces I’m really excited about — one has a log cradle made from a singular piece of tree bark we cast in bronze, with an entire driftwood looking surround cast in concrete. It’s an intricate mold process we will be beginning in the new year.

 

What is the biggest challenge when it comes to sculpting?

Coming up with a good idea and then executing it!

Actually, sometimes it’s just moving these heavy objects around — you tend to forget about that when you’re in the creative process — moving big metal things encompasses a lot of shipping and installation details you have to consider when designing the piece.

 

https://www.firefeatures.com/

Photos courtesy of c/o Firefeatures

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Find Your Euro-spiration

From holiday gift giving to to keeping your home’s style fresh in the dead of winter, finding the perfect inspiration can sometimes seem impossible. What if the perfect source was just across the pond?

These collections showcase a passion for design and creativity, all inspired by a European country or the style of that nation. May these sources of inspiration spark your own!

 

Procook’s Oslo Collection

ProCook’s Oslo range brings Nordic cool to the table this winter, continuing the dining trend for reactive glaze stoneware. Oslo tableware embraces the Scandinavian hygge trend with its organic shapes and cool grey tones with a subtle salt and pepper look. Easily dressed up for more formal dining, the Oslo range is also perfect for everyday use. Oslo includes dinner and side plates which have flat bases and a sharp vertical lip, complemented by gently curved cereal and pasta bowls.

Photo courtesy Procook.

Photo courtesy Reformations.

Reformation 

Living in rural Mid Wales, designer Craig Anthony is surrounded by the shifting patterns and colors of the country’s multiple landscapes, from open moorlands and mountains, to the woods surrounding lakes and rivers. All of this landscape inspires his creativity, which in turn helped him to launch his decorative arts company Reformations, an online gallery of handmade glass clocks and modern glass wall art. 

His pieces that boast functional elements combined with highly decorative and abstract attributes. Additionally, many of his works also feature ambient lighting that creates a dramatic display when seen in darkness.

“My work develops organically, a reciprocal relationship between the materials and my imagination,” Anthony says. “Every piece I create feeds the design of the next. Created using paints with a high pigment content on specially prepared glass, and embracing a sense of natural chaos, my work is guaranteed to make a bold statement in any, contemporary setting.”

Shekåbba

Started in October 2019, Shekåbba consists of a small, visionary team of people who originate from all over the United Kingdom, all who share a love and passion to introduce others to the people-centred happiness of the Danish home. “We believe that thoughtfully crafting a home environment of warmth and beauty, sets the stage for a lifetime shared with those we love most,” according to company founders Dan and Rosanna Chapman.

Inspiration behind the company’s founding starts within the Danish culture, specifically the Danish homes model which focuses on time with family and friends. To introduce others to such a rich, happy culture, Shekåbba helps customers discover more of Denmark’s gifted home decor designers and artists, to bring an authentic and broadening Danish home experience.

Photo courtesy Shekåbba The Danish Home.

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Celebrate the New Year

If your looking to freshen up your interior style, it's time to ring in the new year with some Chinese New Year-inspired design tips and tricks.
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Candles are the new Trend in the Wellness Industry

By the end of 2023, the aromatherapy industry is expected to hit over $4.3 billion, as reported by Reuters. And with candles being the quintessential form of aromatherapy, luxury homeowners are making room for this new form of wellness. Here are ways in which artisans and craftsmen are using candles to elevate the wellness industry once again.

Decreasing stress is one of the top priorities for people in demanding careers — and everyone is turning to scented candles for a natural and easy remedy in creating the perfect escape from the pressures in the world. Heating and Plumbing’s wide variety of scented candles does just that. The “Herb Garden and Hops” candles generate a calm and peaceful atmosphere. Adding scented candles to various rooms in your home can help you relax and unwind after a busy day.

Photo courtesy of Heating & Plumbing

Photo courtesy of Garden Trading

Photo courtesy of Garden Trading

Just in time for the holidays, make sure to include candles in your decorating process. They’re not only the top product in the wellness industry but, when styled right, can leave a festive impression. These scented candles from Garden Trading are the perfect design for the upcoming holiday season.

Buckley and Phillips Aromatics has also been one of the forerunners in the boost for candles in the wellness industry. With candles like these, decoration is key. Candle centerpieces work perfectly for the holiday or year-round decorations to brighten the atmosphere. Or, just have the candles by themselves for a simpler and more minimalist design. Either way, candles like these are sure to bring a calm and inviting mood to the space.

Photo courtesy of Buckley & Phillips Aromatics

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Art Amenities Offer Limitless Creativity

In luxury apartment buildings and community residences, amenities are everything. Without a vast array of opportunities for residents to live in the ultimate luxury, the quality drops. With this in mind, developments have been finding new and creative ways to elevate the standard of luxury living when it comes to amenities — and it’s through art itself.

