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Bon Appétit

By Lara Becker

Established in 1994, Arch-Interiors is internationally recognized for its elegant, customizable beautification of residential and commercial spaces. Chris Grubb is the company’s fearless leader; he’s the president of the Beverly Hills-based group, and has led the team to accolades such as Los Angeles’ Top 10 Interior Design Firms list, and an entire 70-page issue of World Architecture Magazine in Hong Kong solely dedicated to their work. Grubb specializes in kitchen makeovers: taking a desolate home space and turning it into pure magnificence.

kitchen remodel before
kitchen remodel after

From Mid-Century to Timeless

In this 1959-built home, the original kitchen was narrow, compartmentalized, and out of style. Grubb noted that in the kitchen layout, function and aesthetics were beyond outdated for their modern needs. There were difficulties at first: the laundry room was located in the kitchen, and there wasn’t much access to windows to pull together the space.

In order to remedy this, the team’s idea was to extend the kitchen space, and to add in floor-to-ceiling windows to feel connected more with the outdoors. The clients desired a crisp, elegant and timeless look, and Grubb felt this could be accomplished in a few different ways.

First, the floor-to-ceiling windows allowed for a greater appreciation of the scenic landscape from the kitchen. They installed custom cabinetry in both dark and warm grey tones, which complement each other and the grey veined countertops.

By creating the illusion of a larger space, the clients were wowed by their new, dream kitchen.

kitchen remodel before
kitchen remodel after

Reimagined on Rodeo Drive

This kitchen is home to a family of five, who were looking for a larger and more modern space. They desired various improvements: an expansive kitchen island, updated appliances to meet their Kosher lifestyle, an ability to flow into the next room, and a more comfortable area for entertaining.

In order to accomplish this, team members first “pushed out” an existing wall to increase the square footage and summon in more natural light. They installed double doors connecting from the kitchen to the den, ushering in a more cohesive space.

Storage was also important for this family, especially to hide the original placement of unattractive piping and air ducts. To bring in an updated appeal to the decor, Grubb and the team introduced porcelain tiling with linear cuts, and a ceramic harlequin-pattern backsplash.

Lastly and of most interest to the family, the team pulled off a gorgeous, vast kitchen island. Grubb calls the island a “furniture-style design, ornate with sumptuously carved legs,” giving the island the feel of a furniture piece.

Ultimately, the family was very integrated and passionate about this project, and was impressed with the end result.

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Keep Things Sophisticated

Marissa Stokes

By Kristen Ordonez

For designer Marissa Stokes, home has been a variety of places. Home was growing up in New Jersey, where creative parents and a need for change led to an intense love for interior design at a young age. Home was also New York, where she earned a degree from Parsons School of Design and worked her first jobs at elite design firms, including David Kleinberg Design Associates, Victoria Hagan Interiors and Jayne Design Studio. And now as an accomplished designer, home is more than just a place — it’s every threshold she passes, every piece of furniture she chooses, every decision she makes in order to help craft the perfect space for her clients. We spoke with Stokes about her experiences in the industry and how her love of interior design has transformed her career so far.

How do you think living in New York affected your design style and preferences?

You’re just exposed to so many amazing things, being in and around New York City. The architecture alone, having incredible museums at your fingertips. I also went to school in NYC; I think that was an incredible experience, but also had a huge influence on my design aesthetic, just having everything at your fingertips, between different cultures, food, architecture. I feel fortunate to have lived there and so close to there still now. I love New York City.

When was the first time that you ever thought about working in design?

I really have always wanted to be an interior designer from a very young age…. I think it’s because my parents are both very creative people, always doing things to improve our home…. My dad made furniture, we even had a woodshop in our basement. I just had this love for transforming spaces and the process, and I just fell into it very naturally.

Did you learn wood craftsmanship yourself?

Yes! I had all the tools at my fingertips in the shop, and I am still able to use them now, a bandsaw, a tablesaw, et cetera. We also had a sewing machine, so I grew up sewing at a young age — we’d be making window treatments and pillows. I was always transforming my personal space, shifting things around, changing them or painting them. Making them look different. It was just something I always loved to do, and still love it.

