Zany patterns. Punchy palettes. Combinations of materials from the concrete to metallic.
As Claire Elsworth of Claire Elsworth Design notes, the eccentric spirit of Maximalism is both magical and rebellious. It encourages traditional rules of design to be broken and conventional boundaries to be overstepped. From patterned wallpapers and dark paint to a velvet sofa with an eclectic mix of textures pillows, the goal is to be courageous in your design, and to love the “more” aesthetic.
“‘More’ is a love and appreciation of pattern, color, collection and curation,” Elsworth notes, “with a sheer joy of fusing, contrasting, styling and layering all that gloriousness together.”
Photos courtesy Sasha Bikoff.
Maximalism has been embracing “the more” of design since the 1980s with the creation of Memphis Milano in the 1980s, a legendary postmodern design group that championed the style and made it a staple in the industry. Author and design journalist Claire Bingham notes in her book, More is More: Memphis, Maximalism and New Wave Design, that after experiencing the “riot of color and pattern” indigenous to styles like Memphis, the 90s saw a rise of Minimalism, a stark contrast with designers such as John Pawson and Calvin Klein focusing on purity and simplicity.
“There has always been minimal versus maximal throughout time, but the rise of the Memphis/80s style was a kickback from the elegance of mid-century design and a desire to rethink how objects could look,” Bingham writes. Although minimalism has been an ever-developing presence in today’s world, the Memphis style and Maximalism as a whole has found its way back into the hearts of young impressionable designers looking to become expressive in a more vivacious, free-spirited way.
In More is More, Bingham spoke with a host of contemporary designers, as well as Peter Shire and George Snowden, some of the original founders of the Memphis group, who truly embrace and understand the spirit of Maximalism. “It’s not so much to do with a style,” she says. “Maximalism could look like anything — romantic and frilly, graphic patterns, disco … It’s like playing dress up for the home.” To quote the vivacious Iris Apfel, “more is more and less is a bore.”
Famed New York designer Sasha Bikoff was dubbed the “interior designer for the young and wealthy” by The New York Times. Bikoff affirms that she was at the forefront of Maximalism’s revival when she started her firm seven years ago, a revival she credits to the growing millennial culture. She says that like anything in history there’s an action and a direct reaction. Instead of creating simplistic looks that can be easily replicated for the masses, younger designers and people want to create spaces and live within spaces that are unique, that share a likeness of themselves, a desire that has stemmed such creative outlets as Instagram, Pinterest and other social media channels.
Photo courtesy © Claire Elsworth 2017
To heighten the effectiveness of Maximalism, Bikoff says that one of the most important aspects of this style type is the use of color, noting that in her own designs color helps bring out an emotional response. She notes that it’s important to surround yourself with colors and objects, patterns, and textures that make us happy and bring life into your home. “The same way I dress with fashion — as my fashion choices are bold and confident — is how I want my rooms to feel,” she says.
Just like personal fashion, each Maximalist designer and design is different and based on both creative taste and what each designer finds inspiring. For example, Bikoff’s aesthetic can be derived from 18th-century French Rococo, 1960s Space Age Modern, 1970s French Modernism and 1980s Italian Memphis Milano. An affinity for new experiences, her love of travel helps add to her ever-developing color palette, which you can see in her projects. “Marrakesh is a place I travel to all the time, and the colors of the spices you find there are so amazing you can see them all in a color palette, from bright turmerics to smoky paprikas,” Bikoff says.
Photo courtesy Claire Bingham.
Elsworth’s firm focuses on luxury wallpaper and home décor, and is known for intricate yet bold Maximalist features in every design. She hand sketches her designs, which are inspired by her short concept stories about an imaginary Duchess called Violacea Macrobothrys and her beautiful old aristocratic house — “a Maximalist treasure trove paradise!” she says. These stories weave through six collections of wallpapers and cushions, displaying both Elsworth’s love for drawing as well as her favorite aspects of Maximalism.
“I’ve always been drawn to anything ornately detailed, whether it be textiles, interiors, art, or historical architectural details,” Elsworth says. “So, I was naturally drawn to the Maximalist style long before I even knew there was a name for it.”
To embrace Maximalism in an everyday space there is a variety of ways one can incorporate aspects of the style. Bikoff says that some of the best Maximalist interiors are just showing off pieces from trips you’ve taken all in one space, even if they do not particularly go together. “The whole idea of Maximalism is that it’s the kind of space for a true collector, a space that tells a story.”
