This exceptionally stylish and elegant home is in a private 6.8-acre wooded setting in Lewisburg, West Virginia, just minutes from downtown and the world-famous Greenbrier Resort.
“It has great quality and character, while maintaining the ease of a comfortable lifestyle,” says listing agent Paul Grist of Grist Real Estate Associates Inc. who is listing the property with Donna Stoner for $1.625 million
Its many noteworthy features include a living room with a 23-foot cathedral ceiling, four gas fireplaces, a large gourmet kitchen with an adjacent screened dining porch, five bedroom suites, a wine cellar, a dry sauna, and three-bay garage.
“The lower level family room features a stone fireplace and large windows, perfect for viewing the private wooded surrounding,” says Grist.
For more information, contact:
Grist Real Estate Associates, Inc.
Paul Grist, Broker — 304.661.6543
Donna Stoner, GRI, Agent — 304.646.6454
695 Jefferson Street, South Lewisburg, WV 24901
Showcasing a greenhouse, waterfall and koi pond, this approximately 22-acre mountain retreat in the Greenbrier Sporting Club at White Sulphur Springs, West Virginia, is perfect for someone who enjoys nature.
“The exterior waterfall in the front of the house makes it sound like a babbling brook in the middle of nature,” says listing agent Paul Grist of Grist Real Estate Associates Inc. who is listing the property with Donna Stoner.
The home features 10,028± square feet of living space, eight bedrooms, nine full and three half baths, four fireplaces, and two hot tubs.
“The living room, dining room, and kitchen, with serene views of the eastern mountains, gives one a feeling of ‘sitting on top of the world’ with total privacy,” says Grist.
The estate, which is listed for $2.95 million, also includes a carriage house.
Adjacent to the world-famous Greenbrier Resort, it is also conveniently located four hours from Washington D.C. and five hours from Pittsburgh, with the nearby airport offering direct flights.
For more information, contact:
Grist Real Estate Associates, Inc.
Paul Grist, Broker — 304.661.6543
Donna Stoner, GRI, Agent — 304.646.6454
695 Jefferson Street, South Lewisburg, WV 24901
1701 Enclave Court
Las Vegas, Nevada 89134
Inspired by Frank Lloyd Wright’s Falling Water, this legacy property located in the prestigious Enclave of Summerlin is perfect for entertaining guests and family. Comprised of over 2,200 tons of ledge stone, this 13,000-plus-square-foot home sits on 2 acres of the private TPC course. This home’s amazing gardens and waterfalls run throughout the property, and not only serve as the centerpiece of this palatial home but provide a constant reminder of the true uniqueness of this home in the desert. Impressive vaulted-box, exposed-beam ceilings with recessed lighting adorn much of the home. For entertaining guests and family, this home boasts a great room, family room, formal dining room, wet bar, and wine cellar/home theater. This Las Vegas home offers both character and significance unmatched in the valley.
For more information, contact:
Principal – KUHL Group
Synergy | Sotheby’s International Realty
C: 702.324.2121 O: 702.360.1414
On one of the largest contiguous parcels in the NY Champlain Valley, this 431-acre farm and custom 8,000-square-foot waterfront home showcases mountain views on 646 feet on Lake Champlain. It offers the very finest custom details.
“From the library to the floor-to-ceiling windows, you feel as though you are outside in a gorgeous glass room looking through a filtered view of the manicured mature cedar trees at Lake Champlain and the Green Mountains,” says co-lister Jodi Gunther of Berkshire Hathaway HomeServices Adirondack Premier Properties, who is listing the property with Margie Philo. “In the media room and dining areas there are completely different views of Lake Champlain, but my favorite is the main suite with oversized windows that swing open for amazing Adirondack air and a higher vantage point.”
The property, listed for $9.5 million, boasts a totally renovated working 10-building farm, including a horse barn, hay barn, cow shed, a renovated year-round farm home, old slate gable roof barn and more.
It is even equipped with an underground water distribution system to the buildings, high speed internet, and a security system.
It is only minutes to the ferry to Vermont and includes a 2,000-foot grass runway for a serene and safe getaway.
To learn more about this proeprty, contact:
Margie Philo and Jodi Gunther
Berskire Hathaway HomeServices Adirondack Premier Properties & Adirondack Realty
O: 518.523.3333 C: 518.576.9840 Margie@adkpp.com www.adkpp.com
Arabella by Tempaper. Photo courtesy of Tempaper.