Why do you do what you do, what about art and design draws you into doing it every day?

I love making people’s dreams come true. There’s something so rewarding about helping a client transform their space so it’s not only functional, but beautiful. In terms of art and design, there’s so many artists and creatives out there who are doing incredible work, and I’m being exposed to them, just learning and growing. It’s another reason why I love what I do. Every day is different and I just love that.

Are there any activities outside of work that help inspire you or your work?

Outside of work, I’m always trying to get out in nature, go for a walk or hike – nature is always inspiring. I feel like I can always pull things from that. I love to travel as well, even though it’s been a bit difficult to do so.

Where’s somewhere you love or would love to go?

My dream place I’d love to go is Greece. It really offers everything. It has ancient and historical sights, of course, but also beautiful landscapes and amazing food.

What has been your favorite project to do?

I worked on a project for Jayne Design Studio in Palm Beach. It was my first project as a senior designer for the firm. It’s a Venetian-inspired home on the Intracoastal. The clients were art collectors who wanted to enjoy the views and display their art. We designed and decorated a home that was quiet, clean and sophisticated to balance their collection and the architecture. I loved the home, its location and the clients. I will always have a soft spot for it.

When it comes to designing, what is the most important element you have to remember?

Well one thing that tends to be overlooked, I think, is the ceiling. It’s very important to design from top to bottom, to think about ceiling work, a lighting plan, and overall how it’s treated and how it affects the space.

Is there a piece of art in your own home that you would never consider selling?

Everything is here for a reason, so not one specific piece. It’s always important to surround yourself with things you love, even if it’s a bit eclectic, surround yourself with furniture and art that you love. When you do that, things just kind of work together. There’s no standard.

What do you want people to take away when they look at your work?

I want people to find it classic and timeless, something that could last forever. I don’t want someone to walk into a space and instantly date it. I want the clients to be comfortable in their home for a long time.

Keep things sophisticated.

What advice would you give to someone going into design?

Don’t be afraid to roll up your sleeves, you have to wear a lot of hats in this industry. Maybe start with an internship, but, all in all, do whatever you need to do to learn.

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Q&A with Chris Goddard of HGTV’s Design Star

Photos by Mark Jackson/CHROMA Photography.

Designer Chris Goddard grew up in Arkansas in a house full of built-in furniture. As his love for design started early in life, he says this situation “drove me nuts.” Now, as the principal founder of Goddard Design Group, he credits these hurdles, as well as the creative nurturing of his family, for his love of change, which continues to inspire every facet of his work.

It was the need to produce something new every time, and the drive to push himself past his own creative limits, that helped Goddard become a finalist on the most recent season of HGTV’s Design Star: Next Gen.

We spoke with Goddard about his whirlwind experience of creating interior design for TV, and how his reality TV appearance inspired an even deeper love for design than he’d had in 30-plus years.

For those who haven’t watched the latest season of Design Star, can you relay to audiences your method of design?

I’m a big proponent of change, if you’re doing the same thing you did 3 years ago you’re doing something wrong. I never do the same thing twice, so in 30 years we’ve never used the same fabric twice, the same piece of furniture twice — it’s kind of my trademark. I don’t want anybody to have something somebody else has.

What has been your biggest inspiration, since you were young, to work in such a creative field?

I grew up in a very creative family, always surrounded by creativity and the arts. My family, especially my mother and my grandmother, were big on travel and exposing me to as much as possible. So I traveled a lot and spent a lot of time in museums. They would always take me out of school for weeks at a time; they always said ‘the best education was travel and experiencing things.’ I grew up a little globe-trotting kid, seeing the world, which was wonderful and super inspiring.

You received both design and business degrees in college. Have you found this type of structured education helpful as well?

I’ve found that having a business degree really makes a huge difference. Most designers are creative but can’t always run a business, and I’ve been able to strike a good balance. That’s not to say I haven’t ever screwed up — we all have — but those are called learning experiences.

You mentioned loving to travel, what’s one of your favorite places to visit?

