All photos courtesy Horticus Living.
Having a large collection of plants is amazing, but it can get a little crowded with our floor space disappearing pretty quickly. This is particularly true for city dwellers.
43 percent of Londoners live in a flat, the most of any region in the UK, promoting the move of our gardening skills to our balconies and our living rooms. With the mean average UK one-bedroom home being 46 square meters ( or 495 square feet), according to Riba, space is one of the issues these horticulturalists face.
By focusing on a desire to nurture carefully grown fauna, UK company Horticus Living has rethought the living wall, made it more flexible, and kept the practice of cultivation while keeping a minimalistic lifestyle.
Horticus is a modular living wall system that can grow in keeping with your botanical demands. You choose the size and layout according to your preference and it doesn’t have to be all plants either. Use an empty planter for mementoes or select from pods with different functions.
You can grow your living wall at your own pace. There is no need to get a lot of plants straight away to have the impact.
Horticus Living’s small kit consists of 1 powder coated steel frame and 3 terracotta planters and can add a touch of jungle to a bathroom, bring fresh herbs to a kitchen and a sense of calm to a living room. Planters are made from terracotta and can be lifted in and out of the frame. Even better, the planters can be watered from above through a grid of watering holes.
The combination of powder coated frame with terracotta brings a natural feel to interiors while offering a fantastic contrast to the greenery.
Falper Vetro Integrated Cabinet Glass Top Basin. All photos courtesy Rogerseller.
‘Green’ design and products have historically found their classification in the product features themselves and not necessarily in the processes behind the production, or the facilities that produce them.
But that’s beginning to change, with more emphasis given to the green cogs that keep the green machine going.
Luckily, you don’t have to go green with envy at what others are doing; below, we’ve listed several firms working to contribute to the green movement.
Utilizing recycled marble that is a by-product of its mosaic tile workshop, Claybrook’s MarbleForm bathware is manufactured in a low impact, emission-free production process, using environmentally sustainable products, materials and manufacturing methods wherever possible.
With a unique wet polishing method, which incorporates water, the method is healthier, cleaner and safer, the result is a finer and smoother texture for a superior finish.
Apart from the fact that these pieces are made from recycled by-products, the actual products themselves can be recycled too.
At right: Claybrook Skye Bath
“Think Green” is the motto of Catalano, who has been pursuing sustainability and respect for the environment at all stages of its production cycle for years. The firm prides itself in using pure raw materials without any risk of toxicity, while cutting-edge technology has resulted in a new generation of products with reduced thicknesses that require less material.
Catalano pays great attention to environmental efficiency and operating conditions of machinery as well; the installation of solar panels at the production plant generates 1,625,000 KWh – about a quarter of its total energy requirements.
Catalano’s plant is characterized by a low-noise impact and features a closed-loop wastewater recycling system, while the production processes facilitate the maximum reduction of volatile fumes and pollutants released into the atmosphere. But its green efforts don’t stop there.
When it comes to its products, Catalano is constantly innovating to ensure it stays at the forefront of technology and its impact on product design. For example, the company’s revolutionary glazing method, Cataglaze+, actively kills bacteria through Silver Titanium technology, eliminates the stagnation of water and reduces the amount of cleaning detergents and water required. The visibly superior aesthetic also guarantees anti-yellowing over time.
At left: Catalano Zero 55 Basin
Utilizing only natural materials, Falper recycles all of its manufacturing waste.
Each timber panel is certified ecological and all the wood finishes are entirely water-based.
Scratches and breaks are easily restored on the surfaces of bathtubs and washbasins, reducing the need to replace items, while they are also completely recyclable.
At right: Falper Quattro Zero Caldera bath
At its core, Fantini is all about water. Since 2012, its “100 Fontane: Fantini for Africa” project has succeeded in bringing clean water to 25,000 people in Masango, Burundi, through the construction of 12 collection wells, 27km of aqueducts and 100 water outlets.
Fantini products also adhere to the most stringent standards to safeguard consumer health. Its products are certified Lead free (containing less than 0.25 percent) whilst they’re also utilizing more stainless steel across all of its collections. A compact and solid material, stainless steel offers the highest resistance to corrosion and is particularly hard-wearing and durable, facilitating maximum hygiene. In addition, it’s also an eco-friendly and recyclable material.