Penchants usually gravitate to the latest and greatest, but one tried and true material continues to be a magical catalyst for lifestyle.
Subtle or bold, classic or contemporary, shiny or opaque, wallpaper has evolved to be design’s magic wand — able to add pizzazz, lend a mellow undertone or inject just the right touch of coziness to any room.
Uniquely versatile, it enables consumers to fashion an interior that captures their individuality. It allows for unlimited customization as well as the creation of personalized living spaces, even adapting for children and pets without compromising on aesthetics. And for every budget from DIY to bespoke, there is a product.
“People want to LOVE their home. They want comfort and convenience, but do not want to sacrifice chic,” says San Francisco designer Jay Jeffers.
“There is a strong desire among consumers for original, authentic design that goes along with their vision for their house,” explains Joyce Romanoff, CEO of Maya Romanoff, a manufacturer of luxury wall coverings.
Ask designers about wallpaper and they invariably chorus, “it’s not your grandmother’s wallpaper,” a truism heard so frequently that it’s almost become a cliché. What is truly amazing is how much wallpaper ends up in homes today, adding a visual depth impossible to achieve with paint. Murals are back. So are individual walls showcased with a stunning texture or print.
And walls are only the beginning of today’s wallpaper story. “Trends indicate that the consumer is looking to personalize space through the creative use of wallpapers beyond the walls. Backings for bookcases, shelves, customized furnishings and ceilings all enter the realms of possibility.
While full room wraps, murals and feature walls still dominate the world of captivating designer installations, these small impact pieces allow for strong style statements without huge pattern or space commitments,” explains Carol Miller, content marketing manager for York Wallcoverings, a manufacturer with 125 years of innovation.
If the mention of wallpaper conjures visions of the flat, one-dimensional rolls common little more than 10 years ago, it’s time to refresh that image. “For many years wallpaper was something many of our clients avoided, but today, it is being rediscovered as an exciting way to introduce the color and patterns many homeowners are now embracing. And there are more wallpaper options out there than ever, thanks to advances in technology,” shares Elissa Morgante, founding partner of Chicago architecture and design firm Morgante-Wilson.
Dating back to decorated rice paper in China as early as 200 B.C., wallpaper has a long history that continues to evolve, with each century, each decade, adding innovations in materials, finishes, production methods and artistry. The most recent reinvention of wallpaper began more than a decade ago, but changes over the last few years have been especially remarkable. Old-school techniques such as block printing and silk screening continue, but the end result seems entirely new. Modern machinery creates precise designs, and new dyes impart richer vibrant hues. Diverse materials from wood and sand to crystals, shells, fibers, beads, even glass add depth.
Left: Jewel Tones; Middle: Metallic; Right: Soft Organic
Wallpaper sample photos courtesy York Wallcoverings.
“Manufacturers can now digitally create the beautiful, luxurious look of expensive hand-painted or hand-blocked papers, or embed wallpapers with materials such as mica, glass beads, or even capiz shells to add interest and texture,” says Morgante.
“Over the last decade, we have diversified our product mix by expanding the types of materials we use. We have focused on making our processes more efficient, cost-effective and sustainable, while maintaining our handcraft and luxury appeal,” explains David Berkowitz, EVP of product development at Maya Romanoff, the largest manufacturer of handcrafted wall coverings in the U.S. Their gallery includes wool, burlap, silk and other natural fibers as well as precious metals and wood. Designs are often intricate, requiring an artisan’s touch. For example, papers in the precious metals collection often employ a time-honored method in which metallic leaves are hand applied to a paper backing with chopsticks. An ultra-modern topcoat prevents tarnishing or oxidizing, allowing for easier maintenance.
Textural papers continue to be in demand. The effect can be rustic or refined. In addition to traditional hemp, jute, sea grass, bamboo and raffia, grass cloth might integrate a variety of other materials. Additionally, says K. Tyler, partner and designer at Morgante Wilson, there are woven papers that look like linen on the wall or a variation of silk.
