Whether you’re organizing that shoe collection that keeps on growing, displaying your endless accessories, or if you’re striving for a clean, minimalist style and feel, a little extra storage never hurt. Even pricey and luxurious apartments in places such as New York City aren’t offering much space.
Get inspired with these storage tips and find the perfect place for everything in your home.
Be bold and embrace your own style. Even if you are working toward a more neutral style with clean lines, it’s okay to introduce a few pops of color. Your storage is the perfect place to try new color schemes and patterns because they are easy to switch out and adjust with your growing taste and the changing seasons.
Portable, movable storage is the best kind of storage. The convenience of wheels should never be overlooked. If you’re hosting an event, entertaining guests, or simply looking for a fresh feel, storage that can be moved make the process of change seamless. Simply wheel a fun, stylish cart into the next room for all of your storage needs.
There’s no shame in falling in love with storage space that is not the most functional. A few stacked baskets with a playful touch of fringe is a nice addition to your bedroom or bathroom. The layered look adds complexity and style to your room, and it can still be functional for small items and accessories.
When in doubt, try under the bed. The space below your bed was made for storing blankets, shoes, winter sweaters and more. Built-in storage is even less noticeable under your bed and ensures that you’ll always have a little extra room to stash your bulkier items or less used items. These clever built-in draws will help clean up any bedroom.
Multi-functional is never a bad thing. Side tables, ottomans, benches, and other furniture that offer a hidden storage section is a dream come true. Forget searching for bulky storage options that take up space and ruin your decor. Find a charming side table that serves as a storage unit to declutter any room.
With organic, vegan design on the rise, assorted brands, luxury and non, are putting forth innovative design creations that are the best representatives of a greener, more sustainable style of design. Consultants/designers at Décor Aid named 10 of the best organic furniture brands making it in the industry right now. We’ve featured a few of their recommendations below!
Anton Doll Holzmanufaktur
Décor Aid interior designer Martha V says about Anton Doll Holzmanufaktur: “With a German name that translates to wood maker, expect to find expertly hand-crafted eco-friendly furniture produced by talented local artisans in Germany.
The company focuses on sustainable wood treated with chemical-free finishes and treatments, and its aesthetic leans on the clean and timeless spirit of Scandinavian design — ensuring that their future-heirlooms will also never go out of style.”
At Anton Doll Holzmanufaktur, carpentry is considered to be art, and attention to detail and a passion for form and design help prompt these “artists” to experiment and further develop their pieces of craftsmanship.
Starting with the processing of solid wood of the highest quality, up to the surface treatment with pollution-free wood oil, their craftsmen control every step of the manufacturing process. This also includes responsible forest management, local production within Europe and ensuring the longevity of its products, all which help cut down emissions and waste.
By emphasizing sustainability, quality and the joy of creating, the company relies on traditional values of the furniture trade. In connection with modern design and online business presence, the company’s values transcend time to the present.
“People often forget about the artisans behind the pieces they acquire and the low wages they are paid to produce furnishings, and I was glad to learn that VivaTerra always pays its employees fair wages. And I like that their pieces are modern with just the right amount of cool allure to make them unique,” says Décor Aid interior designer Sara S.
Named VivaTerra, meaning “living earth,” this sustainable interior design brand is dedicated to operating in harmony with nature, inspired by blending global inspiration with modern, eco-conscious design. The company and its craftsmen strive to share a contemporary, artisan-crafted aesthetic with consumers through unique and earth-friendly goods.
In 2003 on the California coast, VivaTerra’s founders developed a passionate belief that there was no need to compromise natural resources or environmental health in pursuit of a beautiful home. Blending modern Californian design, natural and eco-friendly materials, and global inspiration, the brand grew and developed its signature style.
Today, VivaTerra continues its mission to help transform homes into natural sanctuaries filled with beautiful, uncompromising products. It sources from and supports artisan communities in more than 20 countries across the globe, seeking out fair-trade partners and sustainable methods of production.