Photo courtesy Sasha Bikoff.
Photo courtesy Claire Bingham.
Photos by John A. Peralta
John A. Peralta began taking things apart long before he was compelled to truly pursue art. “I was always breaking things open to see what was inside. I’ve had such wonder for the tiny components that make something work,” he says.
Now a self-taught artist based in Austin, Texas, Peralta has a unique taste for both science and how things work as well as art. While working as a business consultant, he began painting as a way to tap into and satiate his creative side. The exploded diagram, which has been an essential engineering tool, melds Peralta’s contrasting interests and inspired his work.
An exploded diagram of a bike on the back of a magazine was Peralta’s original inspiration, but since then, his work has begun to evolve over the years. “It’s more about a concept that imagines that these machines we use — that we often take for granted and use every day — they hold our memories,” according to the artist. “And sometimes in literal ways. The typewriter has an imprint of every letter, every document permanently imprinted on it. It could never be deciphered today, but nevertheless it’s in there.”
Peralta’s art reveals the inner workings of a time in history or a memory. The contrast between machinery and emotion creates enchanting displays and elicits a feeling when you see them. The idea of machinery holding memories extends to all of our objects, according to Peralta. “It’s why we become nostalgic years after for antiques or whatever it might be. We attach emotion to these things and they hold our memories and it’s sort of two-way relationships with the objects in our life.”
Peralta describes a large pile of items in his studio that he might one day choose to take apart, but there is a method to deciding which items he will display. “I usually choose something that would be considered iconic. Something highly recognizable, and familiar, but most of the time, it’s also something that is no longer in use,” he says. Often, he chooses items that people may have seen in their grandparents house or in an antique store. “Those items have a lot of emotion and nostalgia connected to them. I’m also looking for things that the designers and architects put a lot of time and careful thought into.”
“For some reason, it has a strong appeal. I’m not entirely sure why,” Peralta says about the exploded diagram concept, explaining that most people see them in their everyday lives without realizing, but their eyes still light up when they see it displayed like this. “Because it’s not like you can’t see the string. At first, I tried to hide it. I tried all different things to try and hide the suspension. But I began to realize that I actually shouldn’t hide it. The string really contributes to the piece.”
In the Future
Working mainly on commissioned pieces these days, Peralta is still working on a few ideas that continue to push the boundaries of the exploded diagram concept. When asked what his dream projects are, he says, “There’s actually two. I’ve been wanting to do — and I haven’t really gotten anyone to pull the trigger yet — and that’s a grand piano. I think it would be very impressive. I imagine it in a large hotel with a high ceiling or something like that. And the other one is a fighter jet, which would obviously be a very big piece. It would need a superstructure to support it. But I have some really cool ideas of how it would look.”
For years, Rolls-Royce Motor Cars has been at the pinnacle of style, class and design. What people may not be aware of is the company’s dedication and connection to art. The iconic luxury car company continued its expansion into the art world for a good cause in September, teaming up with famous British artist Marc Quinn.
The production line of Rolls-Royce in the founding location of Goodwood, West Sussex, England provided the stage for the company’s “Evelina Art for Allergy x Dine on the Line” philanthropy event where a generous £1.7 million was raised through an auction to support allergy research by Evelina London Children’s Hospital.
“Rolls-Royce was introduced to the charity Evelina London via connections in the art world,” says Jessica Persson Conway, manager of Art Programme & Philanthropy. As the largest allergy service of its kind in Europe, Evelina London provides specialized care to children across the country who suffer with an allergic condition.
De Pury led the successful night featuring Quinn’s mesmerizing work. ©2019 David M. Benett.
“Marc is a world-renowned contemporary artist,” Conway continues. “Rolls-Royce has great respect for his work and particularly admire his Iris paintings, which is the subject chosen for this collaboration.”
Everyone locked eyes on the big prize of the night, a Phantom designed with one of Quinn’s pieces from his collection entitled “We Share our Chemistry with the Stars.” The ongoing collection features large, colorful paintings of irises from eyes.
Art auctioneer Simon de Pury, who led the vivacious auction compared the artwork to that of the psychedelic Phantom V owned by John Lennon, calling it “the 21st century equivalent.”
Phantom is the apex model of Rolls-Royce and the company, encompassing the luxurious experience of driving and owning a Rolls-Royce.