Schemes inspired by traditional designs (dare we mention chintz) have returned, but today’s execution is nothing like the dingy muted tones of yesteryear. Colors are vibrant, often using multiple shades of the same hue. Botanicals have also blossomed into an important trend, inspired by a growing passion for nature and biophilia. Look for splashy leaves and fronds or impressionist-inspired trees and flowers in soft tones. “I am also seeing a change from the crisp, bold large-scale patterns into a more abstract brush-stroked look. But with some of these styles, you’ll need to be aware you won’t have a side match, and each panel is distinguished,” says Christopher Grubb, president of Arch-Interiors Design Group in Beverly Hills.
Top left: Precious metal inlaid; Top right: Hand-finished wood veneer, Ajiro Fanfare. Bottom: Tribal Print from Ronald Redding Handcrafted Naturals collection.
Photos of wallpaper production and sample by Maya Romanoff.
“There are so many things technology has allowed us to do today. We can do wall covering now that looks like the real material, but it’s made out of vinyl,” says Tony Sutton, owner of Est Est, Inc., an award-winning design firm in Scottsdale. Sutton illustrates with examples of wallpaper made from ultra-thin cork or micro-layers of slate. Additionally, he says, “I can take any photograph and then make a giant custom wallpaper out of it.”
Options today range from rugged vinyls to bespoke designs and hand-painted silks with prices that can exceed $1,000 a roll. “Vinyls are typically less expensive, but super durable. Many of them are rated for commercial use and sold in wider widths,” says Mondi.
“I am a huge fan of using vinyl wall coverings,” says Grubb, who does commercial as well as residential projects. “The color palette is enormous. There are silk and grass cloth looks, wovens, textures and embossed patterns. It’s incredibly durable and easy to maintain.”
“On the other end of the spectrum, you would find hand-painted wall coverings. There are custom made, high-end and truly artisan products that typically replicate a faux finish or mural. In between is where most wallpapers reside. Digital printing is typically very affordable and can often be done on different background materials,” says Mondi.
Design is only part of what consumers want. Sustainability and ease of use are equally important. Upmarket to DIY consumers demand sustainability, which includes efforts to minimize the footprint of manufacturing, observes Miller. Beyond no VOCs, ozone-depleting chemicals or cadmium or mercury, York Wallcoverings also uses water-based inks and coatings and smokeless, non-polluting inks. Additionally, there is a push toward sustainable materials, including cork, natural grasses, leaves, wood veneer, even glass beads made from recycled windshield glass.
Ease of Use
“Now every level and type of wallpaper concerns itself with ease of application and removability,” says Miller. “Even nonwoven unpasted backings used most often by designers remove in full strips.”
A potential game-changer for the industry came with Tempaper, which has revolutionized the concept of peel and stick papers. There is nothing stodgy about these designs, which run the gamut from traditional classics such as chinoiserie to glam to bohemian. They also tap into creations by well-known designers such as Bobby Berk and Genevieve Gorder. The company also offers panels and murals as large as 8 feet by 10 feet. Some designs such as Arabella, part of the Zoe Bios collection, are inspired by artists such as Jean Michel Basquiat.
Founded by twin sisters Jennifer Matthews and Julia Au, Tempaper is an ideal solution for someone renting, as designer Jewel Marlowe discovered. “Recently we rented a high-end beach home in Jamestown, Rhode Island, for 10 months. This was just long enough that I wanted to add some personality to some of the spaces in order for it to feel like home. However, I was very aware that whatever I used needed to be quickly removable. Luckily, I found some beautiful Tempaper designs to personalize and beautify some of our rooms,” she shares.
Birds are flocking to wallpaper this year. Graham & Brownexpresses this theme in Tori Teal.
Photos courtesy of Graham & Brown.
New additions to Tempaper’s line up include designs from Wright Kitchen and holographic decals from Bobby Berk. This year, the company also introduced a collection of vinyl floor rugs.
Tempaper does seem to add a “now you see it, now you don’t” ability to wallpaper’s extensive resume, making it a truly magical material.
Photos courtesy Katrien Van Der Schueren.
Katrien Van Der Schueren is the founder and creative visionary behind Voila! Creative Studio, a visual laboratory where she envisions, creates and fabricates a full range of bespoke fine art, objects, furnishings, lighting, event and stage sets, and accessories.