“Environment furniture makes functional pieces of art that are the perfect tribute to sustainable living thanks to materials that are reclaimed, recycled, and repurposed or from certified forests,” says Décor Aid interior designer Mandy M.
For over 15 years Environment, located in the heart of Los Angeles, has become a leader in reclaimed wood furniture design. After many years of exposure to the elements, nature imparts its process of natural-aged patina, which in turn crafts the history and story behind every piece of Peroba and other reclaimed woods used in the Environment collection.
The brand’s upholstery collections only use the ultimate furniture-building methods and natural materials that are both superior in terms of comfort and lifespan, as well as inherently flame retardant without the use of chemicals.
Building on the success of some of its best-selling designs, while crafting soon-to-be favorites, HBF Textiles’s latest introduction of the Spring 2019 Collection is a double-take on its own history as it looks forward.
Featuring six fabrics, including two reissues of popular brand classics, the brand looked to the individual patterns present within fibers to craft a tactile, visual collection. Unique weave constructions are utilized with matelassé, knotted cord floats, waffle weaves, and a well-worn saddle leather, making Spring 2019 a multi-dimensional line that closes the gap between new and old, classic and original.
“Our Spring 2019 collection is a reimagined look at HBF Textiles’ history and where we’re headed,” explains Mary Jo Miller, HBF Textiles VP of Design & Creative Direction. “The line combines some of our most memorable textiles with modern, distinct designs to create something entirely new. Spring 2019 looks boldly ahead while still managing to feel timeless, classic, and thoughtful.”
Two updated classics, Honest and Moving Forward, prove their enduring design with modifications and additions that embrace their roots.
First launched as “Moving Blanket” by Elodie Blanchard for HBF Textiles in 2014, the renamed textile Moving Forward was inspired by the beauty of a moving blanket draped over a piece of furniture, translated into upholstery. The 2019 version offers neon fill yarns for an added pop of color and original look.
This textile takes the original artwork from Elodie Blanchard’s ‘Moving Blanket’ and propels it into a vibrant, new direction with neon weft yarns peeking through the matelassé pockets. The fabric comes in nine dynamic iridescent hues with a stain resistant finish.
For Honest, first released with Christiane Müller in 2016, a fresh range of modern, heathered colors add depth to this timeless pattern and expand on its initial design. Woven at a family owned mill in Italy, Honest features a hybrid of fibers that when blended look and feel like a soft wool blanket. It’s featured in eight heathered combinations, as well as the original 10, for a total of 18 colors that impart depth and clarity.
The Honest color family is also growing! New exciting shades from Christiane Müller are expanding this simple and beautiful solid texture.
The four new additions to the HBF Textiles family — Grateful Grid, Wild West, Caddy Corner, and Vault Lights — bring liveliness and diversity to the collection through bold grids, distressed leather, small-scale angles, and geometric patterns.
Crafted at an intimate mill in Germany where chenille is the dominant fiber type, it’s easy to feel grateful for this bold grid weave comprised of soft chenille yarns.
Grateful Grid is a waffle weave structure which allows air to flow and sound to be captured. The six vibrant shades are named for the first word in a variety of Grateful Dead song titles.
Kitty Corner, Catty Corner, Cattywampus — whatever works for you on the diagonal.
Caddy Corner is the odder spelling and takes it cue from small scale 45-degree angles. The eight multi-hued fabrics all showcase playful colors, while remaining composed of 58.5 percent post-consumer recycled polyester — one of the brand’s most sustainable fabrics.
Wild West’s distressed leather features a scratch-resistant surface with a matte finish, like a well-worn pair of cowgirl boots. The finish allows it to be specified for high traffic areas, while showing off a chic, marbled, crackled appearance. There are six complex shades, each named for a famous cowgirl from early western classics.
Vault Lights was inspired by the geometric refraction of skylights with their bumpy quality and jewel-toned hues. Woven in Germany, the textiles come in eight luminous colors that represent the look and dimension of light prisms through glass.