“The car has been the canvas of some of the most extraordinary expressions of bespoke craftsmanship,” Conway says. “The Rolls-Royce Bespoke Collective work hand-in-hand with patrons around the world to bring unique and highly personalized creative visions to fruition.”
The prized Phantom featuring Quinn’s artwork. Photo courtesy of Rolls-Royce Motor Cars.
The winning bidder of Quinn’s creation won the opportunity for the artist himself to create his own bespoke artwork featuring the iris of the bidder’s daughter, using the Phantom as the canvas. The drivable work of art raised an outstanding £888,000.
Rolls-Royce’s affiliation with art stems from its beginnings as a company, with the different models of cars becoming an “expression of creative will.” Conway noted that for over 100 years the bonnet, or front-hood, of each car is “graced with the Spirit of Ecstasy, a figurine created by sculptor Charles Sykes.”
The “Spirit of Ecstacy” by sculptor Charles Sykes. Photo courtesy of Rolls-Royce Motor Cars.
In 2014, the company founded the Rolls-Royce Arte Programme, an initiative made up of commissions with leading artists and institutions. Recently, the company announced a new vision for the program called Muse.
“Muse will further Rolls-Royce’s relationship with art through two new biennial initiatives, the Dream Commission and the Spirit of Ecstasy Challenge,” Conway says.
The company also prides itself with its devotion to philanthropy, emphasizing how events, such as “Dine on the Line,” bring important attention to charity organizations.
“Patrons of Rolls-Royce are often highly successful, noteworthy individuals, many of whom are major philanthropic donors,” Conway says. “It gives us great pleasure to introduce the Rolls-Royce network to such a worthy cause.”
Maroon Bells ASPEN / COLORADO
Photo: Vkoulampet / wikimedia commons
Originally named for the abundance of aspen trees in the area, Aspen’s abundance has grown exponentially in terms of luxury, from fine restaurants and world-renowned ski resorts to some of the most artistic and culturally stimulating experiences. These aspects and more are appealing to buyers and continue to shape Aspen’s diverse, high-end lifestyle.
Though the market is plentiful with a large inventory of luxury property options, the Aspen market is finite due to local and state development rules that restrict building in certain areas of the town, according to Craig Morris of Aspen Snowmass Sotheby’s International Realty. “Supply and demand are always in favor of our sellers,” he says, but adds that what people want is nearly always achievable. These demands result in an interesting balance of both classic, historic homes with original architecture, and newer construction primarily built on “teardown” properties.
This interweaving of old and new structures is special to Aspen, says Carrie Wells of Coldwell Banker Mason Morse Real Estate, as it further adds to the character of the town and continues to bring in affluent buyers seeking luxury amenities. She notes that particularly in downtown Aspen, the “core,” new residential developments are not permitted and current properties have become more valuable. Wells, and other agents like Robert Ritchie of Aspen Snowmass Sotheby’s International Realty, say buyers have grown to cultivate lifestyles in Aspen to fit their own needs. Bespoke estates are either renovated internally, increasing their worth, or new homes are being built more beautiful and upscale than the last. Though Aspen seems to be constantly changing, Ritchie says changes help “shine it up” and ultimately makes the town look good.
And truly, “looking good” is an understatement when considering the luxury and culture that exist in every corner of the city. From an exclusive G650 club and top-rated restaurants to a variety of world-class ski resorts and outdoor amenities, Aspen’s elite can find their true home in a place like this. Whether you hit the slopes or visit the Aspen Music Festival every year, Aspen is a place that can fit any lifestyle, which to buyers is often a priority. “We live in our own little fantasy world and people often suggest that living here is not ‘the real world,’” Morris says. “It’s the ‘real world’ to those that decide to put living and lifestyle at the top of their list, and when they do, they never look back.”
Coldwell Banker Mason Morse Real Estate
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Ask any stylist the key to a successful shoot and you’ll find yourself in a conversation about lighting.
More than just aesthetics, it possesses its own emotional language, writing atmosphere and warmth into contemporary interiors. If you or your home are feeling a little under the weather, consider experimenting some with some new lighting. You might be surprised at the life it brings.
To help you get started, Chaplins Furniture has created a shortlist of the best new launches this season…
On the Move
Freed from the shackles of cables, today’s best designer lighting its portable, fun and ready to move. Opt for the comfort of a time-honoured lantern or keep things contemporary with a colourful new BELLHOP.