One of my favorite places is Morocco. I try and go once a year. I’m super inspired by the colors and textures, anything that’s handmade. When you have something that’s made by hand, at least one thing in your house, it gives your house a soul and gives the room a sense of place, like it’s always been there. That’s my whole deal, creating timeless rooms. I don’t want anything to look like it was stuck in time, and the key to doing that is layering in parts of the past, present and modern so you get something that never really goes out of style.

A traditional Southern estate with hints of modern elegance in Fort Smith, Arkansas.

What is your primary focus when you’re designing a space?

I’m designing for the client, or if it’s commercial, for the space. You want to create an experience that is singular to them. I think the death of most design is becoming a trend or doing anything trendy, so I always try to be very specific in what I’m doing and make sure it’s uber-tailored to the space or the client.

I think as a designer the biggest compliment I can ever get is when someone comes in and says “Oh this looks like the homeowner,” instead of “this looks like a Chris Goddard house.” The biggest compliment is that it’s a reflection of the homeowner or the space.

What was it like to be on an HGTV show? Did you enjoy your time on set?

When I started my business I taught myself how to do everything, how to put on wallpaper, how to paint — to be a good designer you have to have an understanding of all the people that work for you. I haven’t done that [in person] in over 25 years, but [on the show] it all came back to me like riding a bike. … Each episode was like a day and a half, so cranking everything out and then being judged on it was a little tricky. In our career, our clients are the judges and you kind of have an idea of what they want, but when you go into things blind, you don’t know.

For me it was more fun because I got to push myself out of my comfort zone, which I really needed. I kind of looked at the whole experience as an opportunity to reignite my passion for design. It’s easy when I get to the level I am at and get comfortable — and I think I was feeling a little comfortable — which was the reason I wanted to compete. Doing it, I came back and I couldn’t have been more excited about design than I had in my whole life. It was the best experience I could have ever had.

What lessons have you taken away from the experience?

It’s best to go with your first thoughts. If you get too much in your head, it throws off the creative process. Don’t be afraid to try anything new. The main thing [I learned], though, was to trust my gut, be authentic and keep pushing myself. And to learn something new. I learned so many new design tips, technology tips — everyone had so many things to share. It was nice to just be able to soak it all in.

How have things progressed since going back to the firm? Any big plans for the future?

I’m excited to see what happens in the next few years, as design is having a Renaissance. Right now we’re busier than ever, since people have been stuck in their homes and they see things they want to change. They want multifunctional spaces, beautiful spaces, there’s been this huge resurgence in an interest in design. The whole world is once again interested in how they live.

The design style of this home evolved from Spanish Mission into an eclectic mixture of modernism and neoclassical, created through thoughtfully curated collections, from vintage Chinese rugs to contemporary art.
A key component to the design of this Fayetteville penthouse was the incorporation of pieces from the client’s extensive modern art collection, seen above and below. “It was a lot of fun to pull modern furniture and art together to create a new space that still resonates our client’s unique, eclectic personality,” according to Goddard Design Group.
Top photo by Rett Peek Photography.
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Glass Ceilings: Designed to be Broken

Cover image: ©istockphoto.com / Rost-9D

In the male-dominated field of architecture, women struggle to overcome institutionalized barriers to gender equity.

At her eponymous New York City studio, architect Nina Cooke John creates sophisticated spaces through “high-impact” residential architecture.

Nina Cooke John photo by Ball & Albanese; Below photo by Lisa Russman Photography.

Courtrooms are increasingly occupied by women attorneys and even judges, and world-class hospitals have no shortage of women physicians. But, regrettably, the profession of architecture remains nearly as male-dominated as the halls of the U.S. Senate or Fortune 500 boardrooms. In a field that demands both artistic achievement and construction expertise, gender equity has been painstakingly slow.

There are certainly some bona fide celebrity women architects, such as Jeanne Gang who is dramatically redefining the skyscraper, and Elizabeth Diller whose firm of Diller Scofidio + Renfro created The High Line in New York and The Broad in Los Angeles. They follow Zaha Hadid, the trailblazing Pritzker Prize-winning designer who passed in 2016. The prominence of these women has inspired a new generation of female architects, but that path is still laden with roadblocks.