At left: Fantini Mare Basin Mixer
Running completely on electricity, the Mirage Air is elevating the standard of eco-friendly yachts.
For those with a heart for being eco-friendly, renowned yacht builder Frauscher Shipyard has launched a sleek, silent, electric version of its 740 Mirage Air powered by Torqeedo’s Deep Blue 100i.
Owners can cruise silently at 10 km/h for more than 10 hours, appreciating both the natural world and the yacht’s spacious, centre-console layout, distinctive design and extraordinary quality.
The fully electric 740 Mirage Air further enhances tradition with innovation, high-tech features and eco-friendliness. Installed with a Deep Blue 100 kW electric inboard motor and two lithium batteries with BMW technology (i3-type), the 740 Mirage Air is the ideal day cruiser.
“At Frauscher Shipyard, we see ourselves as ‘Engineers of Emotions,’ and we always want the owners of our boats to have a great time on the water. With the powerful 100 kW drive system, we are entering an entirely new dimension of electric mobility on the water,” says Frauscher Shipyard’s managing partner Stefan Frauscher.
The 7.47-meter yacht was designed by studio KISKA and Thomas Gerzer, alongside hydrodynamic expert Harry Miesbauer. Although the dynamic lines are suggestive of luxury car design, inside you’ll find all the comforts one could desire: a silent, environmentally friendly electric drive, refrigerated compartment, high-tech yet easy-to-use controls and displays, large sunbathing area, electric windlass, and a bow thruster for foolproof docking.
The whisper-quiet engine used in the Frauscher 740 Mirage Air is specifically designed and constructed to power planing motorboats. The system’s reliable and easy-to-maintain design delivers extraordinary performance at its full power range, with up to 2,400 rpm and incredible torque delivered at low rpm.
The 40 kWh Deep Blue batteries installed in the 740 Mirage Air bring the latest in automotive-grade lithium-ion technology from the famed motor works of BMW. The batteries feature industry-leading energy density and a comprehensive safety system. Torqeedo has tailored the characteristics of the Deep Blue battery to make it suitable for the marine environment and is offering up to a nine-year limited battery capacity warranty.
“The Frauscher 740 Mirage Air provides a quiet and powerful luxury yachting experience for boats that operate in sensitive areas and those with a heart for nature,” says Torqeedo CEO Christoph Ballin. “With an industrially engineered, fully integrated electric drive system and the extraordinary craftsmanship of the Frauscher Shipyard, this electric yacht will attract the eye of discerning owners worldwide.”
Photos courtesy of Christian Brecheis
Artist and inventor Bandana Jain works with recycled and eco-friendly materials to create one-of-a-kind artwork for the home.
Sharing a deep concern for the environment, the contemporary artist has been creating artwork using corrugated cardboard for the last seven years. She crafts unique furniture for clients — from couches and desks to tables and lamps.
She is also the founder of Sylvn Studio, a business dedicated to conserving the environment. The India-based business is the country’s only design label specialized in hand-crafted décor products made of recycled corrugated cardboard.
How did you first begin your work with cardboard? Why did you choose this medium?
Initially, I worked with a few other mediums. To choose cardboard as a signature medium was a conscious decision I had taken because I wanted to offer something different. Also I wanted to educate people about adopting sustainable lifestyle.
How has your journey with this medium shifted in the last seven years?
It only grew with time. Corrugated cardboard is certainly not an easy medium to work with. I struggled a lot and over time I gathered experience and maturity to handle this medium. I must say nobody can touch me now.
Why is it important that designers/artists use recycled and eco-friendly mediums and that homeowners choose to purchase these types of artwork?
We are all the children of the earth. The existence of our being is intrinsically connected to nature. As responsible humans, it is for us to ensure that we build a better place for ourselves and subsequent generations to come. This can happen only when we make the right choice.
Why should homeowners incorporate these pieces into their homes?
A well-designed interior accessory revs up the design quotient of your abode. And every accessory in a home is akin to an individual chapter in the overall design narrative. It defines the space and tends to be a conversation starter because of its exclusivity and aesthetics. Who doesn’t want to be talked about?
Where do you gather inspiration for your creations?
Inspiration comes to me from a myriad of spaces. As an artist, my observations and experiences guide me. My choice of medium is also a part of my experience. Once I was in Zermatt where I had the chance to explore the Eco Village; the determination of the locals to keep the town sustainable inspired me a great deal.