Luxury residential buildings are fostering creativity for their child residents. Through different art-focused programs and amenities, the opportunities for children to explore their imagination are now limitless.

Photo courtesy of LoveWell Creative

Photo courtesy of  THREE MARKS

The luxury Manhattan condo 277 Fifth Avenue, in partnership with the global luxury service brand LIVunLtd, is providing opportunities for children to participate in music classes, dance classes, arts and crafts. The playful atmosphere in the rooms inspires children to have fun and get creative. 

Meanwhile, at the Brickell City Centre in Miami, the Reach and Rise luxury condominiums have installed amenities for children with an artistic twist. While some walls have screens for interactive games, others are blank and allow for children to write and draw. The colorful furniture allows for creativity to flourish.

Photo courtesy of Swire Properties Inc

Photo courtesy of Miller Hare

But these amenities aren’t always exclusive to children — at 1000M in Chicago, the residents will have access to both a music conservatory and a sound studio. The soundproof room is perfect for anyone looking to advance their skills or begin learning a new instrument. Either way, both children and adults can now feel artistic and inspired.

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Bringing the Outside In

With the push for wellness-oriented spaces around the globe, interior designers are looking for different ways to incorporate this rapidly-growing industry to their styles. While including more plants and flowers into the home is known to brighten up the atmosphere, some designers are taking this theme to the next level. Here’s how:

Photo courtesy of Maison Valentina

Photo courtesy of VG New Trend

Photo courtesy of VG New Trend

When it comes to lighting, many chandeliers are starting to incorporate elements of nature to bring a more natural, elegant look. Both of these chandeliers are surrounded by vines and flowers, allowing the natural elements to be woven into the design. While critics may argue that the “unrefined” elements of nature decrease the elegance of the chandelier, these rooms prove them wrong. While remaining luxurious, the chandeliers’ design provide a warmer and more relaxed atmosphere.

Natural elements can also be incorporated into the wallpaper of a room, adding a bold yet comfortable piece to the space. Regardless of the individual’s style, nature-oriented wallpaper can be incorporated.

For a more feminine look, a bold, floral wallpaper does just the trick. The bright colors add a fun and relaxed style, while the natural elements of the flowers freshen up the atmosphere of the room.

Photo courtesy of Wallsauce

Photo courtesy of Wallsauce

If you’re looking for a less feminine wallpaper, however, incorporating nature to the room is certainly still possible. The darker wallpaper in this bathroom, although much less feminine than a floral backdrop, still adds natural elements to give the room a fresh look.

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Overwhelming Perceptions

Bruce T. Martin uses photographs as words to create a vivid story about the culture and history of Mayan caves and cenotes of the Yucatan and more.

Photography by Bruce T. Martin

“In 1975, my father gave me a Pentad Spotomatic 35 mm camera, that I still have today,” says Bruce T. Martin, an American Fine Arts photographer. Even early on Martin didn’t pursue other careers or jobs outside of photography. Initially, his interest in cameras and capturing moments sparked when he was studying abroad in Europe 1976 and he’s been studying the art form ever since. Now, Martin explains that he takes a literary approach to his photography. “Images combine like words do in a sentence to tell a story,” he says. “My motivation is to use photography to document our world, explore our perceptions and question our viewpoints. ”

 

Martin grew up in Chautauqua County in western New York where he studied at Newhouse School of Communications at Syracuse University. His connection to photography continued to grow even building a darkroom in his parent’s basement and later began apprenticing for Irving Penn in New York City. “That experience opened my thinking to a whole new world of possibilities,” says Martin. Although the young photographer already had an affinity to landscape photography, his job at the Chautauqua County Office of Planning and Development led to a deep appreciation for architectural structures. One responsibility of Martin’s new job was to “contact the owners of interesting and important architectural structures in the community to secure permission to photograph their homes and buildings.”

 

Gruata Milenio, Yucatán 2012

In terms of style, the photographer has “tried to combine the excellence of many photographers such as the technical mastery of Ansel Adams, the unique viewpoints of Andres Kertesz and the eloquence of Irving Penn, to name a few,” says Martin. However, from a technical point of view, Martin describes his approach as direct. “Positioning my camera in a place where I believe will reveal what I feel is most important to the image … then waiting for or creating the lighting that best reveals the detail and color to express the emotion and purpose of the image.”

As an artist, Martin is always working on a number of projects such as a larger portfolio of Boston cityscape and architecture. A series called “Fragment Landscape” is also in the works and involves overlapping images gathered in the White Mountains of New Hampshire. However, there has been one persisting project that Martin has been expanding on since 1987.

“I have been working on a project on the Maya of Central America, using historical documents, academic research, and current events in conjunction with my photography and recordings from the field,” according to Martin. The first phase of the project resulted in the book and exhibit, “Look Close See Far, A Cultural Portrait of Maya”, and has now progressed into the next component. “Seeking Sacred Landscapes, Maya Caves and Cenotes of the Yucatan”. Martin describes the project as, “beautiful, mysterious, and compelling.”