In the grand scheme of her career, designer/artist Katrien Van Der Schueren says that her move to America in 2002, specifically Los Angeles, was the first main challenge she met that led her to where she is now. With her experience working in a variety of fields, from the European Commission to marketing, she says that she felt obliged to reinvent herself and that this new world gave her “the opportunity and the audacity to follow a new path.”
Through perseverance, courage and a “huge learning curve,” she remains the leader of Voila!, known as a visual laboratory with endless possibilities. “We are storytellers and translate it into material form. We are creative problem solvers that make the project happen,” says Van Der Schueren.
What about art and design draws you into doing it every day?
It’s an intuitive thing, I think.… I didn’t really think it through. It just felt natural to me and I followed my path of learning and exploring and fine tuning the direction as I went along.
I love working and exploring materials and their possibilities. I love discovering new textures, new techniques, new colors, new color combinations, new designs, new styles … and in my job the learning and discovery is endless. I love the storytelling [aspect] when we work on projects. Imagining the environment pieces will go to, who will use it, look at it and how to tell that story and make that story happen with shapes and form and materials.
What influence, if any, do you get from living in California?
So many things. California is such a melting pot of cultures providing so many creative impulses on a daily basis. There are so many different influences to draw from here that it’s hard not to get inspired every day. I still strongly feel like an immigrant on Discovery Road.
Since we arrived in LA, the city has evolved so much. It breathes artistic energy in so many domains, from food to music to artisanal crafts to high-end design. Nature is another big part of California’s inspiration. The ocean, for example, I mean who can resist its magic? And what about the vastness of land in between places when you drive out of the city and what about the evenness of the light and its brightn
To keep inspiration alive, Van Der Schueren says she needs to connect with the outdoors, whether it’s taking a drive, traveling abroad or spending time with her family outside the studio, “so when I step back in I feel re-energized and spin my wheels on the right things.”
What do you usually draw inspiration from?
Literally everything or anything that kind of stops me in my tracks. That can be the shape of a leaf in the garden, a lyric or beat in a song, a shade of a ceramic cup, my kids’ world, an art installation, a set of a movie I am watching. Anything that stops me and draws my attention.
Tell me about Voila!’s conception and how it operates today. What was the original mission/goal of the studio?
I started as a picker. As that’s where it intuitively felt right for me to start. Learning styles, periods, et cetera. Then my intuition just led me to start making, first by combining finds and turning them into either art or furniture. Basically, I do have a lot of something I found and it inspired me to make something with it. Then I wanted to learn more techniques and what I could do with materials, started hiring people and learning about that process and its ups and downs with growing pains. Clients would ask me to custom make furniture and art for them and I gradually learned what I liked and disliked, and it all evolved like that with some very risky steps in between, just out of some gut feeling that that was the next step to take. A lot of mistakes on the way, of course, getting back up and moving forward towards a clearer direction.
When it comes to designing art for a project, what is the most important element you have to remember? Does this differ depending on the type of space you are working in?
Each project is its own. When we start an art project, I look at the story first. The visual story (the interior design choices and the environment and architecture) as well as the audience it’s for. Those parameters will define the art choices. Of course, the location and the environmental conditions are often key as well when it comes down to choosing the materials to work in, and the type of use will also define possibilities.
Is there a piece of art in your
own home that you would never consider selling?
Almost all of them. The pieces I have at home are part of the fabric of my life. I am emotionally connected to them and they make a lot of sense in my home visually.
What would be your dream project or a piece you’ve always wanted to start (or finish)?
Oh boy. A dream project would be that I get unconditional creative freedom and unlimited budget to design and fabricate all the art, and custom-make all the furniture for a unique experiential boutique hotel that also has a music venue on the premises as well as some original and unique culinary opportunities (restaurants/bars, et cetera).
What advice would you give to someone pursuing a career in art or design?
Follow your gut feeling. Only by working your way through you can achieve results and fine-tune direction. Be you
Zany patterns. Punchy palettes. Combinations of materials from the concrete to metallic.
As Claire Elsworth of Claire Elsworth Design notes, the eccentric spirit of Maximalism is both magical and rebellious. It encourages traditional rules of design to be broken and conventional boundaries to be overstepped. From patterned wallpapers and dark paint to a velvet sofa with an eclectic mix of textures pillows, the goal is to be courageous in your design, and to love the “more” aesthetic.