Photos courtesy of Bandana Jain
Eco-friendly furniture and sustainable decor are more than a cute trend — they are a priority for STEM.
With the increasing amount of plastic in our oceans, shrinking forests, and our overall impact on Mother Earth, sustainable designs are becoming more and more popular. Companies like STEM are realizing the importance of sourcing materials responsibly and spreading the message.
Going beyond the typical one or two eco-friendly pieces that most companies offer, STEM’s collection takes sustainability carefully into consideration. Founded by two brothers, Ryan and Travis, STEM is inspiring buyers and designers alike with its entirely eco-friendly collection. The company prides itself on creating a “Healthy Planet, Healthy Home.”
STEM ensures satisfaction by building each piece one at a time in L.A. from eco-materials like natural latex and wool, bamboo, organic cotton, and more. Cutting out harsh chemicals like fire retardants and certain glues are also a part of the process. Sofas and sectionals — being the biggest portion of STEM’s business — are made with FSC certified wood frames, natural jute, and organic cotton. Pieces like the Rio Sofa and Blumen Sectional can be made to the inch to get it just right for each customer and space.
Bamboo Float is a unique style that STEM incorporates into sofas, tables, and more. Bamboo is an ideal material because it grows as quickly as a weed. STEM uses sheets of bamboo for the base and then attaches an upholstered piece for the seating component.
For the Voya Side Table, the piece is handcrafted with FSC certified walnut or hard maple and is covered in zero VOC matte finish. The design can also be made into a coffee table as well.
Also using FSC certified walnut or hard maple for the base is the Sino Coffee Table. The top is white carrera marble and has the option for a draw for storage. STEM makes each piece as it’s needed, therefore cutting out the mass production of generic goods.
Working to develop urban areas around the country is based on focusing on and improving the lives of residents for future years to come. To emphasize these goals, many developments are implementing sustainability methods in design and architecture to benefit the surrounding community and inhabitants.
Urby — Staten Island, NY
Located on the North Shore waterfront, Staten Island Urby is the largest new-construction development in Staten Island that offers specially curated social spaces that encourage natural opportunities for neighbors to meet and interact, including an urban farm featuring farmer-in-residence, Zaro Bates.
The 5,000-square-foot farm is the first commercial farm to be incorporated into an urban residential development. The farm grows over 50 varieties of produce across 5 major categories: greens, summer vegetables, flowers, herbs and roots. The farmers offer workshops to the community and residents including a fermentation series, growing your own herbs and microgreens, and bee-keeping workshops. Produce from the farm is used by the residents, served in the kitchen and sold at a weekly farmer’s market. Zaro’s business partner, Asher Landes, oversees the apiary, which encompasses 20 beehives on the roof of Urby that produce honey.
Photos courtesy of Ewout Huibers
Residence 2680 – San Francisco, CA
Located in the prestigious Pacific Heights neighborhood, Residence 2680 is the largest single-family home renovation that is built to Passive House standards with Home Platinum LEED certification in San Francisco. Developed by Troon Pacific and built to strict sustainability standards, naturally sourced, low-chemical producing materials like wood, stone and glass were incorporated throughout the home.
“We believe in the inspirational power of natural beauty and use principles of biophilic design throughout our homes to uplift our spirits and enhance health and wellness in the urban environment,” says Gregory Malin, CEO of Troon Pacific. Gregory Malin.
With mental and physical wellness in mind, Troon Pacific incorporates a variety of design features, such as Zen wellness gardens, retractable skylights to provide natural ventilation and clean air, rain chains for natural water filtration, landscaped roof decks, saunas, steam rooms and more.
Photo courtesy Troon Pacific.
570 Broome — SoHo, NY
570 Broome is a new 54-unit luxury boutique condominium that is the latest addition to Hudson Square, which has become a highly sought-after residential neighborhood and go-to destination for retailers, restaurants and businesses.
The material used to build the condominium is a result of a new collaboration between sintered stone slabs and Pureti, an aqueous and titanium dioxide nanoparticle-based treatment. This treatment on the surface of the building is activated through light energy to transform the moisture in the air into oxidizing agents, which destroy pollution-causing particles. For 570 Broome, this equates to taking 2,000 cars off the road for a year or the purifying power of 500 trees.