Despina Stratigakos, Ph.D., vice provost for inclusive excellence and professor of architecture at the University at Buffalo, states, “Architecture is a male-dominated profession by design,” and explains that there was strong pushback when women first started entering the field 140 years ago. “The justifications given then for excluding them from practice, revolving around women’s negative ‘feminine’ influences, became embedded as core values of the professional culture,” says the professor, who reports that a deep-seated bias against women’s abilities continues today.

Stratigakos’ 2016 book, Where Are the Women Architects? was partly inspired by the emergence of a new movement seeking greater gender equity in the profession. “I wanted to raise awareness of this long-standing question and of the voices of activists pushing for answers today,” she explains. “Women have long advocated for greater diversity in architecture, but too often have been ignored by the profession’s leaders,” says Stratigakos.

The professor cites statistics that reflect approximate gender parity among students enrolled in accredited architecture programs in the U.S. but that is not, however, indicative of women’s advancement in the profession after graduation. “Although the gap has shrunk between the numbers of men and women studying architecture, racial and ethnic disparities are slower to change,” adds Stratigakos, who notes that Black women are sorely underrepresented in architecture schools. 

While challenges for women of color can be dispiriting, voices like Nina Cooke John provide inspiration for those entering the field. The Jamaican-born architect, whose New York-based Studio Cooke John specializes in “high-impact” residential architecture — she explains the concept as maximizing and customizing every square inch of the spaces she describes as “machines for living” — and public art.

Cooke John, whose impressive resume includes degrees from Cornell and Columbia, was included in Dwell magazine’s “13 Extraordinary Women in Design and Architecture You Need to Know.” Following faculty positions at Syracuse University and Parsons School of Design, she has returned to Columbia to teach architecture, making the professor well suited to counseling young women entering the field. Informed by her experience as one of the few Black women in her class at Cornell, she advises, “It’s important to speak out and create your own community because support is paramount to your success.” She suggests that if students who feel isolated cannot find that support on campus, they should reach out to practitioners or minority-based professional associations for mentorship. 

After practicing and teaching extensively, Cooke John created her own firm with another woman architect — both mothers of young children who appreciated the flexibility most large firms could not provide — and eventually went solo. She reports, “For many women, it’s about finding your voice and creating an environment that’s difficult to find in a male-dominated firm.” Suggesting women tend to approach the profession differently, Cooke John reports, “When women interact with clients, it’s not so often about ego but listening to the clients and responding to their needs.”

“We interact with the built environment constantly, and while some people view it as in the background, it’s really the foreground of everything we do,” says Cooke John, who adds, “When people engage with one another in public spaces, community-building is much stronger.” Her foray into public art installations further advances her philosophy of placemaking, which transforms relationships between people and the human-made environment.

Julia Gamolina is director of strategy at Trahan Architects, an international firm with offices in New Orleans and New York, whose portfolio includes prominent educational, sports and performing arts venues. She is also founder and editor-in-chief of Madame Architect, an online magazine that celebrates the achievements of women in the field and serves as a digital mentor to young professionals. Explaining that challenges for women are exacerbated by influences beyond their own architectural firms’ cultures, Gamolina observes, “Most professions dealing with the built environment, such as commercial real estate, construction and engineering, tend to be even more male-dominated than architecture.”

The editor of Madame Architect not only laments the lack of gender equity in her industry, but suggests progress is unlikely to be swift. “It’s slow to change because architecture itself takes a long time, from financing and government approvals to design and construction,” explains Gamolina, another accomplished Cornell alumna. She reports the numbers of women in leadership positions is more anemic than overall female participation in the industry, but notes some women start their own firms after becoming mothers.

Other women, reports Gamolina, drop out of the rigorous profession when they have their first child because employers do not offer sufficient flexibility. “It’s not a motherhood problem at all,” insists the architect and journalist, who maintains that lack of flexibility applies equally to fathers and even caretakers of elderly parents. One potential dividend from the pandemic was the recognition by employers that staff can be fully productive working outside the office.

