Striking Out in Italian Design

Photo by Giacomo Maestri. 

New design brand LATOxLATO, founded by the young architects Francesco Breganze de Capnist and Virginia Valentini, presents its first collection of furnishings and objects that strives to tell a story of true passion for Italian design. Exclusively made in Italy, LATOxLATO uses the finest materials and refined techniques, all built on a search for the best artisans and craftspeople. 

“LATOxLATO comes from the wish of bringing the artisans’ knowledge passed down across generations to the public,” say designers Breganza de Capnist and Valentini, “and make people realize that in Italy we still have a great tradition of true masters of the art that mold one piece at a time with their hands … Our mission is to show the consumer everyday objects in a different way from the one they are used to seeing them, freed from the constraints of the usual trends through the constant dialogue between art, aesthetics and functionality.”

The duo is usually inspired by day to day life, taking their personal memories as well as the architecture of Italy and transposing generalized design concepts into household pieces. For those looking to outfit their home, both designers say that these pieces help to “tell a story about [the] owner.”  

“Each product has a unique and recognizable identity and is meant to embellish its new home and also bring value to its new owner. The goal is to give the consumer the chance to own a very unique piece that tells a story about him, what he likes and what are his dreams.”

There are several pieces in the collection, varying in look and purpose. The Fourmosa storage chest draws on the clean formal lines of classic Italian design from the 1950s, updated for the modern age.

The piece is in varnished oak, with masterfully carved sharp edges bringing a sense of continuity to the surface. Designed to fit together in infinite combinations, these pieces create a dynamic, personalized piece that can even be expanded over time.

The trapezoidal modules easily lend themselves to various free combinations, without the use of joints. 

Photo by Matteo Imbriani.

1950s design also provided inspiration for Aracne, an unconventional coffee table with an unexpected eight-legged silhouette. Its round glass top seems to float atop the elegant zoomorphic structure, solid and airy at the same time.

Its eight wooden supports, with rounded edges that allow the top to nestle into place with a natural elegance, create an evocative visual rhythm, interacting with its surroundings by projecting delicate threads of shadow into the light.

Precise woodworking and organic design make Aracne an elegant presence full of personality. 

Photo by Giacomo Maestri. 

Candleholders, vases and a centerpiece are a tribute to the Italian art and architecture that inspires their form and character.

The Vestalia candleholder boasts the natural elegance of the most precious marbles, from Carrara White to Carnico Gray and Imperial Green. 

A complex process of water-jet carving, entrusted to historic Venetian ateliers, brings out the stone’s edges and veining.

Their design, rich in tactile emotions and interactive possibilities, makes them objects of compelling sculptural presence. 

Photo by Matteo Imbriani.

The arched ceramic vases Marcello, Massimo and Vittorio offer a subtle allusion to Italy’s Palladian villas and palaces and to the perspectives of Metaphysical art.

The detailing in precious 24k gold or platinum creates reflections of light and motion in perspective.

The pure white of the surface showcases the precious glaze finish and the imperceptible differences in intensity that come from handmade artistry. 

Left photo: Marcello; Right photo: Massimo

Both photos by Giacomo Maestri. 

The beauties of artisanal ceramic return in the Sophia table centerpiece, inspired by the great piazzas of the città d’arte, Italy’s “Cities of Art.”

A meticulous study in proportion, Sophia presents itself as a scale model of the arches and porticoes of Renaissance architecture.

The result is an abstract geometric form, rich in sensory character and vibrant with luminous details that enrich the pure white of the ceramic. 

Photo by Matteo Imbriani.

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