The series “Seeking Sacred Landscapes” is a combination of images of the Yucatan’s caves and cenotes with archeological, historical, and environmental essays by established authorities, according to the experienced photographer. Martin’s images compel you to look closer at the detail that has formed over the years within nature.

It’s hard to imagine what being in those types of caves would be like, but Martin describes it as a time full of anticipation. “Knowing that I will experience and learn something new each time fills my mind as I begin the descent into these underground chambers.” This experience has been building over the years. When the project first began Martin became interested in many of the Mayan’s core mythology concepts, which later led to his deeper understanding of the culture. “Harmony in life is a daily struggle. With the rapid development of recent years, many contrasting and violent viewpoints have been introduced, so that the Maya and their environment are being overwhelmed,” says Martin. “Surviving these disruptive influences and maintaining their cultural dignity is the challenge for an uncertain future that the Maya now face.”

The series “Seeking Sacred Landscapes” is a combination of images of the Yucatan’s caves and cenotes with archeological, historical, and environmental essays by established authorities, according to the experienced photographer. Martin’s images compel you to look closer at the detail that has formed over the years within nature.  

It’s hard to imagine what being in those types of caves would be like, but Martin describes it as a time full of anticipation. “Knowing that I will experience and learn something new each time fills my mind as I begin the descent into these underground chambers.” This experience has been building over the years. When the project first began Martin became interested in many of the Mayan’s core mythology concepts, which later led to his deeper understanding of the culture. “Harmony in life is a daily struggle. With the rapid development of recent years, many contrasting and violent viewpoints have been introduced, so that the Maya and their environment are being overwhelmed,” says Martin. “Surviving these disruptive influences and maintaining their cultural dignity is the challenge for an uncertain future that the Maya now face.”

Through images that help to shape and tell a story, Martin is hoping that the series “Seeking Sacred Landscapes” will attract some attention to these struggles. “With a greater awareness of their issues, a more productive dialogue on the Maya and their land can begin, which will promote cultural diversity, protect their environment and respect for their fading traditions.”

Each part of Martin’s experience pushes him further and enhances his ability as an artist. A journey from architectural to landscape photography has proved there is more than what originally meets the eye, which can be seen in the details of his photos. According to Martin, “Each of these naturally-occurring, organic caverns and cenotes are unique yet similar architectural spaces that overwhelm your perceptions and preconceived notions of the world we live in.”

Cenote Ik kil, Yucatán, 2016.

This editorial originally appeared in The High End Spring 2019.

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The Cosmic Balance of Design

New York designer Aimée Wilder explores Eudaimonia, a Greek word commonly translated as happiness or “human flourishing,” in her collection of wallpapers, fabrics, rug and accessories. From the effects of the moon on the evolution of the natural world to the impact of astrological phenomenon, Wilder captures the many ways surroundings can influence our psychological state, and contribute to overall wellness.

“This collection was born through finding balance and stability in my own life,” says Wilder. “Once I learned that living to work instead of working to live, along with incorporating methods like Vedic meditation and natural healing into my daily routine, was able to create a peaceful environment around me, I hoped to thoughtfully reflect that feeling in each design.”

Eudaimonia consists of two wallpaper and fabric patterns, Pyramide du Soleil and Earthlight, with an additional rug pattern, Eclipse. All three patterns reflect the natural balance between the Earth, the Sun, and the Moon, evoking the beauty of cosmic balance. With this collection, Wilder introduces a new construction for commercial fabrics, tested for 50,000 double rubs and available with a range of protective coatings including anti-microbial and stain coating. In addition, for the first time, Wilder will offer wallpaper printed in Brooklyn, New York, where she resides and operates her design studio.

Pyramide du Soleil is a subtly optical pattern manifesting the ancient Sun’s shadow and its balance with the earth, Pyramide du Soleil features pyramid and Sun as they represent the illusive quality of time. It integrates pyramids and circles with sophisticated diagonals and horizontal stripes, inspired by the continuous synchronicity that exists between the earth and the Moon.

Earthlight focuses on the waxing and waning cycles of the Moon’s phases in an eye-catching, geometric pattern across wallpaper and fabric design. Named for the scientific phenomenon in which sunlight reflected from Earth’s surface indirectly illuminates the otherwise dark side of the Moon, Earthlight is sure to brighten any space.

Eclipse showcases the inversion of colors in this rug design suggests the effects of an Eclipse, a harbinger of change in the daily life that acts as a guiding hand when questioning one’s path. With a boldness that invokes a new take on a vintage aesthetic, the Eclipse rug comes in a range of warm tones that will add a welcoming touch to a room.

Pyramide du Soleil

Photos courtesy Aimee Wilder.

Eclipse

Photo by ©Dylan Chandler 2018.

Earthlight

Photos courtesy Aimee Wilder.

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