Images courtesy HBF Textiles.
Being trained originally as an architect in Germany and London and having worked with one of the most iconic architects of the 20th century, Zaha Hadid, designer Timothy Schreiber reached what he calls “the center of the universe” in terms of digital design and technology very early on in his career. Though highly driven by today’s advancements in digital technology, Schreiber discusses how his designs are actually the outcome of a wide assortment of influences, even more traditional practices such as cabinet making and woodworking.
What about this particular version of design is most attractive to you, and to others?
I always like a new challenge and trying something completely new that nobody has done before and I hope others will also enjoy the freshness and new-craft aspect of my work.
Where would you draw inspiration from?
For me personally, I can draw inspiration from any beautiful moment.
When I walk through Kyoto I might have some great ideas by looking at the beautifully dressed locals and the amazing scenery and traditional architecture.
When I see the sunset behind the Diamond Head in Hawaii while swimming in the pacific I might have some new amazing ideas for colors, moods or shapes.
While I am walking up Montmartre in Paris some great eclectic ideas might come up while I stroll a secondhand market and see a broad mix of items from different eras like Beaux Arts, Art Deco or Art Nouveau.
How do you think the presence of digital tools/technology has changed design over the past few decades? How do you use these tools in your own work?
Whilst in the design department of Zaha Hadid, I realized that, although the latest digital design tools might be used there, without a fundamental understanding of traditional craft it’s actually extremely difficult to achieve perfection in object or furniture design. … I am hoping I can push the symbiosis of traditional and digital design and making process to the next level. However, the most important aspect of my work will always be the focus on traditional craft.
What do you think you try to achieve through your collection/these pieces, i.e. what is the goal when it comes to your work?
I am aiming to push the boundaries in terms of what is possible and in terms of what hasn’t been done before, whilst combining new and old crafts. I like to work in many different materials, metal, glass, wood, fur, etc.
Sometimes, during my travels I find interesting traditional crafts and technologies. For example while I was living in China I got introduced to traditional Chinese Glass casting. The projects that were done with this technology were mainly traditional glass statues and figurines… After a lengthy process of experiments and tests we were able to push the boundaries here and make a piece of cast glass furniture which was almost twice the size that any other object that was previously cast there.
What do you think are some key things to remember when outfitting a home?
God is in the details.
Does your mind focus on a specific space in a home or space when you design, or on something else?
I was trained in multiple disciplines, cabinet making, architecture and interior design. My first 3 years in architecture college I spent at Bauhaus University in Germany. … I like to always focus on all spaces and all aspects of the design, from concept to detail, and I equally enjoy dealing with all spaces and aspects of the current job.
All photos by KeneK Photography, courtesy of Wexler Gallery.
Bring fun and function to your outdoor space this spring with three collections from Vondom, by Eero Aarnio. Modern shapes and unique fun concepts are combined to make up the Roulette, Rosinante, and Peacock collections.
Eero Aarnio, the mastermind behind these designs is described as a “plastic pioneer master and a living legend of modern design,” according to the Vondom website. Aarino has been a freelance designer since 1962, and his iconic designs continue to inspire today.
The Rosinante collection was inspired by the fascinating world of carousels and Ferris wheels. The whimsical nature of the rocking horses makes them perfect for families. With sleek lines and modern colors, the designs are equally as fun as they are sophisticated.
Traditionally a rocking horse only rocks back and forth, but this horse has a base which also enables users to spin. Because the horse was made in Spain, it was naturally named after Don Quixote’s world famous horse, Rosinante.
Another lighthearted collection by Aarino is The Roulette Collection. These undeniably bold chairs are perfect for a relaxed gathering or an afternoon outside. The designer had a concept of the chair’s leg being part of the body in his mind. Aarino ended up with a design that rocks in all directions and also spins because of its contact with the ground at one point.
