Biophilic Design

On tablescapes, in kitchens and baths, garden and great rooms, green seems to be having a moment.

Photo courtesy of marvin Windows and Doors

Extensive windows and doors link to greenery outside and bring nature inside.

Not too long ago, it was difficult to spy even a vestige of green in a room. Today, it’s almost impossible to find new interior scheme without a spark of green. “We’re seeing emerald green used on everything from walls to cabinetry to tile and even lighting,” observes Sue Wadden, director of color marketing at Sherwin-Williams.

Green hues, especially deep vibrant shades, seem to be everywhere along with living greenery and plants. But rather than a fleeting color preference, the passion for green might also be the first sprouts, indications of a more transformative movement — biophilic design — edging into residential design and architecture.

Biophilia, according to consultants Terrapin Bright Green, refers to humankind’s innate biological connection with nature. Although social psychologist Eric Fromm first coined the phrase “biophilia,” the concept wasn’t popularized until the 1980s when biologist Edward O. Wilson took up the mantle. Biophilic design introduces natural elements, organic forms, light and water into the built environment. Research shows integrating natural elements increases productivity, enhances creativity and improves mental health. “We’re getting evidence-based design, especially in the healthcare industry, that just by having a view of the outside a patient recovers quicker and requires less medication and attention after surgery,” observes Miami designer B. Pila.

“The use of green in home interiors is picking up steam,” explains Stephanie Pierce, director of design for MasterBrand Cabinets. “There are a variety of shades cropping up today, particularly in the kitchen and bath from deep emeralds to soft sages and dark ivies. Deep, moody hues are making a bold impact on these spaces. The effect is as cozy as a warm blanket.”

“Touches of rich, verdant green can make it feel as though you’ve escaped to the outdoors and are soaking up the invigorating effects of nature — without even leaving your home,” shares Wadden.

“With the growing interest in wellbeing in all aspects of our lives, including the home, people are using nature-inspired lush greens to bring comfort into spaces,” explains Christine Marvin, director of corporate strategy and design at Marvin Windows and Doors. “Emerald green is a bold color that perfectly balances glamour with calmness, evoking a sense of relaxation and inspiration.”

Until recently, biophilic principles were utilized primarily in commercial structures, and the inclusion of nature — living plants, park-like oases, organic forms, natural materials including wood and stone, water and light — is revamping corporate settings including Amazon, Apple and Google. Last year, Amazon’s long-awaited biophilic project, The Spheres, opened on the site of its original headquarters. The three glass and steel domes are forested with more than 40,000 plants. Along with plants and a four-story-tall green wall, there are waterfalls, a river, walkways and meeting spaces. Hotels and other commercial spaces are implementing biophilic design practices but with more modest expressions.

For residential buildings, the addition of natural elements and connections with the outside has been an ongoing evolution, partially in response to consumer attitudes rather than a dedication to biophilia. Designers are just catching on. “Consumers are more educated in wanting healthier lifestyle choices,” says Angela Harris, creative director and principal of TRIO, an award-winning interior design firm in Denver.

Current residential design merges indoors and out, organic and humanmade, using visual and real connections. The integration of outdoor spaces is a response to consumer lifestyle demands, but the end result potentially delivers the cognitive, psychological and physiological benefits biophilia advocates tout.

“We’ve noticed an increase in demand for bigger windows over the past five years, as more people want to feel connected to the world around us while we’re indoors,” comments Marvin. “In a world that’s become fast paced and where our living and workspaces are merging, letting light in allows us to feel alive and connected to space outside our homes. Incorporating large windows into the home plays a significant role in achieving this ‘outdoors in’ feel and connecting to nature. We’re also seeing a pull towards large window walls, or many windows that are mulled together to create a wall of light that heightens the experience of light in a home.”

It may seem biophilia is just another quick moving fad, but more than one organization is promoting the concept and actively formulating certifications for buildings under the auspices of groups such as the International Living Future Institute, a Seattle-based nonprofit that encourages sustainable practices and wellness. In 2016, a cadre of architects, builders and researchers formed the Biophilic Design Initiative to further the movement. Biophilia is also part of the U.S. Green Building Council’s WELL Building Standard.