Gamolina believes young women need to understand there are exciting roles awaiting them in architecture beyond design itself, and points to her own director of strategy position at Trahan Architects. “Madame Architect showcases all the career possibilities within the field,” she explains, citing specialties in administration, communications and marketing.

Rosa Sheng is a principal at SmithGroup, whose 15 offices create cultural centers, master-planned cities and mixed-use projects around the globe. Sheng also serves as her firm’s director of justice, equity, diversity, and inclusion, and is founding chair of the Equity by Design Committee created by the San Francisco chapter of the American Institute of Architects (AIA).

 

Julia Gamolina is director of strategy for Trahan Architects — the Coca-Cola Stage at Atlanta’s Alliance Theatre is a signature project — and is also editor-in-chief of Madame Architect.

Photo of Julie Gamolina by Lily Olsen; Theater photo by Leonid Furmansky.

Equity by Design has conducted three pivotal research studies with the most recent, in 2018, involving a survey of more than 14,000 architecture school graduates. For Sheng, therefore, anecdotal stories from her colleagues are supported by hard data. Her research reveals several “pinch points” in the careers of women architects: pathways to licensure, access and opportunities to leadership positions, caregiving navigation/reconciliation, and pay equity for similar roles or positions. Her committee’s early work focused on the “missing 32 percent,” referring to the attrition rate between women architecture school graduates and those who became licensed.

After giving birth to her second child during the Great Recession, Sheng was experiencing one of those pinch points. “I felt like I couldn’t be a good parent or a good architect,” she recalls defeatedly, and adds, “People say there are barriers, but you don’t believe it until you experience them.” In challenging times, women leave the profession, something Sheng herself considered even after years of success. But her work with Equity by Design has provided a new purpose to complement her passion for the discipline. “It’s that feeling of being swept away by the excitement, like, ‘Wow! There’s something here we can influence and help to change,’” explains the activist architect.

Sheng reports, “In addition to Equity by Design, there are many more women in architecture leading efforts to share experiences, celebrate achievements for justice and equity in the profession, and inspiring a more diverse demographic of architectural practitioners.” She cites organizations like 400 Forward, a nonprofit that inspires women of color to become architects.

“Your success will not be determined by your gender or your ethnicity, but only on the scope of your dreams and your hard work to achieve them.” This is not just any motivational trope, but the words of the great Zaha Hadid, who overcame challenges on both fronts.

Rosa Sheng, a principal at SmithGroup — the UC Davis Teaching and Learning Complex is a recent project — was founding chair of the Equity by Design Committee.

Photo by Scott R. Kline; Building renderings courtesy of SMITHGROUP.

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‘Keep Things Sophisticated’

Photo by Rick Chaffiotte Photography.

Interior Designer Marissa Stokes aims for designs that are classic and timeless. And says don’t overlook the ceiling.

For designer Marissa Stokes, home has been a variety of places. Home was growing up in New Jersey, where creative parents and a need for change led to an intense love for interior design at a young age. Home was also New York, where she earned a degree from Parsons School of Design and worked her first jobs at elite design firms, including David Kleinberg Design Associates, Victoria Hagan Interiors and Jayne Design Studio. And now as an accomplished designer, home is more than just a place — it’s every threshold she passes, every piece of furniture she chooses, every decision she makes in order to help craft the perfect space for her clients. We spoke with Stokes about her experiences in the industry and how her love of interior design has transformed her career so far.

How do you think living in New York affected your design style and preferences?
You’re just exposed to so many amazing things, being in and around New York City. The architecture alone, having incredible museums at your fingertips. I also went to school in NYC; I think that was an incredible experience, but also had a huge influence on my design aesthetic, just having everything at your fingertips, between different cultures, food, architecture. I feel fortunate to have lived there and so close to there still now. I love New York City.

 

When was the first time that you ever thought about working in design?
I really have always wanted to be an interior designer from a very young age.… I think it’s because my parents are both very creative people, always doing things to improve our home.… My dad made furniture, we even had a woodshop in our basement. I just had this love for transforming spaces and the process, and I just fell into it very naturally.