The overall architectural design references the area’s history through the large framed windows, along with the building’s silhouette evocative of staggered cubes.
Photos courtesy Builtd.
Manitoba Hydro Place — Winnipeg, Canada
Manitoba Hydro Place offers a fully integrated design that capitalizes on Winnipeg’s abundance of sunshine and gusting winds to harness solar and wind energies. The capital “A” form of the tower comprises two wings fused at the north and splayed open to the south. This opening is filled with three, six-story stacked atria or winter gardens that act as the lungs of the building as well as 78-foot waterfalls that humidify/dehumidify incoming air.
The design is 80-percent more efficient than conventional Winnipeg buildings, making it the third most energy-efficient, large scale building in the world. It is also the first large-scale office tower in North America to be LEED Platinum-certified.
Photo courtesy Gerry Kopelow.
Market Square — San Francisco, CA
Market Square, a Gold LEED-certified project, was designed by BCV Architecture + Interiors with sustainability and community in mind. The two-building project transformed the dark, outdated and unused space into a cohesive part of its Mid-Market San Francisco neighborhood.
Natural and recycled materials, including reclaimed wood from one of the building’s earlier additions, are used throughout. Market Square merges state-of-the-art office space with an integrated ground floor community featuring the best of San Francisco’s food and retail purveyors. BCV Architecture + Interiors view sustainability through a myriad of lenses and considers the ethical, cultural, social, economic and historical implication of a project in addition to the technical solutions.
Photo courtesy Bruce Damonte.
12 Warren — Tribeca, NY
12 Warren is a boutique residential condominium nestled in Tribeca developed, designed and constructed by DDG. This development features a hand-laid façade and is an impressive addition to one of Manhattan’s most desired residential neighborhoods.
12 Warren is specifically designed with NYC Energy Code compliance and LEED certification in mind, targeting a Silver level LEED certification. Additional components include a green roof system, accommodating alternative transportation storage, stormwater collection and reuse, reduction of heat island effect with concrete, light grey toned pavers and landscaping elements, construction waste management and secondary tenant-controlled heating elements to reduce overall energy and electrical output. By choosing native and local materials, such as Bluestone from upstate New York, something close to home and natural, helped ensure more sustainable building practices.
Top left photo courtesy of Bruce Damonte. Top and bottom right photo courtesy Robert Granoff.
As luxury brands like BMW and Bentley introduce electric cars, the eco-conscious car is making its way into the luxury sector.
By Alyssa Gautieri
Electric cars have long been ignored by car fanatics, who prefer traditional air-cooled engines for their powerful exhaust notes and rumble. However, high-end buyers are increasingly considering hybrid or plug-in vehicles as the trend toward sustainability skyrockets and more luxury electric cars are produced.
In recent years, car companies have failed to acknowledge that wealthy car buyers admire electric power, according to Bloomberg.
Additionally, a new generation of car buyers are entering the market as more millennials begin to purchase cars. At the annual Geneva Motor Show in March, Bentley Motors Ltd.’s new chairman and CEO Adrian Hallmark noted that young drivers care about sustainable and ethical transportation more than buyers have in the past, Bloomberg reports.
“If you look at millennials or the younger generation, there does seem to be more thoughtfulness about what kind of mark you leave on the planet — more so than a decade ago,” Brinley says, as reported by Bloomberg. “As we move forward in the luxury landscape, for this type of buyer, having one in your garage will be crucial.”
Also at the Geneva Motor Show, Bentley introduced the 2019 Bentley Bentayga hybrid luxury SUV, which is the brand’s first steps toward electrification and the world’s first luxury hybrid model.
Merging effortless performance on the open road and silent, emission-free driving in the city, the new plug-in hybrid model will be the company’s most efficient model ever with CO2 emissions of 75 g/km.
BMW has also introduced the first-ever BMW i8 Roadster. The BMW i8 Roadster, which is virtually silent and has zero CO2 emissions, can cover up to 18 miles in purely electric driving.
Combining locally emission-free mobility and high-caliber performance, the Roadster is among the first fully viable, high-performance plug-in hybrid electric cars, according to Bloomberg.