Ideal for study nooks, reading or outdoor soirees, these versatile luminaires reimagine the intimacy of candles for the modern age.
All clean lines and essential silhouettes, sleek Scandi finds beauty in the bare minimum, offering a serene reprieve from the clutter of contemporary life. Leading the subtle style stakes are the new POST WALL LIGHTS by Muuto.
Thanks to a system of magnetic wall brackets, they can be arranged in striking linear configurations, with 360 degree swivelling bulbs and touch-controlled dimming.
Back to Black
In 2020, designers are experimenting with classic drama, revealing a host of iconic designs in sleek matt-black colourways. Seductive and bold, the new palette feels fitting for this time of year, updating winter homes with a little monochrome magic. A new favorite? The New PH Artichoke in BLACK, a daring design statement if ever there was one.
We couldn’t sign off without mentioning a handful of new retro lights that are making waves in maximalist circles. Boasting everything from 70s fringe through to art deco prints, these funky designs pack a serious punch, with island culture inspiring the creation of the new ARCIPELAGO LAMPS and CONTARDI’S extended CALYPSO collection.
All photos courtesy Chaplins Furniture.
Exclusive writing instruments elevate the tradition of putting pen to paper — a ritual technology cannot erase — into fine art.
Writing a check or signing a document is generally a routine task, one far too often facilitated by an 89-cent piece of plastic and aluminum. But a bejeweled, limited edition writing instrument can transform a simple signature into a truly artistic expression.
Nancy Olson, a leading authority on fine writing instruments, reports, “Unlike many other luxury collectibles, a pen is portable, user-friendly and has a cultural element because of its link to writing and the arts.” Olson, who is also a prominent commentator on timepieces, notes the parallels between the two instruments, stating, “Pens and watches are both small, mechanical objects that provide a healthy hit of extravagance and enjoyment when worn or used.”
Among Olson’s favorite designers are German manufacturers Pelikan and Montblanc, the latter the high-end brand with the greatest mainstream name recognition. Montblanc pens have long been considered luxury items, but many are surprised to learn that some of the company’s limited edition writing instruments cost not hundreds, but hundreds of thousands, of dollars.
Montblanc collaborated with elite jeweler Van Cleef & Arpels on a $730,000 pen bejeweled with diamonds, rubies, emeralds, and sapphires to commemorate both companies’ 100th anniversaries in 2006. The manufacturer’s Meisterstück Solitaire Royal LeGrand fountain pen is copiously embellished with more than 4,600 diamonds and valued in excess of $200,000.
Olson reports the qualities collectors admire most in pens are craftsmanship, scarcity and the ability to convey a story.
Les Quatre Couleurs from David Oscarson commemorates the evolution of playing cards. Courtesy of David Oscarson.
The 1010 Timekeeper by Caran d’Ache celebrates the watchmakers that share the company’s hometown of Geneva. Courtesy of Caran d’Ache.
Few brands have mastered storytelling better than St. Louis-based David Oscarson, whose eye-popping writing instruments encompass a remarkable diversity of themes. In addition to celebrating the natural world, art or architecture, Oscarson pens commemorate historic figures such as the Romanovs of Russia, Lewis & Clark and Sir Alexander Fleming, the bacteriologist who discovered penicillin. Most Oscarson issues are priced at about $5,900, but special editions command more than $250,000.
One David Oscarson pen — a blue and silver piece featuring the Star of David and the Three Crowns of Sweden — honors Raoul Wallenberg, the Swedish diplomat who harbored thousands of Jews during the Holocaust. The limited production of each theme often involves a bit of trivia, such as the 63 pens honoring Alfred Nobel (the philanthropist’s age when he died). For most David Oscarson pens, enamel is applied over metal manipulated through the painstaking technique of guilloché, an ornamentation process pioneered by Fabergé.
“There aren’t a lot of choices for gentlemen who like accessories,” states Oscarson. “Beyond wristwatches, there are very few pieces of men’s jewelry that are sustainable in style,” adds the industry veteran.
A one-of-a-kind special edition fountain pen from the company, crafted from solid 18-karat gold and encrusted with nearly 35 carats of white, yellow and caramel diamonds, has been offered on the resale market for $755,000.