The high armrests give a sense of security when spinning the chair around and also provides support while sitting. Wanting to find an international name for the chair, which also would immediately give the association for the spinning motion, Aarino ended up with the name ”Roulette.”
The Peacock collection fits in perfectly among Aarino’s other designs or stands alone to make a adventurous statement. The planter is in the shape of a peacock but the image isn’t complete without the addition of a plant to serves as the tail. The collection was inspired by the designer’s own childhood memories of the animals, which fascinated and scared him.
AIKO Lounger. All photos by MAMAGREEN.
Gertrude Jekyll, a British horticulturalist, designer and artist from the late 19th century, once said “The garden should fit its owner or his or her tastes, just as one’s clothes do; it should be neither too large nor too small, but just comfortable.”
Good outdoor design should follow this philosophy in order to create a space that is a comfortable reflection of its owner, according to Michael Toutloff, showroom manager for MAMAGREEN, an outdoor furniture design studio that promises to make a difference in outdoor design.
Headed by designers Vincent Cantaert and Barbara Widiningtias, MAMAGREEN aims to create the best hand-crafted outdoor furniture that features exciting, distinctive designs in the “smartest manner we possibly can,” says Toutloff. Cantaert, CEO and founder of
MAMAGREEN, is a third-generation furniture and from Belgium, while Widiningtias was one of the first women to graduate in wood furniture studies in Semarang, Indonesia. Together their modern, minimalistic designs that are both comfortable and sustainable, as they utilize traditional materials, such as reclaimed teak, and primarily recycled or recyclable materials. “[It] isn’t disposable design,” Toutloff affirms, “it is furniture that is made to last.”
To achieve these distinct designs, Toutloff says the key is to correctly quantify how much space you have to work with. “The biggest mistake someone makes is by trying to force the space to become something it isn’t,” he notes. With this in mind any space can get the perfect revamp it needs, from transforming a small balcony to a quaint entertaining space to installing a cabana in a large backyard to create an intimate oasis getaway.
BAIA Extending Table.
Scale and functionality are priorities when it comes to MAMAGREEN furniture. Pieces like the BAIA extending table come standard with a self-storing filler that allows you to expand to a larger table for entertaining, then downsize for maximum movement and flow.
The versatility of these pieces is what is most attractive, as each product is capable of being customized for reasons corresponding with aging, ADA requirements, mobility and more. The company’s passion for sustainability also contributes to its modern sensibilities, from leaving zero impact on rainforest to upcycling 95 percent of its production waste.
“MAMAGREEN furniture is made with love,” says Toutloff. “There are no conveyor belts in our factory. Instead, product is moved from station to station and built by hand by craftsmen.”
Recycled teak wood at MAMAGREEN workshop.
A new line of pop art furniture will brighten your office space.
A result of the extravagant, colorful and recognizable signature of designer Karim Rashid, Hook is the newest collection of modular furnishings by Newform Ufficio designed to instill positivity in the workplace.
“The office space should be comfortable and give inspiration like home, only with less distraction,” says Rashid. “An office should give a sense of freedom, personalization and sharing at the same time.” To reflect these ideals, Rashid’s collection incorporates touches of color, pop art work and simple divisions that create a private environment in line with the parameters of the common work space, making small workrooms obsolete.
The desks are the nerve center of the collection around which all the elements are developed. Each desk can be customized in terms of finishes and colors, and can also include a second, entire or shelf-sized top to store files, small books and/or hide cables. Under the worktop it is possible to insert a second, entire or shelf-sized top, to place diaries, documents or files, but the space also useful for managing and hiding cables. There are also drawers, special modules to insert hard drives, shelf systems and small load bearing shelves to replace thin metal legs. To free the tables from any unnecessary clutter, Rashid and Newform Ufficio have created LED lamps that spread a pleasant ambient light of the entire length of the desk.