Bentley and BMW are only two of the many prestigious car brands that are now producing electric, energy-efficient cars. As a generation of young people continue to prioritize green efforts, the electric car may begin to dominate the luxury sector within the next 10 years.
Photos courtesy of BMW and Bently
As concerns for the environment grow, tiny homes have emerged as an earth-friendly alternative to traditional homes.
By Stacey Staum
In years past, the motto has been “the bigger the better.” The idea lent itself to every part of life, especially in the square footage of a luxury home. But as modern homeowners become increasingly aware of environmental issues, a new trend is emerging:
Tiny homes can be as small as 200 square feet, and provide homeowners with a significantly smaller carbon footprint than traditional homes. Features like solar power, water catchments systems, and composting toilets have made tiny homes the premier housing option for an environmentally conscious lifestyle, and the luxury market is embracing this movement.
Jason Francis, co-founder and president of Tiny Heirloom in Portland, Oregon, has brought high-end materials and amenities to the forefront of his designs. Francis explains, “We take pride in starting each project with a blank page and assuming everything is possible until proven otherwise.” Tiny Heirloom’s projects have included an $8,000 toilet, a $40,000 custom sculpted rock wall, Jacuzzi tubs, and rooftop decks, all incorporated into tiny home designs.
In a tiny home, it is of the utmost importance that all of the area is well utilized. “Using the space effectively is absolutely crucial. To do this well, we start with the right mindset. Every square inch is valuable space that can’t be wasted. When we have this truth in mind, we look at the design differently and begin to think outside the box of ways to maximize space and use or create dual purpose features wherever possible,” Francis says.
Part of the excitement of building a tiny home is deciding where to put the home once it is complete. Tiny Heirloom has finished projects in exciting locations, including the ocean shores of Hawaii and a 9,000-foot bluff overlooking the Rocky Mountains. Many tiny homes are portable, so homeowners don’t have to commit to only one location. Tiny homes offer the unique opportunity to move the home to different locations without having to pack up for a traditional move.
Customizations are limited only by the imagination. This home features a $40,000 sculpted rock wall on the exterior.
Wheelhaus in Jackson, Wyoming, also offers exceptional tiny home options, featuring top-of-the-line, energy-saving appliances. The company achieved a Gold standard with the U.S. Green Building Council. Sustainability is the goal at Wheelhaus, as is evidenced by its use of High-R-value insulation, windows for abundant natural light, space-saving design, and sustainable building practices. The Wheelhaus aesthetic blends rustic and modern design styles. Wheelhaus’s most remarkable model is the Stack-Haus, with a base price of $365,000 for 1,400 square feet of living space — a mansion by tiny home standards.
The future of the luxury tiny home market looks promising. Francis explains, “The idea and belief goes beyond just tiny homes. The truth is starting to spread like wildfire — that a bigger house, nicer car, and more things don’t equate to happiness. Eliminating waste and simplifying life within one’s respective means creates a lifestyle where you can truly enjoy what you do have and who is around you.”
Photos courtesy Wheelhaus
While farm-to-table produce was once a hot trend, community residents have now begun to expect farm fresh ingredients on their plates and in their cocktails.
By Alyssa Gautieri
To keep residents and guests happy, residences and resorts have embraced the farm-to-table movement, but they have also begun to take the culinary experience a step further. These residences have expanded their on-site offerings to include organic farms, educational programs and more. These innovative ideas are bringing the authentic flavor of the land to restaurants, bars and homes.
This property offers an Upcountry Farm, a 50-acre community farm equipped with a staff of farmers who help residents and guests harvest seasonal fruits and vegetables. In addition to gardening lessons from farmers, residents can tend the soil, pick from fields of fruits and vegetables, taste seasonal produce or cultivate an appreciation for sowing, growing and harvesting. The community also offers a gourmet farmers’ market on Wednesdays and monthly farm-to-table dinners prepared by Chef Ben Takahashi.
Photos courtesy of KuKui’ula
This community founded Broken Oak Organic Farm, a 5-acre farm complete with greenhouses and fields for year-round growing. The farm also uses organic growing practices. The Farm hosts a monthly farm stand, as well as “People to Farm” dinners, wine tastings and educational classes.