“I judge a manufacturer by the quality of its pens and its creativity in putting a fresh face on what, in essence, is a very small canvas,” says pen commentator Olson. She cites Caran d’Ache’s 1010 Timekeeper, a limited edition that cleverly pays homage to the art of watchmaking, the industry that dominates the company’s hometown of Geneva.
That fountain pen ($11,500) features a reinterpretation of the elements of a watch dial. Its silver- and rhodium-plated cap was inspired by watch strap design and a piston pump with a ruby accent is reminiscent of a watch’s winding crown. This model follows a 2008 limited edition of ten 18-karat gold 1010 pens, currently priced on the resale market at about $150,000.
Caran d’Ache also produced an 18-karat gold fountain pen — another piece valued in the hundreds of thousands of dollars — sheathed in more than 4,100 brilliant diamonds and accented by a band of 108 emeralds. This unique writing instrument, whose precious stones were set by Geneva jeweler Pierre-Yves Bonzon, took about six months to complete.
Gregory Hengesbaugh, national sales manager for Creative Art Materials, Ltd., the exclusive distributor of Caran d’Ache in the U.S. and Canada, reports the venerable firm enjoys a worldwide cult following.
“The brand benefits from Swiss manufacturing traditions, whose exacting precision in watchmaking carries over to fine writing instruments,” says Hengesbaugh.
Top: Italian manufacturer Aurora is renowned for its meticulous craftsmanship. Courtesy of Aurora.
Above: David Oscarson’s elegant Russian Imperial series reflects techniques pioneered by Fabergé. Courtesy of David Oscarson.
The limited edition samurai fountain pen reflects Montegrappa’s elaborate themes. Courtesy of Montegrappa.
No company on the planet celebrates the pen as an objet d’art as well as Montegrappa, Italy’s oldest manufacturer of fine pens. Last year it released a limited edition Samurai fountain pen ($15,000) that is a wealthy grown-up’s version of a toy soldier. Each of the 177 sterling silver sets (packaged in a black lacquered box) includes an armored warrior, along with a katana sword case that contains a letter opener.
Prices of limited edition luxury pens can be stratospheric, but the $8 million reportedly paid at a Shanghai charity auction has remained a safe record since 2010. Commanding that astonishing figure was the Fulgor Nocturnus from Italian manufacturer Tibaldi (a subsidiary of Montegrappa), copiously embellished with 945 black diamonds and 123 rubies.
Aurora, another venerable Italian pen maker, claims its Diamante fountain pen — whose graceful platinum form is sheathed in 1,919 De Beers diamonds totaling 30 carats — is the most exclusive writing instrument in the world. Almost too exquisite to use, just a single Diamante, priced at more than $1.4 million, is available each year.
Nancy Olson reports many collectors place a premium on the provenance of pens, collecting almost everything produced by a specific brand. Acknowledging pen aficionados’ diverse motivations, she states, “Some use all the pens in their collections and really appreciate the art of writing while others keep their pens in their original boxes, never to see a drop of ink!”
Either way, luxury writing instruments are in no danger of going out of style. “There’s something about a fountain pen that’s majestic,” suggests pen maker David Oscarson.
What could be easier to give your own home personality than with the right photo?
Whether it’s a memorable quote or drawing, sophisticated or playful — the right wall decoration can give a home that unique touch that helps further showcase you and your style. When finding the perfect picture, there are some tips that can help to skillfully stage the personality of your space. Katarzyna Kolenda, interior expert and managing director for Dekoria GmbH, reveals which wall decorations suit which type of home decorator and gives tips on how to arrange them perfectly.
Your Natural Habitat
From natural wood to walls of stone, untreated natural materials have once again become the focus of many interiors today. The comfortable, light effect that natural designs have on a room’s style is undisputed and can even be proven to reduce stress, from images of greenery and nature itself to a simplistic color palette of softer greens and whites. So what would go better with an urban jungle look than botanical motifs and photos full of vibrant greenery?
Nature lovers can live out their great passions when choosing frames and photos. For example, canvases that display green or wooden elements give the room a rustic, creative charm. “As [if back] in the forest, the botanical motifs should find their perfect place on the wall,” advises Kolenda.
More than Words
The home is a place where you most feel comfortable, a perfect place to organize your favorite thoughts and feelings and give them a place of importance visually, such as a framed photo of a quote or life motto. If you frame a motto of life on the wall, it not only looks modern but also conveys a message to visitors, whether it’s to “Be brave!” or to “Find the beauty in every day.”