To create workstations made up of several desks, a series of translucent screens and side panels allow both privacy and collaboration, as well as open up the space between workspaces. “I believe that the fluid, clean and bright spaces promote an active working life and that an office of this kind will lead to a better and more gritty work in return. My collection for Newform Ufficio embodies this spirit,” Rashid adds.
“Design has been the cultural shaper of our world from the start,” he notes. “We have designed systems, cities and commodities…. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally.”
All photos courtesy Newform Ufficio.
Vintage pieces add character and depth that cannot be imitated by modern mass-produced furniture. Embracing vintage trends in your home does not mean that you must abandon contemporary designs, however.
Many antiques fit well with today’s straight lines, bold colors and attention to detail. Whether you’re looking to make a statement with an ornate, attention-grabbing item or desire a subtle quaint aesthetic, vintage pieces can give a room personality and complexity unmatched by what can be found in the average furniture store.
If you are unsure how to go about incorporating timeless vintage pieces to your home’s decor, here are five tables with vintage charm that will give your home an extra dose of elegance:
Set of Four Vintage Rosewood & Inlaid Pearl Chinese Nesting Tables
These handcrafted tables are made from solid rosewood and are engraved with genuine mother of pearl. You can store them together as a set or in separate rooms to create a cohesive aesthetic throughout your home.
Victorian Marble Top Turtle Top Carved Table
This sleek rococo-style table dates back to the 1890s. The simple white and gray grained marble top contrasts the carefully carved solid black mahogany base, perfect for the minimalist homeowner seeking to diversify their decor.
French Louis XV Style Nightstand
Bring vintage trends into your bedroom with this mid 20th century nightstand, which features a serpentine shaped faux-marble top. This charming piece is a perfect fit for vintage enthusiasts looking to add a touch of femininity to their collection.
Round Oak Table
Approximately 118 years old, this table features opposing scroll carvings that come together to form a floral design reminiscent of acanthus leaves. An ideal coffee table, this piece is stylishly supported by eight turned legs with ball feet.
Antique Chinese Hand Carved Rosewood Table with Marble Top
This side table is between 100 and 150 years old, and features breathtaking carvings that make this elegant stand perfect for an upscale living room, library or bedroom.
Photos courtesy of www.rubylane.com.
The Harrison, a move-in ready, fully-amenitized, luxury high-rise on the top of Rincon Hill in San Francisco’s SoMa neighborhood, unveiled its newly released 49th floor corner penthouse in October.
One of two remaining top floor penthouses, the “Steinway Suite” was designed by award-winning designer Michael Friedes and is punctuated with a Steinway Model M Spirio high-resolution player piano valued at $100,000. The sophisticated, 1940s-glam-meets-Mid-century-modern residence is being offered fully-furnished for $3.7 million.
The highly coveted corner, top floor penthouse gives a buyer the rare chance to purchase a fully furnished, nostalgic yet contemporary space with unmatched views of San Francisco. Highlights of the Steinway Suite penthouse include:
Living and Entertainment Room — The grand living and entertainment room is inundated with natural light via floor-to-ceiling windows that span two sides of the corner penthouse, revealing the most enviable and far-reaching views of the city below and Twin Peaks beyond. An additional focal point is the grand Steinway Model M Spirio, the world’s finest high-resolution piano, offering hundreds of hours of free performances. Beside the piano are two custom barrel swivel chairs covered in a black and white printed fabric that resembles an abstracted version of piano keys. The hand-blown glass and gold table glistens off the floor-to-ceiling windows and the oyster-colored cowhide rug creates added texture.
Sitting Alcove — The intimate alcove adjacent to the piano features a mohair-like sofa, and a wool and silk rug that has custom-cut corners on it to echo the angles of the room. The original artwork above the sofa was custom created by Friedes and features bold colors and movement that represents his interpretation of music playing. On the room’s other wall, Friedes selected original album covers that underscore the penthouse’s musical sensibility. Meanwhile, the room’s statuesque lamps add extra dimension to the space and show off the height of the ceilings. The coffee and end tables are composed of rich golds and polished wood that embrace the glamour of city penthouse living.