Photos courtesy of The Cliffs
This new development, which is set to open on the East Cape of Cabo in 2018, will feature the first Four Seasons in the area and will have 18 acres of orchards and farms. In addition to providing an amenity to residents, the organic farms will produce food for the hotel and create an opportunity for the inhabitants of La Ribera. Fresh tomatoes, bananas, papaya and chili peppers will appear in cocktails and meals, and the best avocados and limes in the world will compliment tasty dishes.
Photos courtesy of Costa Palmas
R16, pictured above, is a lighting device that is made up of the components that it is shipped with, emulating simplicity and zero-waste design techniques. All photos courtesy Salone del Mobile.Milano.
“I think that as a designer nowadays we should not think we are all making the antiques of the future […]. We should create products that can be part of a circular system, and are designed considering what material goes into the product and what it leaves behind after use.
— Christien Meindertsma, Designer
Adopting eco-conscious behaviors and the search for sustainable, eco-compatible and environmentally friendly products is an approach that is beginning to manifest within the domestic walls, both in the choice of furniture, furnishings and materials that have a positive impact on the planet and in the increasingly efficient and waste-free management of energy resources.
It is part of a wider trend towards cutting adverse effects on the eco-system which is slowly filtering through into all fields of design application, generating eco-friendly alternatives for every sort and kind of product. Companies and designers are becoming mindful of sustainability in relation to manufacturing processes, embracing the principles of a circular economy and experimenting with raw materials made from recycled waste. The design sector is beginning to take the entire lifecycle of things into consideration, paving the way for innovative practices such as the creative re-use or harnessing of biodegradable materials.
This is one of the many examples of the fact that this approach entails no sacrifice in terms of looks but generates new expressive trends and different tastes. The sense of gratification or aspiration no longer derives simply from the immediate benefit to our domestic or work environments but also – looking forward especially – from just how much the entire planet is set to benefit.
This macro-trend breaks down into three micro-trends that describe its different applications and facets: Zero Waste Design, Upcycled Materials, and Low-Impact Living.
1. Zero Waste Design
The Zero Waste philosophy originated in the food world, where new “surplus” yet still perfectly good food consumption sales models and practices are being generated. The concept is slowly but steadily being embraced by all manufacturing sectors in response to the pressing ethical need to conserve resources that are far from infinite. It also employs a panel of Opinion Leaders, both national and international, selected ad hoc for their knowledge of the research subjects (design, architecture, interior design, interior architecture) and for their ability to take a look at the themes of design and creativity.
In the design world, this means taking on board the concept of circularity, minimizing manufacturing waste, and planning not just the durability of objects but also their disassemblability and their capacity to be recycled or disposed of.
Zero Waste means experimenting with the use of innovative materials and researching biomaterials that help lower the environmental impact of furniture and furnishings, enabling them to become biodegradable, like organic waste. The conceptualization and creative process thus becomes strategic, channelled by design thinking and applied to the entire manufacturing chain.
Country: Holland | Section: Lighting
R16 is a light, or rather, a light made from its own packaging. Design studio Waarmakers has come up with a response to the extremely critical sector-wide problem vexing manufacturers: packaging that, in most cases, once it has served its original purpose, becomes waste that needs to be disposed of, implying high financial and environmental costs. As cardboard tubes are not just extremely hardwearing but also neutral in tone and looks, designers Simon and Maarten decided to pay homage to such a versatile material by making it an inherent part of the product itself. The cardboard packaging contains the LED light and the various components needed for mounting and suspending it. A perforated section of the tube/packaging is then removed, leaving room for the light to shine through; then a simple pencil is all that’s needed to hold the LED rod in place. A personal touch ensures that no R16s are alike.
Zero Per Stool
Country: South Korea | Section: Furnishings
The designers at South Korea’s Hattern studio set out specifically to make a product without generating any waste at all. The upshot was the Zero Per Stool seat and informed its characteristic appearance. The stool consists of two parts – legs and a seat – one made from the offcuts of the other. The legs are made from rectangular sheets of white oak, shaped to slot together, obviating the need for any other material. The offcuts are broken into bits and put into a mould that is then filled with resin, ensuring that no two finished articles look exactly alike. The arrangement of the bits of wood is different every time and the resin can take on different colors, its consistency lending an artistic touch to their variability.
Country: France | Section: Furnishings
Many independent producers and designers are now electing to make biodegradable domestic furnishings. One such is Alki, a Basque design collective which, in keeping with the eco-friendly approach that marks out all their projects, has come up with Kuskoa Bi, the first fully biodegradable bioplastic chair.