“Statements and sayings no longer just belong in the notebook or on a T-shirt,” says Kolenda. “You can give rooms a new mood in just a few moments while looking calm and trendy, especially when combined with other pictures.”
The Art of Change
Each photo or art piece reveals a lot about the person who puts it on display, whether it’s floral patterns for nature lovers or action heroes for die-hard cinema fans. “When finding the right picture, people should simply listen to their gut,” summarizes Kolenda. With passion comes the potential for change, so do not be afraid to change your art or photo style over time. Like art itself, style is never truly static and therefore has the potential to show growth and change.
Known as the King of Pop Art, L.A.-based artist Nelson De La Nuez is one of the most sought-after pop artists working today. His work is regularly exhibited at prestigious art fairs, such as Art Basel Miami and Art Central Hong Kong, as well as promoted through partnerships and private collections, including a series of works for Warner Bros. to commemorate The Wizard of Oz’s 70th anniversary.
In an interview with De La Nuez, he discusses how the incorporation of images from American pop culture, today’s advertising, high-end branding and more have strongly influenced his artwork since the 1980s.
What kind of memories do you have from your childhood?
I was born in Havana and I came here to Southern California when I was seven years old, started first grade here. I still remember Havana, which I can remember back to when I was three years old. I took it all in. Fond memories of going to the beach, riding my bicycle around the neighborhood, doodling in the backyard.
How did your childhood affect you later on as a person, as an artist?
Well I’ve always been an artist, ever since I can remember. That kind of kept me entertained for hours, I would always get lost with [my art]. I love sports, but art has always been there for me. It was my escape. It was just a way to get away from everything.
Do you still use art to get away, now that it’s your career?
I’m always thinking 24/7 about what I am I gonna do, about ideas — so what I do is I jump on and go motorcycle riding and that kind of helps me come back again and revisit a piece or an idea, and look at something differently. What I was looking at a half hour ago looks different now, since I’m in a different state of consciousness, and I get to relax.
The Good Life
What kind of themes do you see from your childhood that are presented in your art now?
Most of what I do today is rooted in American themes from my childhood. I remember coming here [to America] and I remember seeing on TV the first Superman, TV commercials, the mascots — it all just spoke to me and I just absorbed it like a sponge.
How did these themes develop into your style?
The reason why I’m doing pop art is because of everything I observed early on when I came to this country. Living in
California is like living in a fantasy land when you come from a different country. There’s billboards, commercials, advertising, and you never know where the ideas come from. When I really think back, a lot of what I do today is really a reflection of what I was thinking and experienced when I was a kid.
Aside from your childhood, are there trends or present-day themes that inspire you?
I’m inspired by everything, literally. Every mundane object that you could think of I will look and see something there that I can maybe create into a piece of artwork. Whether it’s a billboard or a magazine ad, or an elusive train [of thought] I had the day before, I’ll ride it all the way down. I am really a byproduct of everything I’ve observed or experienced in my entire life. So I have this database in my subconscious where I can draw from.… Everything is art for me. It doesn’t necessarily need to be hanging on a wall, it could be fashion, it could be a song; everything is just an inspiration.
Corum Bubble Martini Watch
How does your art coincide with the clientele you usually work with?
Each partnership that I’ve done is
different, basically all with high-end brands. Each of them is unique and different; I just love working with high-end brands because it just puts my art on a different level and exposes me to a lot more people. Basically it provides a plateau to take my work to the next level and having the audience take a look at my work in a different way. That’s my audience, it’s always been a very well cultured, well traveled group that love high-end brands. It’s an audience that know what they want and how to express themselves, and they do that with my art.
What do you like most when people view your art in various forms?
I love when people react immediately. That kind of gives me a great deal of comfort. You put in all this energy and hard work and you don’t know what to expect. And they usually say “Yes, that’s the painting for me,” because it’s got legs, it speaks not just to them, but to a mass audience — it makes them happy, makes them smile, sometimes it makes them laugh. They know the perfect place that they want this for in their home. Some of them are drawn to a specific piece for no reason at all; they just relate to it.
Upper Left: First Class Girl – LA Art Show 2019
Bottom Left: High Maintenance (Left) and Yacht Life (Right)
Above: Chanel No. 5 (Black)
What’s a project you’d love to work on in the future?