“‘More’ is a love and appreciation of pattern, color, collection and curation,” Elsworth notes, “with a sheer joy of fusing, contrasting, styling and layering all that gloriousness together.”
Photos courtesy Sasha Bikoff.
Maximalism has been embracing “the more” of design since the 1980s with the creation of Memphis Milano in the 1980s, a legendary postmodern design group that championed the style and made it a staple in the industry. Author and design journalist Claire Bingham notes in her book, More is More: Memphis, Maximalism and New Wave Design, that after experiencing the “riot of color and pattern” indigenous to styles like Memphis, the 90s saw a rise of Minimalism, a stark contrast with designers such as John Pawson and Calvin Klein focusing on purity and simplicity.
“There has always been minimal versus maximal throughout time, but the rise of the Memphis/80s style was a kickback from the elegance of mid-century design and a desire to rethink how objects could look,” Bingham writes. Although minimalism has been an ever-developing presence in today’s world, the Memphis style and Maximalism as a whole has found its way back into the hearts of young impressionable designers looking to become expressive in a more vivacious, free-spirited way.
In More is More, Bingham spoke with a host of contemporary designers, as well as Peter Shire and George Snowden, some of the original founders of the Memphis group, who truly embrace and understand the spirit of Maximalism. “It’s not so much to do with a style,” she says. “Maximalism could look like anything — romantic and frilly, graphic patterns, disco … It’s like playing dress up for the home.” To quote the vivacious Iris Apfel, “more is more and less is a bore.”
Famed New York designer Sasha Bikoff was dubbed the “interior designer for the young and wealthy” by The New York Times. Bikoff affirms that she was at the forefront of Maximalism’s revival when she started her firm seven years ago, a revival she credits to the growing millennial culture. She says that like anything in history there’s an action and a direct reaction. Instead of creating simplistic looks that can be easily replicated for the masses, younger designers and people want to create spaces and live within spaces that are unique, that share a likeness of themselves, a desire that has stemmed such creative outlets as Instagram, Pinterest and other social media channels.
Photo courtesy © Claire Elsworth 2017
To heighten the effectiveness of Maximalism, Bikoff says that one of the most important aspects of this style type is the use of color, noting that in her own designs color helps bring out an emotional response. She notes that it’s important to surround yourself with colors and objects, patterns, and textures that make us happy and bring life into your home. “The same way I dress with fashion — as my fashion choices are bold and confident — is how I want my rooms to feel,” she says.
Just like personal fashion, each Maximalist designer and design is different and based on both creative taste and what each designer finds inspiring. For example, Bikoff’s aesthetic can be derived from 18th-century French Rococo, 1960s Space Age Modern, 1970s French Modernism and 1980s Italian Memphis Milano. An affinity for new experiences, her love of travel helps add to her ever-developing color palette, which you can see in her projects. “Marrakesh is a place I travel to all the time, and the colors of the spices you find there are so amazing you can see them all in a color palette, from bright turmerics to smoky paprikas,” Bikoff says.
Photo courtesy Claire Bingham.
Elsworth’s firm focuses on luxury wallpaper and home décor, and is known for intricate yet bold Maximalist features in every design. She hand sketches her designs, which are inspired by her short concept stories about an imaginary Duchess called Violacea Macrobothrys and her beautiful old aristocratic house — “a Maximalist treasure trove paradise!” she says. These stories weave through six collections of wallpapers and cushions, displaying both Elsworth’s love for drawing as well as her favorite aspects of Maximalism.
“I’ve always been drawn to anything ornately detailed, whether it be textiles, interiors, art, or historical architectural details,” Elsworth says. “So, I was naturally drawn to the Maximalist style long before I even knew there was a name for it.”
To embrace Maximalism in an everyday space there is a variety of ways one can incorporate aspects of the style. Bikoff says that some of the best Maximalist interiors are just showing off pieces from trips you’ve taken all in one space, even if they do not particularly go together. “The whole idea of Maximalism is that it’s the kind of space for a true collector, a space that tells a story.”
Photo courtesy Sasha Bikoff.
Photo courtesy Claire Bingham.