The collective, based in a valley overlooked by the Pyrenees, specializes in integrated production methods for creating eco-conscious, comfortable and elegant design pieces by using natural and environmentally friendly materials and resources. Specifically, this chair boasts a particularly enveloping shell, designed to provide optimum back and arm support. This is a shape that can only be achieved by using plastic materials.
This is where the idea of experimenting with bioplastic comes in. It is already used in several different fields, such as car manufacturing. Bioplastic is a polymer with similar characteristics and properties to plastic; it can also be injected, extruded and thermoformed but, unlike plastic, is made 100% from plant-based products (beet, corn starch, sugar cane etc.). This means that the material is completely recyclable and biodegradable, using an industrial process. Added value is brought by the fact that its production leaves a low ecological footprint, given that it uses fewer greenhouse gas emissions. The seat rests on a solid base of solid wood from sustainable forests.
Country: Holland | Section: Furnishings
Dutch designer Christien Meindertsma has come up with an alternative use for linen fibre for manufacturing furnishings, which has earned him not one but two Dutch Design Awards. His Flax Chair is made entirely of this textile fibre combined with PLA, polylactic acid. Two naturally derived materials, serving to ensure that the finished product is totally biodegradable.
Produced by Label Breed, the chair is made from a single panel of this composite, from which first the seat is cut and then the legs are made from the offcuts. This ensures that there is virtually no waste.
The designer spotted the tremendous potential of linen fibre, both because of its valuable qualities and because the plant flourishes at those particular latitudes and requires little investment in the way of resources. Following the success of this first experiment, Meindertsma is now considering creating an entire range, which will include both different chair colors and other furnishing pieces such as tables.
2. Upcycled Materials
The coming together of recycling and design is informed by the increasing awareness that materials and objects destined for the waste basket can be upcycled to produce something completely different.
The concept of waste as a resource forms the basis for all creative recycling processes. Poor materials, reclaimed materials and waste generated by manufacturing or consumption mark a new frontier for design and for designers who seek to upgrade them creatively while effectively helping to protect the ecosystem.
Turning things that would otherwise be discarded into items of value helps increase the utilization efficiency of available resources and provide a further spur to developing new technologies and creating new aesthetics through design research.
Country: Spain/Italy | Section: Lighting/Tableware
Lucirmás is a design studio in Barcelona founded by Italian designer Lucia Bruni, who has embraced the practice of upcycling, using traditional hand production techniques to turn glass bottles into hardwearing and functional domestic objects.
Environmental awareness is the implicit premise underpinning the concept of every product put through each of the manufacturing stages and is evidenced by the use of recycled materials, the optimization of production waste, the adoption of sustainable packaging systems and the fall in energy wastage.
Thus glass bottles that would usually end up in the garbage bin become a valuable resource for making lamps and original table accessories. LaFlor Lamp, for example, is a pendant lamp that features a bottle with a made-to-measure copper shade, while Dama Lamp is a table lamp made by reusing an ordinary 5-liter carafe set on a base of wood from sustainable forests, also handmade by local craftsmen.
Country: South Korea/New Zealand/Holland Section: Furnishings
Newspaper takes on a whole new lease of life in the hands of Eindhoven-based Korean/New Zealander Woojai Lee and his idea of Paperbricks. Turned into pulp and mixed with glue, it becomes a much stronger material than paper that has been recycled several times, and can be used – like a brick or a wooden plank – both in furnishing and in building structures.
The designer has used these modular components to create two series of stools, benches and coffee tables, which exploit the different qualities of paper. The Pallet series highlights its solidity and geometry, while Sculpt contrasts the regularity and smoothness of the seat with the raw, organic look of the legs. The two-fold texture of the bricks has the appearance of marble, while being soft and smooth to the touch, rather like a fabric.
The different surface treatments call for different processing techniques. The “hard” pieces are moulded, while the plastic or irregular ones are hand-modelled. The designer is already working on another collection, which might well include bookcases, shelves and partitions.