 

Did you learn wood craftsmanship yourself?
Yes! I had all the tools at my fingertips in the shop, and I am still able to use them now, a bandsaw, a tablesaw, et cetera. We also had a sewing machine, so I grew up sewing at a young age — we’d be making window treatments and pillows. I was always transforming my personal space, shifting things around, changing them or painting them. Making them look different. It was just something I always loved to do, and still love it.

A bright living room situated in an Upper East Side apartment.

The corner of a library in a Montana lodge.

A Mediterranean Revival home on the Intracoastal in Palm Beach.

Above photos courtesy of Jayne Design Studio.

Why do you do what you do, what about art and design draws you into doing it every day?
I love making people’s dreams come true. There’s something so rewarding about helping a client transform their space so it’s not only functional, but beautiful. In terms of art and design, there’s so many artists and creatives out there who are doing incredible work, and I’m being exposed to them, just learning and growing. It’s another reason why I love what I do. Every day is different and I just love that.
Are there any activities outside of work that help inspire you or your work?
Outside of work, I’m always trying to get out in nature, go for a walk or hike — nature is always inspiring. I feel like I can always pull things from that. I love to travel as well, even though it’s been a bit difficult to do so.
Where’s somewhere you love or would love to go?
My dream place I’d love to go is Greece. It really offers everything. It has ancient and historical sights, of course, but also beautiful landscapes and amazing food.
What has been your favorite project to do?
I worked on a project for Jayne Design Studio in Palm Beach. It was my first project as a senior designer for the firm. It’s a Venetian-inspired home on the Intracoastal. The clients were art collectors who wanted to enjoy the views and display their art. We designed and decorated a home that was quiet, clean and sophisticated to balance their collection and the architecture. I loved the home, its location and the clients. I will always have a soft spot for it.
When it comes to designing, what is the most important element you have to remember?
Well one thing that tends to be overlooked, I think, is the ceiling. It’s very important to design from top to bottom, to think about ceiling work, a lighting plan, and overall how it’s treated and how it affects the space.
Is there a piece of art in your own home that you would never consider selling?
Everything is here for a reason, so not one specific piece.
It’s always important to surround yourself with things you love, even if it’s a bit eclectic, surround yourself with furniture and art that you love. When you do that, things just kind of work together. There’s no standard.
What do you want people to take away when they look at your work?
I want people to find it classic and timeless, something that could last forever. I don’t want someone to walk into a space and instantly date it. I want the clients to be comfortable in their home for a long time. Keep things sophisticated.
What advice would you give to someone going into design?
Don’t be afraid to roll up your sleeves, you have to wear a lot of hats in this industry. Maybe start with an internship, but, all in all, do whatever you need to do to learn.

At left: A cozy breakfast room nook with a custom-designed banquette.               Photo by Aaron Thompson.

Above: An outdoor terrace overlooks Dutchess County.                           Photo by Aaron Thompson.

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ASPIRE House Princeton — Boy’s Bedroom

Designer Diane Durocher quoted “Adventure, curiosity and exploration are what opens young minds to infinite possibilities” as the inspiration for the boy’s bedroom in the home. Choosing a color palette and furniture to grow with the child, Durocher explains the room represents a child’s curiosity about world, travel and life. Featuring an en suite bath, the bedroom is the perfect space for growing and learning.

Designer ~ Diane Durocher ASID, IIDA, CAPS, CID
Diane Durocher Interiors 

201.825.3832
diane@dianedurocherinteriors.com
dianedurocherinteriors.com
Instagram ~ @diane_durocher_interiors

Photography by Mike Von Tassell Photography
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ASPIRE House Princeton — The Dining Room

Using the homeowner’s collection of antique wooden panels depicting the 12 zodiac symbols, designer Sam Ciardi created a Southeast Asian designed dining room. The room is a warm and cozy space, according to Ciardi with Samuel Robert Signature Spaces, who chose to center the room around a custom dining table.

Every inch of the zen-inspired room breathes life into the space, from the abundant green plants to the dark, earthy ceilings, to the bespoke credenza painting. The “deep bold, ‘Palm Frond'” transports you to the perfect paradise that encompasses a tropical, tranquil elegance. 

For more information on the ASPIRE House Princeton Designer Show House, click here.