Dining Room — The dining area boasts a large banquette that creates a space for intimate dinners or enjoying a cup of coffee in the morning while sipping in the views. hangs above the banquette. The accented blue wall highlights a delightful original painting of San Francisco. Acrylic wall shelves display a collection of vintage colored glass objects, pulled directly from the art, and add a jewel-like reflective quality to the room.
Master Bedroom — The master bedroom is a unique retreat with a design that blends various eras and features a swanky chaise from which to admire the Bay views, as well as a long Mid-century inspired cabinet for storage beyond the spacious closet.
Guest Bedroom —The guest bedroom is designed to enjoy the dramatic views from the corner windows. It was inspired by a 1960s lucite and turquoise chair Friedes found in Palm Springs with the idea of making the space fun and light. The 1970s acrylic lamps are also a Palm Springs find. The artwork above the bed is titled “The Last Conductor” by Eastern European artist Eugene Soloiev, and is one of Friedes’ clever references to the Steinway Suite.
“I wanted the penthouse to feel refined, but also have a sense of whimsy,” says Friedes. “This special penthouse is the perfect home to enjoy, whether to entertain in, or relax and listen to the incredible sound emanating from the Steinway piano. And the decor is meant to echo it all.”
The “Steinway Suite” owner has access to The Harrison’s robust amenities, including: Uncle Harry’s, the building’s penthouse lounge, private dining room, grand entry salon, pantry, valet, fitness center, swimming pool, Jacuzzi, and, Luxury Attaché, a dedicated concierge who coordinates everything from dinner reservations to private functions to monthly events. Penthouse residents are also within walking distance to AT&T Park and many of the city’s best restaurants, bars, shops and businesses.
The Harrison is located at 401 Harrison Street, San Francisco, CA 94105 and can be reached at 415.721.7788. For more information, visit https://theharrisonsf.com/.
Photos courtesy of The Harrison.
Artist and inventor Bandana Jain works with recycled and eco-friendly materials to create one-of-a-kind artwork for the home.
Sharing a deep concern for the environment, the contemporary artist has been creating artwork using corrugated cardboard for the last seven years. She crafts unique furniture for clients — from couches and desks to tables and lamps.
She is also the founder of Sylvn Studio, a business dedicated to conserving the environment. The India-based business is the country’s only design label specialized in hand-crafted décor products made of recycled corrugated cardboard.
How did you first begin your work with cardboard? Why did you choose this medium?
Initially, I worked with a few other mediums. To choose cardboard as a signature medium was a conscious decision I had taken because I wanted to offer something different. Also I wanted to educate people about adopting sustainable lifestyle.
How has your journey with this medium shifted in the last seven years?
It only grew with time. Corrugated cardboard is certainly not an easy medium to work with. I struggled a lot and over time I gathered experience and maturity to handle this medium. I must say nobody can touch me now.
Why is it important that designers/artists use recycled and eco-friendly mediums and that homeowners choose to purchase these types of artwork?
We are all the children of the earth. The existence of our being is intrinsically connected to nature. As responsible humans, it is for us to ensure that we build a better place for ourselves and subsequent generations to come. This can happen only when we make the right choice.
Why should homeowners incorporate these pieces into their homes?
A well-designed interior accessory revs up the design quotient of your abode. And every accessory in a home is akin to an individual chapter in the overall design narrative. It defines the space and tends to be a conversation starter because of its exclusivity and aesthetics. Who doesn’t want to be talked about?
Where do you gather inspiration for your creations?
Inspiration comes to me from a myriad of spaces. As an artist, my observations and experiences guide me. My choice of medium is also a part of my experience. Once I was in Zermatt where I had the chance to explore the Eco Village; the determination of the locals to keep the town sustainable inspired me a great deal.
Photos courtesy of Bandana Jain