Whether or not biophilia will exert a long-term influence on design remains to be seen, but there is a good chance wellness and nature will be an important aspect of design’s new normal.

Lovers of Scandi’s enlightened sense of style will rejoice at the discovery of the beautiful Farringdon and Dorset collections of reclaimed wood furniture from Modish Living.

Modish Living was founded by husband and wife, Chris and Hellen Barlow in 2012 with an idea born around a wooden kitchen table to create an online boutique selling a handpicked collection of beautifully crafted, reclaimed, rustic and sustainable wood furniture.

Renowned for its simplicity and beauty, Scandinavian style shows no sign of losing its popularity in homes and interiors. Its pared-back and minimal style have evolved into a more cozy feel, focusing on sculptural organic shapes, earthy pigments, natural materials and textures, such as wood.

Everything from tempting trestle dining tables and family-friendly extendable tables to a welcoming wood bench and seriously stylish sideboards, these naturally rustic additions will add an instant Nordic vibe to your dining space. Made using aged reclaimed wood rescued from old buildings, Modish Living’s Farringdon and Dorset collections are the perfect fit for Scandi design devotees. Skillfully crafted to enhance the natural tones of the wood and given a renewed sense of purpose and style, these pieces evoke a sense of comfort, style and happiness.

As well as providing essential storage, this sideboard has a natural beauty and character. The natural markings of the reclaimed wood shines through the white painted finish, giving it a lived-in authenticity perfect for a Scandi feel dining room.

The distressed white base of the Dorset Extendable Trestle Table keeps the aesthetic neutral while adding warmth.  Accessorize with a sheepskin rug and the large white bamboo pendant is styled here.

Three central drawers and two large cupboards offer plenty of storage for your kitchen essentials. The subtle lacquer accentuates the natural markings and history of the wood, whilst giving it a distinct Nordic feel.

The large pendant above the Farringdon extending table is made out of biodegradable woodchip; the perfect pared-back accessory to complement this 100-percent reclaimed wood collection.

Photos courtesy of Modish Living

Fashion and art lovers will fall in love with these items from textile designer and artist Dianne Erdmanis, who has created wearable art for nature lovers and more.

This artist offers a beautiful perspective that is also fashionable. Erdmanis has captured incredible, dreamy and realistic views of the Earth, as seen from space, on a 100-percent silk scarf. The beauty of the piece lies not just in the way the scarf so perfectly demonstrates a bird’s eye view of the Earth’s unique geography — it’s also hidden in the fact that it’s not a photograph.

Initially sparked by the enormity of uninspiring and mass-produced scarves on the market, Erdmanis wanted to create something unique, sustainable and inspiring. While staring down into the atmosphere of many trips through the clouds on planes, she wondered if there was a way she could capture the true-to-life beauty and geography of the landscape below her.

“I wanted to capture a zoomed-out view of the Earth as seen from a dizzying, almost stratospheric height,” says Erdmanis.

Erdmanis spent countless hours experimenting with paint color, viscosity, flow, and technique. Eventually, she found a truly unique but entirely cohesive method by which to achieve the look of bodies of water “melting” into the land, and vice versa, when viewed from space.

“The altitude had to be just right … so you could see our planet’s oceans, land, and clouds clearly,” she explained.

“The art told me a story,” says Erdmanis. “It made me feel like I was flying, it was beautiful.” The Earth Scarf resembles stunning views of the Earth captured by satellites or space telescopes, watching islands blend into the waters beyond it, depths of the oceans captured by darkening paint, hypnotic swirls of pink, aquamarine, coral and teal, that show how the land bleeds into the water while clouds float overhead.

Her greatest discovery was that her method led to an almost photo-realistic depiction of these aerial shots — except that these could now be printed onto an elegant silk scarf.

Photos courtesy of Pure Huntress