I would love to design something like an entire hotel design, the colors, the furniture, the wallpaper. The other thing that I would really love to do is work with a cruise ship to design their rooms, or design the entire ship using my art. That’s kind of what I get excited about most, getting to do [art] on a large massive level, where it’s not just a small project, but a huge undertaking, to take it to another level.
Any advice for aspiring artists?
The number one piece of advice I can give is that you have to be committed to your craft. You need to find out who you are and what message you want to put out into the world, then you have to be good enough and clever enough and have something unique and different. You can’t just be a part-time artist, you have to do it full time and it takes a while.… Good art is subjective, but when you have people paying sometimes hundreds of thousands of dollars for your art, you know that you’ve done something right.
Lovers of Scandi’s enlightened sense of style will rejoice at the discovery of the beautiful Farringdon and Dorset collections of reclaimed wood furniture from Modish Living.
Modish Living was founded by husband and wife, Chris and Hellen Barlow in 2012 with an idea born around a wooden kitchen table to create an online boutique selling a handpicked collection of beautifully crafted, reclaimed, rustic and sustainable wood furniture.
Renowned for its simplicity and beauty, Scandinavian style shows no sign of losing its popularity in homes and interiors. Its pared-back and minimal style have evolved into a more cozy feel, focusing on sculptural organic shapes, earthy pigments, natural materials and textures, such as wood.
Everything from tempting trestle dining tables and family-friendly extendable tables to a welcoming wood bench and seriously stylish sideboards, these naturally rustic additions will add an instant Nordic vibe to your dining space. Made using aged reclaimed wood rescued from old buildings, Modish Living’s Farringdon and Dorset collections are the perfect fit for Scandi design devotees. Skillfully crafted to enhance the natural tones of the wood and given a renewed sense of purpose and style, these pieces evoke a sense of comfort, style and happiness.
As well as providing essential storage, this sideboard has a natural beauty and character. The natural markings of the reclaimed wood shines through the white painted finish, giving it a lived-in authenticity perfect for a Scandi feel dining room.
The distressed white base of the Dorset Extendable Trestle Table keeps the aesthetic neutral while adding warmth. Accessorize with a sheepskin rug and the large white bamboo pendant is styled here.
Three central drawers and two large cupboards offer plenty of storage for your kitchen essentials. The subtle lacquer accentuates the natural markings and history of the wood, whilst giving it a distinct Nordic feel.
The large pendant above the Farringdon extending table is made out of biodegradable woodchip; the perfect pared-back accessory to complement this 100-percent reclaimed wood collection.
Photos courtesy of Modish Living
Fashion and art lovers will fall in love with these items from textile designer and artist Dianne Erdmanis, who has created wearable art for nature lovers and more.
This artist offers a beautiful perspective that is also fashionable. Erdmanis has captured incredible, dreamy and realistic views of the Earth, as seen from space, on a 100-percent silk scarf. The beauty of the piece lies not just in the way the scarf so perfectly demonstrates a bird’s eye view of the Earth’s unique geography — it’s also hidden in the fact that it’s not a photograph.
Initially sparked by the enormity of uninspiring and mass-produced scarves on the market, Erdmanis wanted to create something unique, sustainable and inspiring. While staring down into the atmosphere of many trips through the clouds on planes, she wondered if there was a way she could capture the true-to-life beauty and geography of the landscape below her.
“I wanted to capture a zoomed-out view of the Earth as seen from a dizzying, almost stratospheric height,” says Erdmanis.
Erdmanis spent countless hours experimenting with paint color, viscosity, flow, and technique. Eventually, she found a truly unique but entirely cohesive method by which to achieve the look of bodies of water “melting” into the land, and vice versa, when viewed from space.
“The altitude had to be just right … so you could see our planet’s oceans, land, and clouds clearly,” she explained.
“The art told me a story,” says Erdmanis. “It made me feel like I was flying, it was beautiful.” The Earth Scarf resembles stunning views of the Earth captured by satellites or space telescopes, watching islands blend into the waters beyond it, depths of the oceans captured by darkening paint, hypnotic swirls of pink, aquamarine, coral and teal, that show how the land bleeds into the water while clouds float overhead.
Her greatest discovery was that her method led to an almost photo-realistic depiction of these aerial shots — except that these could now be printed onto an elegant silk scarf.
Photos courtesy of Pure Huntress