 

Sam Ciardi
Samuel Robert Signature Spaces
Rockaway, New Jersey

973.376.770
signaturespacesnj.com

Instagram: @samuelrobertsignaturespaces

Photography by Mike Van Tassell Photography
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ASPIRE House Princeton — The Master Suite

This zen master suite is the perfect space to unwind or start the day, with an impressive master bath, spacious walk-in closet, and distinguished furnishings. A soft mural wall and striking full-wall fireplace create warming ambiance in the space, highlighting comfort and opulence.

For more information on the ASPIRE House Princeton Designer Show House, click here.

Designer ~ Judy King 
Judy King Interiors  

609.279.0440
info@judykinginteriors.com
judykinginteriors.com
Instagram ~ @judykinginteriors

Photography by Mike Von Tassell Photography
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ASPIRE House Princeton – The Great Room

This gorgeous great room is the gathering space of the home with the floating fireplace as its centerpiece. Featuring art from the Chelsea Art Group in New York City, the great room is warm and inviting and flows seamlessly into the kitchen and breakfast area. 

Designer ~ Anna Maria Mannarino
Mannarino Designs, Inc. 

866.574.3326
Holmdel, NJ
mannarinodesigns@comcast.net
mannarinodesigns.com
Instagram ~ @mannarinoannamaria

Photography by Mike Von Tassell Photography
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ASPIRE House: Princeton Designer Show House

By Jessica Ganga and Victoria Zielinski

 

Unique Homes Magazine had the opportunity to visit the Princeton Aspire Show House, where designers showcased their elegant and creative designs for each room and area of the home. Located just minutes away from downtown Princeton, this home seamlessly blends modern design with art, creating the perfect balance of the two.

Foyer

Foyer of the home that leads to the offices.

Walking into the home, the first thing you can’t help but notice is the accent wall that travels from the bottom to the top of the staircase. It’s designed by Joe Berkowitz of JAB Design Group. Inspired by a black and white photo he saw, the basis of the foyer is a mix of “edgy” and “traditional contemporary.”

It’s warm and inviting despite the accent color being black and white. The textured wallpaper is a subtle twist, which adds an eclectic focal point. An added touch: Walk up the steps to find the exact image Berkowitz admired for his design. 

Library

From the foyer, to the right, is the library, a “dark, mesmerizing, and thought-provoking room,” as described by the designer, Amy Manor of Red Bank Design Center. Manor drew from a childhood memory to create a space that welcomes diversity and is a space without judgement. Continuing with the theme of the home, Manor incorporated art from artists featured in Parlor Gallery in Asbury Park, N.J. 

The home’s library featuring art from Parlor Gallery.

His & Hers Offices: 

Gentleman’s Office: When designers Vivian Hung and Joe Giamarese approached the design of the masculine office space, they took into account the pandemic of 2020. What was important to them when creating the space was keeping in mind how this place will function as a work-from-home space. According to Hung, the design duo loves texture, but didn’t want to be bold with it. They incorporated pattern and texture with the carpet and the drapery that created a calming energy throughout. The main centerpiece of the office? The desk that played with the mix of materials, contrasted well with the carpet and fit perfectly into the space. 

Lady’s Office: A true creative escape. This space is one that evokes fun, creativity and a place to genuinely retire for work. Designed by Vicki Kelly Gindy and Tram-Anh Poprik of Red Bank Design Center, the use of color and art combine to make this escape for the “mind, body and spirit.” At the center of the office sits a piece by artist Ray Geary that brings the whole look and feel of the office together. The flow of the colors can’t help but make anyone entering the office stop and say “wow.”

Kitchen + Mudroom 

 “Overall Asian styling with a cool California modern flare” sets the tone of the home for designer Ginny Padula of Town & Country Kitchen and Bath, providing the cabinetry and permanent fixtures for the kitchen, butler’s pantry, mudroom, bathrooms, and more. The kitchen, showcasing design elements that are sleek, earthy and natural, creates a modern, yet comfortable and warm space for cooking, dining, and entertaining. Unique touches, such as the cozy breakfast area, matching countertops and backsplash, and large island, add to the cohesive flow of the space, making it the perfect space for gathering with family and friends.