In 1932, when the impressive Grand Rex Theatre opened its doors in Paris, 80 doormen donned in white gloves and tails greeted guests for a night of glamour and luxury. A night at the theater was an occasion for fine attire, lively socialization, and entertainment. Today, although streaming services have taken technology to the next level and brought the big screen right into our living rooms, the experience is far from the same.
The Open Air Cinema Kamari in Santorini, Greece is a stunning outdoor theater that is surrounded by eucalyptus trees and offers a variety of locally produced wines and ice creams to enjoy alongside movie showings. The owner, Ina Koutroubilis, says, “Our guests tell us that the cinema is like an enchanting secret garden that harks back to the Golden Age of cinema. They come for the whole experience.”
The Oriental Theatre in Milwaukee, Wisconsin, was constructed with details from Indian, Moorish, Islamic, and Byzantine architectural styles and is known today as Milwaukee’s Historic Movie Palace. Karina Henderson, marketing director of Milwaukee Film, notes, “You can watch a lot of movies on your screen at home, but the experience of going into a magnificent building, sitting in a dark theater, putting away your glowing screens for a couple of hours, and letting yourself be immersed in someone else’s story — that’s an amazing thing in this day and age.”
In a world of commercial-free marathon-watching, a night out at the theater is even more of a luxury than in the past. These otherworldly theaters around the world take entertainment to a higher level.
Open Air Cinema Kamari
Open Air Cinema photo by cinekamari.
The Oriental Theatre
Photo by Jake Hill / milwaukee film.
San Francisco, California
Photo by Charlie Villyard Photography.
Elevated with Flavor
Foreign Cinema in the Mission District of San Francisco, has been a San Francisco Chronicle “Top 100 Restaurant” for 18 consecutive years and is first and foremost a restaurant. Yet the added 35-millimeter films displayed nightly on their outdoor courtyard screen transforms the establishment into an intriguing combination. This pairing of food and film is not a new one, but one that continues to appeal to guests. Gayle Pirie, co-owner/co-chef of Foreign Cinema, explains that at Foreign Cinema, they united culinary and cinematic experiences in an honest way that proved successful.
“At the restaurant, visual media collides in such a way that the aesthetics of the screen flicker easily alongside the vibrancy of the plates,” says Pirie. “This pairing makes sense since the Mission neighborhood, where the restaurant is located, has a rich theatrical past. In the 1950s, it was the city’s hub for movie theaters. In many ways, we’re honoring this legacy while spotlighting the ideals and flavors that have come to define California cuisine.”
Foreign Cinema’s refined menu elevates the experience to an even higher standard. Keeping with seasonal and local ingredients common in California cooking, the restaurant also draws on inspiration from the Middle East and Africa. “Our sesame fried chicken with madras curry and spiced honey is a signature dish we nearly never take off the menu,” says Pirie.
Another example of food and film can be found at the Edible Cinema in London, England, where each guest is supplied with a variety of mystery boxes containing a small tasting menu tailored to specific moments in each film. The element of taste enhances the experience and entertainment without competing for attention.
The Paris Theatre was the last single-screen movie theater in Manhattan. With its history and overall classic atmosphere, many were highly disappointed when the doors closed in August 2019. According to The New York Times, the theater was a favorite among locals and tourists and was known for playing foreign films in their original languages.
Although the venue closed, a surprising new owner has reopened its doors — Netflix. The streaming company will use the theater for Netflix-original movie debuts, special events, and other screenings. The venue is over 70 years old and instantly brings to mind the Golden Age of cinema as it sits across from The Plaza in bustling Manhattan.
The Grand Rex Theatre
Top photo from Picasa.
Bottom photo courtesy The Grand Rex.
The setting of these theaters begins the journey for guests and sets the tone for the afternoon’s entertainment. For the Foreign Cinema, “The long corridor leads to an unexpected oasis, much like the rabbit hole in Alice in Wonderland, with a climactic courtyard scene illuminated by the flicker of our 35-millimeter projected films and juxtaposed with the roaring hearth centered in the main dining room, all encompassing the warmth of our community of diners,” according to Pirie.
When entering the Open Air Cinema Kamari, “You will find yourself in a lush green garden, surrounded by eucalyptus trees and fragrant night-blooming flowers. We usually play ’50s Jazz music and together with the decoration and lighting design, guests are already enchanted,” says Koutroubilis.
