Headshot courtesy of Victor Affaro
From the Jumby Bay private island in Antigua to the palatial Palacio Tangara hotel in Sao Paulo, Brazilian architect and designer, Patricia Anastassiadis has collected a long, robust list of high profile international projects. Anastassiadis blends her love for anthropology, art, nature and history to create timeless and minimalist furnishings that create a dialogue.
Most recently, she was chosen to be the Creative Director to design Artefacto’s highly-anticipated 2019 collection, which hit South Florida showrooms this past summer. Unique Homes spoke with Anastassiadis to discuss her journey to create Artefacto’s 2019 collection, her style and the future of design in a changing world.
What was the first time that you ever thought about being a designer? Did it coincide with your original career path?
As a child, I was always put to sleep listening to Greek Mythology stories told by my father (who is Greek) and that exposed me at a very early age to the power of storytelling and the classics. My mother, on the other hand, is a fashion designer, a writer, and a painter. So as a teenager, I’ve always known that I would take part in the creative business … At 17, I decided to apply for an architecture major as we’ve realized that architecture has always been a reference and a part of my life.
Why do you do what you do? What about interior design draws you into it doing it every day?
Architecture itself tells a beautiful story about our time on this planet and the relationship we establish with our surroundings. That idea completely amazes me.
I don’t make a distinction between my work as an architect and my work as an interior and product designer. They are all extensions of my work. For me, it is all connected as I enjoy working with design on different scales, but most importantly, I like living with the idea of creating something that puts you in contact with another human being.
How would you describe the style of the new Artefacto collection?
This new edition is the continuation of the previous one launched in spring 2018 and our aim was to promote a dialogue between the two of them. I believe a good design piece ruptures its timeline without losing its aesthetic or functional relevance. Thus, my intention with this edition is to design furniture that is truly timeless. We are proposing a more holistic aesthetic linked to values that, despite the strong visual appeal, are not a synthesis of a trend.
What do you draw inspiration from to form your own unique perspective?
My inspiration comes from nature, materials, architecture… All those different elements are part of the repertoire that moves me to create and design products of my own.
What can a client expect from you when you take on their project?
What marks our work is how we evaluate the location where the project will be held. I take into account the cultural characteristics; the local materials we can work with; the vernacular architecture of the place, and how people interact with it or behave there… I also really enjoy exploring and connecting materials, textures and colors… The aim of my work is to turn it all into an enhanced experience that will bring out the real essence of that location to visitors.
What recent changes in the industry have you noticed and want other designers to take part in?
I’ve been really concerned with the environmental issues, and consumption plays a big part in it as we’re also discussing discard. I believe we’ve really passed the time where we could just raise a flag over the problems we’ve been noticing in the world as a consequence of our damaging exploration of natural resources. We’re right now sensing an imminent call for action regarding the environmental issues. Change really is urgent. It’s essential that we, as designers and architects, are able to engage in the cause and make conscious choices when developing a project.
What can people expect from your new collection?
We’re now working with the concepts of a brand new edition. We’ve been inspired in the past by Japanese architecture, culture and design so we’ll keep developing that. We’ll also create a brand new chapter of furniture design with natural fibers and materials, inspired by food. We’ve also been experimenting with shape, adding volume to new pieces.
Any goals for this year, both for you and/or your brand?
Right now, I’m working on an upcoming Four Seasons hotel as well as a brand new collection of furniture design for Artefacto. There are new projects to be announced as well. But we can’t reveal much just yet.
Photos courtesy of Artefacto
Artist and inventor Bandana Jain works with recycled and eco-friendly materials to create one-of-a-kind artwork for the home.
Sharing a deep concern for the environment, the contemporary artist has been creating artwork using corrugated cardboard for the last seven years. She crafts unique furniture for clients — from couches and desks to tables and lamps.
She is also the founder of Sylvn Studio, a business dedicated to conserving the environment. The India-based business is the country’s only design label specialized in hand-crafted décor products made of recycled corrugated cardboard.
How did you first begin your work with cardboard? Why did you choose this medium?
Initially, I worked with a few other mediums. To choose cardboard as a signature medium was a conscious decision I had taken because I wanted to offer something different. Also I wanted to educate people about adopting sustainable lifestyle.
How has your journey with this medium shifted in the last seven years?
It only grew with time. Corrugated cardboard is certainly not an easy medium to work with. I struggled a lot and over time I gathered experience and maturity to handle this medium. I must say nobody can touch me now.
Why is it important that designers/artists use recycled and eco-friendly mediums and that homeowners choose to purchase these types of artwork?
We are all the children of the earth. The existence of our being is intrinsically connected to nature. As responsible humans, it is for us to ensure that we build a better place for ourselves and subsequent generations to come. This can happen only when we make the right choice.
Why should homeowners incorporate these pieces into their homes?
A well-designed interior accessory revs up the design quotient of your abode. And every accessory in a home is akin to an individual chapter in the overall design narrative. It defines the space and tends to be a conversation starter because of its exclusivity and aesthetics. Who doesn’t want to be talked about?
Where do you gather inspiration for your creations?
Inspiration comes to me from a myriad of spaces. As an artist, my observations and experiences guide me. My choice of medium is also a part of my experience. Once I was in Zermatt where I had the chance to explore the Eco Village; the determination of the locals to keep the town sustainable inspired me a great deal.
Photos courtesy of Bandana Jain