The lady’s office featuring art from the Parlor Gallery in Asbury Park, NJ.

The kitchen and breakfast nook look out to the backyard featuring a small pond.

Moving toward the mudroom, designer Tamu Rasheba Green of Lux Pad Interiors sought to create a transition space offering a calming atmosphere from the outside world to inside the home. The mudroom, featuring custom built-ins, closets, and an enclosed powder room, allows for the homeowners to “remove physical baggage” and “release tension of the day” by providing a personalized space to decompress before entering the home’s main quarters. 

The Great Room

Designed by Anna Maria Mannarino from Mannarino. The great room flows seamlessly from the kitchen and features a floating stand-alone fireplace that is the centerpiece of the room. For more photos and for Anna Maria’s contact information, click here!

The floating fireplace is the great room’s focal point.

Dining Room

Designer Sam Ciardi of Samuel Robert Signature Spaces was tasked with incorporating the homeowner’s 12 antique wooden panels that depict the Chinese New Year zodiac signs. The result: an earthy room filled with plants, earth tones and “the ultimate expression of minimalist design.”

Drawing Room 

Celebrating the atypical and unexpected, the drawing room, the work of designer Alirio Pirela of Pirela Atelier, creates an inviting space with a medley of different styles that blend together seamlessly. From American Art Deco to European Mid-Century masters and modern emerging artists, the result is a multifaceted space perfect for a serene retreat from the day-to-day. 

 

The dining room was designed around the antique, Chinese wooden panels.

The drawing room features stunning art and sculptures.

Master Bedroom + Bathroom

A truly opulent and sophisticated space, the master bedroom, designed by Judy King of Judy King Interiors, embraces comfort and style. A soft mural wall blends with a striking full-wall fireplace and unique accent pieces drawing attention to the room’s distinct decor, and an impressive walk-in closet and master bath highlighting the experience of getting ready for and ending the day. 

 

Boy’s Bedroom

A 9-year-old’s imagination and curiosity about the world, travel, and life inspired designer Diane Durocher of Diane Durocher Interiors to create a timeless bedroom that will grow with him. A walk-in closet and bathroom provide plenty of space, and the decor, such as a large canvas map hanging from the ceiling above the bed, create infinite possibilities for discovery. 

The master bedroom features a warm and inviting sitting area with a fireplace.

Carefully curated pieces add some fun to the home’s guest bedroom.

Guest Bedroom

Designed by Gail Davis of Gail Davis Designs, the guest bedroom of the home is a warm and inviting, en suite space for guests. The warm space is accented by the statement bed that features the soft and comfortable linens by Deborah Sharp Linens. For lighting, the room utilizes the natural light that floods in through the large windows, but also uses shorter, standing lights, creating a cool-toned atmosphere. For more photos and Gail’s contact info, click here. 

Lower Level — Wet Bar and Gallery Space

The lower level of the home is a large, open space with plenty of amenities. Designed by Ginny Padula of Town & Country Kitchen and Bath, the area was envisioned as “an entertaining space that was both cool and modern yet comfortable and soothing.” Features of this level include a yoga studio, simulation golf room and a theater. The main space, where people would gather, is relaxed with soft-toned fabrics, which perfectly contrasts the main staple of the floor: the bar. 

The downstairs bar is the perfect spot for family and friends to gather around.

Acting as an art gallery, the lower level features a painting by American pop artist Roy Lichtenstein.

For the Showhouse, though, the lower level was transformed into a pop-up art gallery featuring work provided by Chelsea Art Group, which is based in New York City. There were so many interesting and beautiful pieces in the space, featuring a painting hung up near the bar area by famous pop artist Roy Lichtenstein.

The 2020 Princeton Designer Showhouse was sponsored by the following: Benjamin Moore, Cosentino, Kallista, Kohler, Florense, Signature Kitchen Suite, and LG Signature

 

Featured photo: A perfect entertaining space, the lower level features a nice sitting area, golf simulation room, and home theater.
Photography by Mike Van Tassell Architectural Photography
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