Glitz and Glamour
It was not uncommon for guests to arrive at theaters in sequined ball gowns and tuxedos at the start of cinema and for many years to follow. Although there are more casual options for viewing movies today — such as the living room sofa — the idea of luxury is still a defining component for theaters around the world. According to Henderson, “The grandeur of our building makes any movie into an event,” she says about The Oriental Theatre. “It’s uplifting to be surrounded by the beauty of a gem like the Oriental Theatre, and then sit down and watch an amazing film.”
Similarly, the decadence at The Grand Rex has stood the test of time and continued to draw guests in, only to convince them to return time and time again. Along with the balcony seating and fine finishes, the star-covered ceiling gives the illusion that guests are outside, adding to the glamour of the venue.
There was a sense of community and conversation that stemmed from early theaters when guests would dine, enjoy a film, and then go dancing afterward, making it a whole night of glamourous entertainment and socialization. The theater was a way to experience and learn about far away people and places, which not everyone had the opportunity to enjoy and is still a part of the appeal today. “In 2019, we brought 349 titles from 45 countries over 15 days to our film-loving Festival-goers. It’s truly a community event, and the Oriental Theatre is always busy during the Milwaukee Film Festival,” says Henderson. “Watching a film in a theater is still a special experience that you can’t replicate at home on your TV or tablet.”
Photos by John A. Peralta
John A. Peralta began taking things apart long before he was compelled to truly pursue art. “I was always breaking things open to see what was inside. I’ve had such wonder for the tiny components that make something work,” he says.
Now a self-taught artist based in Austin, Texas, Peralta has a unique taste for both science and how things work as well as art. While working as a business consultant, he began painting as a way to tap into and satiate his creative side. The exploded diagram, which has been an essential engineering tool, melds Peralta’s contrasting interests and inspired his work.
An exploded diagram of a bike on the back of a magazine was Peralta’s original inspiration, but since then, his work has begun to evolve over the years. “It’s more about a concept that imagines that these machines we use — that we often take for granted and use every day — they hold our memories,” according to the artist. “And sometimes in literal ways. The typewriter has an imprint of every letter, every document permanently imprinted on it. It could never be deciphered today, but nevertheless it’s in there.”
Peralta’s art reveals the inner workings of a time in history or a memory. The contrast between machinery and emotion creates enchanting displays and elicits a feeling when you see them. The idea of machinery holding memories extends to all of our objects, according to Peralta. “It’s why we become nostalgic years after for antiques or whatever it might be. We attach emotion to these things and they hold our memories and it’s sort of two-way relationships with the objects in our life.”
Peralta describes a large pile of items in his studio that he might one day choose to take apart, but there is a method to deciding which items he will display. “I usually choose something that would be considered iconic. Something highly recognizable, and familiar, but most of the time, it’s also something that is no longer in use,” he says. Often, he chooses items that people may have seen in their grandparents house or in an antique store. “Those items have a lot of emotion and nostalgia connected to them. I’m also looking for things that the designers and architects put a lot of time and careful thought into.”
“For some reason, it has a strong appeal. I’m not entirely sure why,” Peralta says about the exploded diagram concept, explaining that most people see them in their everyday lives without realizing, but their eyes still light up when they see it displayed like this. “Because it’s not like you can’t see the string. At first, I tried to hide it. I tried all different things to try and hide the suspension. But I began to realize that I actually shouldn’t hide it. The string really contributes to the piece.”
In the Future
Working mainly on commissioned pieces these days, Peralta is still working on a few ideas that continue to push the boundaries of the exploded diagram concept. When asked what his dream projects are, he says, “There’s actually two. I’ve been wanting to do — and I haven’t really gotten anyone to pull the trigger yet — and that’s a grand piano. I think it would be very impressive. I imagine it in a large hotel with a high ceiling or something like that. And the other one is a fighter jet, which would obviously be a very big piece. It would need a superstructure to support it. But I have some really cool ideas of how it would look.”
When it comes to kitchens, the popularity of all things smart and sanitary is soaring, as consumers gravitate toward antimicrobial features.
Almost a sous chef, innovative, hands-free faucets such as U by Moen fill pots with exact amounts of hot or cold water or anything in between.
Seemingly overnight, touchless faucets, easy-open drawers and an ever-growing array of kitchen tech morphed from “nice-to-have” amenities to “must-haves” as the desire for cleanliness and safety eclipsed convenience.