Country: Thailand | Section: Lighting
Cassava is one of the most common crops in Thailand, so much so that at some times of the year, farmers are faced with overproduction, generating huge amounts of waste and pollution. Designer Anon Pariot saw a way out of the problem by conferring an aesthetic and symbolic value on the raw material, preventing it from being discarded. This led to the creation of the Penta lamp collection, built on a pentagonal module that is not only reminiscent of the cassava leaf, but also imparts the correct strength to the structure.
The material is vacuum pressed, making the plant fibres solid and hard. This ensures that the components are not just extremely lightweight but are also ideal for generating a pleasing, warm light. The pendant light takes on a spherical or hemispherical shape according to how the pentagons are arranged, making it suitable for many different domestic applications. Another eco-friendly consideration is that the material itself is 100% recyclable and gives off no toxic substances, while any defective pieces can be reused and incorporated into another lamp.
Country: UK | Section: Furnishings
600 million pine trees are felled for timber in Europe every single year. What caught young Design Academy Eindhoven graduate Tamara Orjola’s attention was the fact that, aside from the wood used in manufacturing, the needles – which account for around 20-30% of the tree’s mass – are discarded and treated as waste.
Her Forest Wool collection, which includes two stools and a carpet, is made from recycled pine needles, finely chopped, soaked, pressed, and turned into textures, composites and paper. Their sophisticated looks and distinctive imprinted surface, reminiscent of the shape of the needles, is proof of the potential inherent in ecological material of this kind and the possibilities thrown up by upcycling leftover waste from mass production.
3. Low-Impact Living
Adopting a sustainable lifestyle within the home translates, first of all, into efforts to cut energy consumption. This is becoming increasingly crucial at every stage of design, from construction to interiors.
This is where next generation smart technologies come in, enabling the energy efficiency of both domestic and office spaces to be monitored around the clock, and becoming an integral part of the domestic landscape.
Leaving a light footprint on the planet on which we live also means that, of the available resources, we should opt for renewable energies that do not affect the delicate natural balance. As has been the case for some time in the food world, designers have also been experimenting with the use of natural “non conventional” raw materials, appropriating the concept of foraging, or harvesting products spontaneously yielded up by land and sea.
Netatmo by Starck
Country: France | Section: Tech/Energy
Netatmo, a French company specializing in smart systems for the home, has worked with designer Philippe Starck to produce intelligent radiator valves that cut up to 37% of domestic heating energy consumption. The valves allow the temperature to be controlled and the radiators turned on and off as desired, to suit the habits, the usage and the composition of the family nucleus, room by room, as well as remotely.
This means that the central heating in various parts of a house can be set to come on only at peak times, avoiding needless waste. The valves are also fitted with sensors that can gauge precisely and in real time all contributory factors — such as the weather, the home insulation, the number of people in a room and whether any appliances are being used – and regulate their use. The extreme functional efficiency of the valves, combined with Starck’s intuitive and minimalist design, makes them suitable for every sort and kind of interior. In the hands of the translucent Plexiglass cylinders they come complete with digital display, and can be customized with interchangeable basic colors. Just like their appearance, the way in which the valves are used can also be customized to the max. They can be programmed to suit people’s lifestyles and the level of comfort desired, creating ad hoc setups in combination with the other smart devices within the home. The valves can be voice-controlled through Siri or the Apple HomeKit as well as via a special smartphone app.
Sea Me Collection
Country: Holland | Section: Furnishings
According to Dutch designer Nienke Hoogvliet, algae will increasingly become a feature of the interior design and architectural world. Aside from their beneficial effects on our bodies, seaweed is finding original application in the textile and construction fields and as an energy resource for buildings. Debate on their use in these fields is wide open.
After years of dedicated study, the designer has produced her first collection Sea Me, which includes a seat, a side table and some bowls, which also serve as a demonstration of all the materials that can be derived from this particular raw material.
First and foremost is a textile fibre, from which the seat is made, created by extracting cellulose from kelp and working it by hand. The result is a viscose-like fabric, but softer to the touch. Hoogvliet also used the seaweed to dye the fabric naturally, with different varieties creating different colors (from green and brown to grey, pink and purple).
The waste from this process is used to obtain the finish of the wooden top of the side table, another piece in the collection, using paint made from bladderwrack, a common seaweed in Holland. Bringing the optimization process full circle, the residue from this latter procedure was used to make the bioplastic bowls, proof of the enormous potential residing in this natural and renewable resource.