Indoor air quality, purified water and clean surfaces rank high with consumers. Before the pandemic, interest in wellness at home was on the rise; now, amenities that bring a hygienic benefit, particularly in the kitchen, top wellness demands. A desire for simplification with easy-to-clean cabinets and counters along with healthy living are micro themes expected to steer product development and design in the future, according to the National Kitchen and Bath Association.
Even trusted materials such as wood, cork and brass are now considered for their capacity to shed germs or resist contamination. “All our faucets are solid brass construction and therefore, by the very nature of the metal, have additional antimicrobial properties,” points out Noah Taft, senior vice president of marketing and sales at California Faucets, noting the benefit of brass over less costly materials
As the desire for healthy homes builds, so does interest in water quality. Filtration has become an important focus, according to experts at Kohler, who say more than 75 percent of customers already take measures to filter their drinking water. In January, Kohler introduced a four-stage reverse osmosis purification system designed to fit in the cabinet under the kitchen sink. The system reduces contaminants, including lead, mercury, chlorine, bacteria, virus, arsenic, copper, fluoride and more. With a capacity of 27.5 gallons per day, it would replace approximately 200, 16.9 oz. bottles of water.
Sinks used to be, well, just sinks, until Rohl and other manufacturers elevated the status to “water appliance.” According to estimates, the kitchen sink used to be frequented 10 to 30 times a day. Now, after weeks of sheltering at home and a hyper-focus on handwashing, the sink is getting more use than ever and receiving lots of scrutiny regarding design, ease of use and even appearance.
“Kitchen sinks and faucets are on the front lines of keeping a home clean and safe — used continuously for food preparation, hand and dishwashing,” says Edyta Drutis, director, brand and communications, at Blanco North America. Blanco’s Silgranit stone-like sink material is nonporous, resistant to stains, scratches, chips, acid and heat. Acting as a shield against dirt and contaminants, it reduces bacterial growth by 98 percent. The hydrophobic surface pushes away dirt and water, so it drains easily and cleans with soap and water or baking soda.
When it comes to sinks, bigger continues to be better. Even before the pandemic, experts at the National Kitchen and Bath Association noted increased demand for large sinks to accommodate tasks as diverse as washing fresh produce and jumbo pans, to babies and the
More Power Per Drop
Look for faucets designed to do more than deliver water. Lenova introduced a model that takes washing produce or the dog’s bowl to the next level by integrating ozone into the flow. Recognized as a safe, non-toxic way to kill viruses, bacteria, mold, yeast and algae within seconds of contact, aqueous ozone has been extensively tested and clinically proven, according to Lenova. Not only does it sanitize surfaces, but it can be used to wash produce, and it even removes pesticides.
Adding more cleaning power to each drop, particularly for sprays, is another objective for manufacturers. Kohler recently introduced options such as a faucet sprayer with nozzles aligned to create a forceful blade of water to sweep away stuck-on food. Another, a soft spray, preps berries without bruising. Moen optimized its sprays to deliver 50 percent more spray power while containing the splash — great for messy pots and messy hands.
Look Ma, No Hands!
Touch-free faucets have been around for a few years. In the first versions, sensors would activate the flow in response to a motion. Then, voice control was added. The most recent innovation enables homeowners to activate faucets via Alexa or Google Home. Turning the water on and off is only part of what U by Moen — a Best of KBIS 2020 winner — delivers. Instead, it can fill a baby bottle with just the right amount of water at the right temperature or load a pasta pot with precisely four quarts of hot water, freeing the cook for other tasks. Metered dispensing ranges from one tablespoon to 15 gallons, and temperature commands can be exact degrees or merely hot or cold. “Baby bottle” and other customizable presets simplify commands.
Hard As Glass
“Glass tiles are not porous and do not possess characteristics that allow or promote the growth or life of microbes, bacteria, or germs,” explains Jim Stevens, brand manager for Lunada Bay Tile. “Keep in mind that the grout between each tile is porous and does not have these same characteristics. However, grout is usually set down, below the top surface of the tiles, so direct contact is less likely. And grout could be sealed with an antimicrobial sealer to create a safe and sanitary surface.”
Glass tiles, which are nonporous, also mesmerize.